#1
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Hagstrom Jimmy Oval Hole Archtop
Has anyone played a Hagstrom Jimmy oval hole archtop? I am primarily interested in it as an acoustic instrument. Not particularly for jazz but more as a plectrum or even finger style guitar, ala Howard Emerson's (invitation here for Howard to jump in). I have an Eastman AR804ce, which I like, but its sound is a bit thin.
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Martin: HD-35, M-36; Gibson: J-200 Rosewood Limited Edition; McIlroy: AD-30; Guild: Orpheum D 12-fret; Yamaha: NXT-1200R; Eastman: AR804CE (with floater), DM-1; HsianMo: Art Gallery SJ-200 (Euro Spruce with Sandalwood b/s (!); Journey Overhead OF660; Eastwood: MRG Studio Resonator; MRG Octave Mandolin; Gretsch: Country Gentleman '59 VSE; Gibson: CS ES-355; more electrics . . . |
#2
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I had an early Hagstrom Jimmy f-hole guitar but never an oval-hole.
The Jimmy was nice but lacked That Certain Somethin'. The Fender D'A Elite which replaced it is my second and is more inspiring. Quote:
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About fifteen years ago I had an AR-604ce. It was one of the most unsatisfactory instruments I've ever owned. Gone in a month. I've since had about half a dozen Eastman archtops and flattops ranging from OK to lifetime-keeper. The only conclusion I can draw is that the product varies across the entire quality range -- buy carefully and keep the good one!
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"{T]echnique becomes the enemy. The thing that was keeping me from doing something new was how comfortable I'd gotten doing something I already know how to do." -- William Gibson |
#3
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Eastman AR804ce
The AR804ce is an excellent instrument. It is a great guitar guitar for blues.
I was just looking for an additional guitar that has that archtop clarity with more of a growl. Eastman have a more modern, smooth, sound.
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Martin: HD-35, M-36; Gibson: J-200 Rosewood Limited Edition; McIlroy: AD-30; Guild: Orpheum D 12-fret; Yamaha: NXT-1200R; Eastman: AR804CE (with floater), DM-1; HsianMo: Art Gallery SJ-200 (Euro Spruce with Sandalwood b/s (!); Journey Overhead OF660; Eastwood: MRG Studio Resonator; MRG Octave Mandolin; Gretsch: Country Gentleman '59 VSE; Gibson: CS ES-355; more electrics . . . |
#4
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I actually played the blonde round hole prototype at Jimmy's shop when it used to be in Huntington Station, NY, but I have no recollection regarding the sound. While I'm sure it was more resonant with solid top and back, the Hagstrom versions I've played were very muted when played acoustically. My bet for the biggest bang for the buck would be 1940-1950's lower priced archtops by Gibson, Kalamazoo, etc. Many had solid tops, but even the laminates were built lighter back then, and can have surprisingly full sounds with the right setup and a player who pays attention to how the guitar needs to be played. If you're gauging anything by how my 1930 L-5 sounds, you're going to be hoeing a tough row. Thanks for the shout-out, though! Best, Howard Emerson
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#5
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Thanks Howard. You know, I was a neighbor of yours for years and never thought to come over and learn how to play.
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Martin: HD-35, M-36; Gibson: J-200 Rosewood Limited Edition; McIlroy: AD-30; Guild: Orpheum D 12-fret; Yamaha: NXT-1200R; Eastman: AR804CE (with floater), DM-1; HsianMo: Art Gallery SJ-200 (Euro Spruce with Sandalwood b/s (!); Journey Overhead OF660; Eastwood: MRG Studio Resonator; MRG Octave Mandolin; Gretsch: Country Gentleman '59 VSE; Gibson: CS ES-355; more electrics . . . |
#6
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Quote:
HE
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My New Website! |