#1
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Can you get the same quality sound from a UST/UBT and preamp pedal compared...
Holy moly that title was getting long, I’ll just ask it here.
I’ve been keeping an eye out for a while for a guitar to potentially use in church. I have been looking at so many different kinds of guitars, but some of the ones that appeal to me most don't have electronics, which is fine because I hate exposed knobs etc on acoustic guitars. But if the guitar was mainly for performing, I would make an exception. Since I prefer no knobs, but don’t want to sacrifice good sound quality through the speakers, I’d like some second opinions. Again, I’m focusing more here on the pickup system than the guitar for my question. But here’s a few guitars with preamps I’ve been looking at: Yamaha A3M Yamaha FGX3 Potentially Taylor? Godin/higher end Norman without L.R Baggs Anthem. Guitars without these preamps built in: My current LL16 which I’m not selling or trading for the potential new guitar. Larrivee D40 (this is sort of out of the price range though) Larrivee D02 Yamaha FG3 If I got, let’s say the D02 or FG3, and installed a JJB pickup under the bridge, or installed a Fishman under saddle Matrix that a very generous person gave me that I’m putting in my new Folk guitar, but I could always hold off several months and put it in this 'down the road' potential guitar. If I ran to a decent preamp (I do own a new BBE Acoustimax that I don’t use as I don’t even have an acoustic amp) could I still get comparable tone with different pedals? Let’s say even the Baggs pedal preamp? Or is this even a debate, is it obvious that a guitar with a good built in system is going to have a better plugged in tonal quality than a passive pickup with pedals? Last edited by Wellington; 03-27-2020 at 02:53 PM. |
#2
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I think I get what you are asking... If you want to know if aftermarket pickups can sound as good as factory installed systems then yes they definitely can. However, there are variables. Some guitars that come equipped with pickups don't sound all that great so it's better to listen and see exactly what you want. I tend to always recommend getting a purely acoustic guitar and then installing electronics. Also, if you installed a UST pickup, chances are it won't sound as good as certain factory installed pickups like the Taylor ES2 for example.
Now to add to that, SBT's and UST's sound quite different. You won't find a UST that sounds all that acoustic, unless you pair it with a tonedexter or spectrum aura from Fishman. If you go that route, you won't be as happy as what Yamaha and Taylor offer (some Yamaha models do use a UST and a similar aura imaging) A SBT like the K&K is often a good start as it's consistent and sounds quite nice. If you are new to performing though, the K&K can take a bit of getting used to in terms of eq and feedback resistance. Again, I think you would do better to narrow down what sound you like. |
#3
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I have to like the guitar plays first, then the pickup system second. Ust guitars I had often struggled with to remove the quack. I settled on Taylor guitars for the stable sounding ES2 system.
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#4
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I've yanked every built-in system from all my guitars that had them and replaced them with passive SBTs.
In general, companies do not put in the best electronics - but the least expensive ones. That's just a fact of life in the manufacturing world. You'll never see a factory-installed Dazzo, for instance.
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-Gordon 1978 Larrivee L-26 cutaway 1988 Larrivee L-28 cutaway 2006 Larrivee L03-R 2009 Larrivee LV03-R 2016 Irvin SJ cutaway 2020 Irvin SJ cutaway (build thread) K+K, Dazzo, Schatten/ToneDexter Notable Journey website Facebook page Where the spirit does not work with the hand, there is no art. - Leonardo Da Vinci |
#5
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#6
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For curiosity sake, what's wrong with your LL16? I hated the way mine sounded plugged in, so I sold my LL16M. In fact, I'm not a fan of the Yamaha Zero Impact pickup. I have a CSF1 too and it sounded terrible plugged in...until I ran it through a Yamaha AG Stomp.
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As my username suggests, huge fan of Yamaha products. Own many acoustic-electric models from 2009-present and a couple electric. Lots of PA too. |
#7
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#8
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As my username suggests, huge fan of Yamaha products. Own many acoustic-electric models from 2009-present and a couple electric. Lots of PA too. |
#9
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I also have a Yamaha LL16......great guitar.
Right after I got it I took it to an open mic. Because of the passive p/u, it was pretty plinky/quacky sounding. I went back the next time with a Boss AD-2 preamp. To say it made a world of difference would be an understatement. I'd spend a little dough on an outboard preamp to try out if I were in your shoes. |
#10
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My partner's old Taylor + ES2 sounded quite presentable straight 'out of the jack', but it took ToneDexter to bring it up to a level I was getting with *only* a Dazzo. I've heard examples of all those systems (except Cole Clark) and for fast/hard picking, each one has too much 'sproing' in the tone for me - something the Dazzo does not. I guess we'll agree to disagree. I agree with your point that there is a range of quality available installed. I think something germane to the OP is that ease of use is it's own quality factor, especially live. A better built-in system will have an edge there.
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-Gordon 1978 Larrivee L-26 cutaway 1988 Larrivee L-28 cutaway 2006 Larrivee L03-R 2009 Larrivee LV03-R 2016 Irvin SJ cutaway 2020 Irvin SJ cutaway (build thread) K+K, Dazzo, Schatten/ToneDexter Notable Journey website Facebook page Where the spirit does not work with the hand, there is no art. - Leonardo Da Vinci |
#11
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I bought a Martin PA1 cutaway with what I had hoped to be Martins best electronics. 6 months later, I pulled it out and installed KK passive. Much happier.
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#12
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My thoughts:
A Taylor will sound good plugged in. Not great, but good. A great swiss army knife solution. A better onboard system is a Cole Clark with the three way pickup. Mic. USB UST with everything you need. Use any combination or just one. Your choice. Don't want to spend $2000? Take one guitar, get a set of Dazzos and either a Sunn Audio onboard DI, or a Stage One or Redeye. The other option is use any guitar with any pickup, even a UST, and train a ToneDexter, provided you really like the guitar, and can access a good mic. If I were only going to use one guitar amplified, and had a guitar that sounded good. I might be tempted to go with Dazzos and the onboard Sunn Audio pre. If I could see wanting to use multiple guitars, a ToneDexter makes sense.
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2007 Martin D 35 Custom 1970 Guild D 35 1965 Epiphone Texan 2011 Santa Cruz D P/W Pono OP 30 D parlor Pono OP12-30 Pono MT uke Goldtone Paul Beard squareneck resophonic Fluke tenor ukulele Boatload of home rolled telecasters "Shut up and play ur guitar" Frank Zappa |
#13
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As you can see there are as many solutions as there are opinions.
I'd not bought a guitar in a while but I went on a bit of a mission a few months ago for a decent stage guitar that ended up with me buying an old Takamine. I was pretty shocked at the quality of fitting and sound of some of the supposedly stage-ready instruments available from well known brands. Towards the lower end of the Martin, Taylor and even Yamaha ranges the electronics were nowhere near acceptable, uneven response across the strings and generally horrible plasticky noise. Some were OK but consistency was disappointing. These were up against my other old Takamine and cheaper guitars I've fitted pickups to including Crafter and LAG dreads and an old Framus archtop. All of these were better than the factory fitted systems at 1/4 the price. If you're handy with the tools you might be well served by the Fishman Matrix in your existing guitar or a reasonable priced player and either a Tonedexter or an IR loader like the Mooer Radar or more expensive Helix.
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Give a man a fishing rod... and he's got the makings of a rudimentary banjo. |
#14
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