The Acoustic Guitar Forum

Go Back   The Acoustic Guitar Forum > General Acoustic Guitar and Amplification Discussion > Custom Shop

Reply
 
Thread Tools
  #16  
Old 10-11-2018, 01:20 PM
JoeCharter JoeCharter is offline
Guest
 
Join Date: Nov 2008
Posts: 8,549
Default

Congratulations!

Your new guitar looks incredible (the cutaway one is cool, too).

I hope you still play it regularly despite the spectacular inlays.

I own #1419, #1449 and #1509. For my money, the finest guitars in the world.
Reply With Quote
  #17  
Old 10-11-2018, 01:51 PM
TuckerRE TuckerRE is offline
Registered User
 
Join Date: Sep 2011
Location: Mtns of Colorado, so I can be closer to God
Posts: 565
Default Kudos!

Kudos on the guitar and the inlay! I think the world of Larry Robinson… His willingness to work hard and be creative, all for a very reasonable price! Everyone should someday have a Larry Robinson inlay!

I have two on Stephen Kinnaird projects:an ancient Kaori SJ (Maori warrior inlay) and the now-famous ‘RenOvation’ with the Robinson MC Esher rosette (The subject of a very long thread on here.)

My ‘The Tree’ James Olson has plenty of natural bling.

Again, Kudos on yours!!
__________________
Martins 00-21, D12-20, D-45S, 000-21 Custom, D-18S (Ditson Ltd Ed)...yada yada...
St. Kinnaird Koa, Af BW, Bubinga, Myrtle, Kauri [Robinson inlay], SR Parlor, RenOvation, Mango Xover, IR/CoBluSpr 00
Santa Cruz Quilt Mah "The Tree" Ltd Ed VA and Padauk Custom F
Collings SJ Braz/Ger, 000-42Koa, UC3 Killer Koa
Jeffrey Yong's Seismic 2011 Japan Earthquake Tribute and a Quilt Mah "The Tree" Olson
Reply With Quote
  #18  
Old 10-11-2018, 02:04 PM
DamianL DamianL is offline
Registered User
 
Join Date: Jul 2007
Location: Scotland
Posts: 734
Default

Oh man, that’s as a good as guitars get...

But I still think I might prefer to own the Hi Fi system in the back!

Love those Avantgarde Trios...
Reply With Quote
  #19  
Old 10-11-2018, 02:24 PM
rlb9682 rlb9682 is offline
Registered User
 
Join Date: Aug 2015
Location: Texas
Posts: 550
Default

Reply With Quote
  #20  
Old 10-11-2018, 03:06 PM
alistairm alistairm is offline
Registered User
 
Join Date: Feb 2016
Posts: 7
Default

Thanks all.

Larry’s skill is reminiscent of the great craftsmanship from Medici Florence. And he’s an absolutely lovely person to deal with. Jim’s craftsmanship obviously speaks for itself, but I own many guitars and none of them exceed Jim’s work.

Rest assured that notwithstanding the inlays this guitar was built to play. I’ve been playing it since my fingers hurt in the first few days of ownership and it still feels surreal having it here. I’ll try and post some video over the weekend so you can get a sense of its voice.
Reply With Quote
  #21  
Old 10-11-2018, 09:05 PM
TomB'sox's Avatar
TomB'sox TomB'sox is offline
Moderator
 
Join Date: Dec 2014
Location: The Lone Star State
Posts: 13,513
Default

Can you share with us what direction you gave Larry regarding the inlay? Did you have something like this in mind or was it, hey fill up the fingerboard and make it outstanding? Just curious how this came to be.
__________________
PS. I love guitars!
Reply With Quote
  #22  
Old 10-11-2018, 09:50 PM
alistairm alistairm is offline
Registered User
 
Join Date: Feb 2016
Posts: 7
Default

Quote:
Originally Posted by TomB'sox View Post
Can you share with us what direction you gave Larry regarding the inlay? Did you have something like this in mind or was it, hey fill up the fingerboard and make it outstanding? Just curious how this came to be.
A great question. It was a slightly circuitous route. I had previously purchased around six pieces from Larry. The one I was intending to use was a fretboard with a gorgeous, whimsical fairy themed fretboard (pic attached).

It turned out that this wasn't suitable for Jim's build and so we were back to the drawing board on the design. After exploring some concepts, Larry wowed me with the design we ultimately chose, which he calls a "Super Larson Brothers". I was in part attracted to this because I have a 1923 Maurer (with laminated X braces) Larson that I am incredibly fond of, and after selecting the BRW back and sides with Jim I just felt that Larry's design would blend incredibly, and that the guitar could manage the intricacy, visual weight and colour pop.

I was speaking to Larry earlier today and we are re-exploring a fairy themed fretboard for a Ryan build I have on the go.

I feel that we are very, very lucky to live in a period where steel string guitar makers and artisans like Larry are at the height of their powers - and there is still availability of the precious materials required to build their instruments.
Attached Images
File Type: jpg fretboard.jpg (10.6 KB, 241 views)
Reply With Quote
  #23  
Old 10-12-2018, 12:15 AM
Cocobolo Kid's Avatar
Cocobolo Kid Cocobolo Kid is offline
Charter Member
 
Join Date: Apr 2008
Location: Tucson, Arizona
Posts: 1,016
Smile Olson

Your audio gear in the background looks equally as impressive as your Olson guitars. Congratulations on the new guitar.
__________________
John
Tucson, AZ

2020 Kraut 00, Swiss/Brazilian, build
2018 Eady EG Pro Electric, Redwood/Mahogany
2013 Baranik Meridian, Blue Spruce/Cocobolo, build
2008 Baranik CX, Blue Spruce/African Blackwood
2008 Breedlove A20 Masterclass 12-string, Adi/IRW
2003 Thames classical, Euro/Brazilian
Fodera Standard 4 Fretless bass, figured walnut
Reply With Quote
  #24  
Old 10-12-2018, 04:22 AM
Deft Tungsman's Avatar
Deft Tungsman Deft Tungsman is offline
Charter Member
 
Join Date: Apr 2009
Location: Paris, France
Posts: 917
Default

Wow, Alistair!! What an amazing work of art!!

Kudos on the audio reproduction devices, too.

Question: who loves you more, your ears or your eyes? It seems that you enjoy spoiling them in equal measure!
__________________
____________________________________________
1922 Martin 0-28
1933 Martin 0-17
1974 Alvarez/Yairi CY120
2010 Baranik Parlor
2013 Circa OM-18
2014 Claxton OM Traditional
2014 Blackbird Rider
Reply With Quote
  #25  
Old 10-12-2018, 07:42 AM
frances50 frances50 is offline
Registered User
 
Join Date: Dec 2013
Location: Sandy Run, South Carolina
Posts: 1,146
Default

Wow, that is an awesome guitar. Enjoy!
__________________
Frances
Reply With Quote
  #26  
Old 10-15-2018, 07:52 PM
mmcs1202 mmcs1202 is offline
Registered User
 
Join Date: Apr 2011
Location: Nolensville, Tennessee
Posts: 74
Smile

Congratulations! What a beauty!
I love the Larsen vine. Absolutely spectacular!
Jim did a build for me this year, too.
I had Larry do a custom inlay for my fretboard- not nearly as elaborate as this, though.
__________________
________
Olson Custom SJ (2018)
Gibson J45 Custom (2014)
Martin SPD-16R (2000)
Wechter Traditional Custom (2003)
Yamaha LL16 (2000)
Yamaha FG 460 S-12 (1986)

www.youtube.com/mmcs1222
Reply With Quote
  #27  
Old 10-20-2018, 09:16 AM
Blind Dog Blind Dog is offline
Registered User
 
Join Date: Apr 2016
Location: Near espresso in BC
Posts: 251
Default

Incredible, enjoy, and thanks for posting.
__________________
'05 Larrivée 0M-03 Custom (bear claw/hog), '13 Kronbauer TDK 285 MJ Custom (koa), '94 Froggy Bottom Custom (koa) dread', '08 Seagull Artist (EIR), '19 Gnome Blues Custom (EIR/T13? redwood), '78 S. Yairi 726 (hog), '84 K Yairi AR377, 1905 Vega parlor (hog), 60's Stella,'94 Saudi Tele', '79 Epi Genesis

"Your sound is in your hands ... ... more than it is the amp or the guitar you use." - SRV
Reply With Quote
  #28  
Old 10-23-2018, 07:28 PM
StringMeUp's Avatar
StringMeUp StringMeUp is offline
Charter Member
 
Join Date: Nov 2011
Location: Colorado
Posts: 842
Default

Beautiful! Enjoy it in good health.
Reply With Quote
Reply

  The Acoustic Guitar Forum > General Acoustic Guitar and Amplification Discussion > Custom Shop

Thread Tools





All times are GMT -6. The time now is 05:08 PM.


Powered by vBulletin® Version 3.8.11
Copyright ©2000 - 2024, vBulletin Solutions Inc.
Copyright ©2000 - 2022, The Acoustic Guitar Forum
vB Ad Management by =RedTyger=