#46
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This is a ridiculous deal!!! As is your CM....amazing buyers market for sure!!
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'17 Waterloo Scissortail '17 David Newton 00 Rosewood '11 Homemade Strat Ibanez AS73 w/ Lollar P90s |
#47
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Thanks Kitty. Spread the word....
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Emerald X20 Emerald X20-12 Fender Robert Cray Stratocaster Martin D18 Ambertone Martin 000-15sm |
#48
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Saturday bump....
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Emerald X20 Emerald X20-12 Fender Robert Cray Stratocaster Martin D18 Ambertone Martin 000-15sm |
#49
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Somebody buy this guitar so that I’m not tempted by this great deal. |
#50
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Who's to say that you couldn't be that somebody, Don????
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Emerald X20 Emerald X20-12 Fender Robert Cray Stratocaster Martin D18 Ambertone Martin 000-15sm |
#51
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Bump for a beautiful guitar, a great price, and an excellent person to do business with!
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Hope. Love. Music. Collings|Bourgeois |
#52
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PM sent
PM sent this morning. Check your messages
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#53
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Thanks Kori. Got home from Virginia Beach and sent PM reply, Tom....
Here's a brief review from Acoustic Guitar magazine... The TOM-R mirrors the traditional look, feel, and construction of the classic OM. It includes herringbone top purfling and a simple rosette pattern, with a few unique touches, such as the highly scalloped Virginia red spruce braces. The ebony bridge pins sit smoothly and evenly inside recessed holes in the bridge. The TOM-R’s bone saddle is fully compensated, with adjustments evident for every individual string. The gloss-finished mahogany neck has a somewhat pronounced V shape on the lower frets, flattening out fairly quickly in the upper registers, making the neck very comfortable. In a nod to tradition, the neck also features a carved volute where the neck meets the headstock. Tonally, the TOM-R exhibits a warm, rich sound, with the “chocolate” flavor often attributed to Indian rosewood. We felt the tone leaned toward the darker end of the spectrum, without being boomy. In fact, the low E string, in particular, exhibited a tight, punchy bass sound. The guitar also tends toward a fundamental tone, producing a sweet sound with relatively few overtones and very little high-end shimmer. The guitar has excellent sustain and a strong initial attack that tends to dominate. Nygaard liked how the guitar responded to a heavier attack and found that the guitar had plenty of headroom, making it a good choice for flatpicking. We all felt that the TOM-R produced a versatile tone that could do just about everything well and was an excellent representation of the classic rosewood OM sound.
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Emerald X20 Emerald X20-12 Fender Robert Cray Stratocaster Martin D18 Ambertone Martin 000-15sm |
#54
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Lots of interest but still available.....
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Emerald X20 Emerald X20-12 Fender Robert Cray Stratocaster Martin D18 Ambertone Martin 000-15sm |
#55
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Tuesday bump....
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Emerald X20 Emerald X20-12 Fender Robert Cray Stratocaster Martin D18 Ambertone Martin 000-15sm |
#56
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The TOM-R has been sold...
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Emerald X20 Emerald X20-12 Fender Robert Cray Stratocaster Martin D18 Ambertone Martin 000-15sm |
#57
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Whew! Thank goodness. I was getting an itchy "buy now" finger.
Congratulations on the sale.
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Neal A few nice ones, a few beaters, and a few I should probably sell... |
#58
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Quote:
Steve
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"Naturally torrified, & unnaturally horrified, since 1954" |
#59
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Congrats on the sale. Tough market right now.
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Santa Cruz H13 Huss & Dalton 00 Custom Santa Cruz OM Grand Boucher SG21G Collings CJ35 Bourgeois Slope D Custom Furch D22TSR Gibson J45 Deluxe Furch OM MM Larrivee OM-02 Paul Beard Resonator Nashville Tele Slick SL-55 Sire Larry Carlton S7 Slick SL-60 Harmony Comet PRS SE Silver Sky Custom S Type Thinline Tele AXL USA Artist AXL USA Bulldog |