#181
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I've owned some Yairi's and although you can be lucky to find a good one and some are well built, lots of low end guitars came out of the factory with plastic bone/nut and cheap tuners just like we see today on e.g. cheap Yamaha's and the hype around certain Yairi guitars can probably also be compared to modern cheaper Yamaha's. So I am quite convinced that Yairi, like so many others, was trying to make a profit.
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#182
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Peter Frampton Dickie Betts Warren Haynes Bob Weir Derrick Trucks Roy Clark I'm sure there's more but those are ones I know off the top of my head. |
#183
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lol, I guess maybe you didn't see the posts to which I was replying. If you find my post you quoted and read up several more posts you will see how many people claimed Yairi does not have enough name recognition, have not been documented, etc. Tell that to them. I didn't say they were tiny or didn't want to profit at all, I just said they may not desire to be #1 in the industry like Wall Mart. I've been to Alvarez's Yairi website and they do have a long list of celeb players including Jerry Garcia, Ani DeFranco, and Joe Bonamassa. Now go to Martin and review their list. I apologize for the confusion but I said "small niche market" as a comparison with a huge manufacturer like Martin. You can't sit here and say they are in the same ballpark in terms of market share, popularity, or name recognition. And that is not by any means a knock against Yairi, I love mine. It's just the reality of supply and demand.
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#184
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2) I can neither confirm or deny your claims of inferior Yairi's, I only know of my own personal experience and other people I know. I'm sure they have lower models available that are not considered Masterworks. I have also seen many guitars with the Yairi name that are not the same K Yairi we are talking about.
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#185
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#186
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This thread is a fascinating time capsule. In 2012, someone asked the question, “Why don’t Yairi guitars hold their value?” In the intervening ten years, the thread has been revived every couple of years, and the answers have been pretty consistent—excellent guitars, poor name recognition (despite celebrity players and samurai-sword-like quality).
It’s not about trying to be #1, it’s about making a guitar that people want to buy at a given price and, more importantly for this thread, when initial buyers decide to sell, there are other interested buyers willing to pay a reasonable percentage of the new guitar price. The ability of a given manufacturer’s guitars to hold their value in the secondary market is driven by a multitude of factors (price, quality, quantity, name recognition. etc.), all of which influence supply and demand. And it’s not a zero-sum game. The fact that brand x’s guitars hold their value does not take away the ability for brand y’s guitars to hold their value. A case study: Pre-War Guitars Co. was launched in 2016-17, five years after this thread was started. Even with a nondescript name, their guitars hold 90 - 100% of their value. What is it about PWGC guitars that is different from Yairi guitars? One of the biggest differences I can think of is supply—PWGC makes far fewer guitars than Yairi. But PWGC isn’t trying to be #1, and I doubt Wes or Ben ever fabricated a sword in their lives. Perhaps in Yairi’s quest to not be #1, they still managed to make too many guitars? In ten year’s time, will Hseinmo guitars hold their value better than Yairi guitars? Time will tell. |
#187
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Personally I don’t care too much whether they hold their value. I almost always buy used so I’m the one getting the deal, and if I sell down the line I get most or all of my money back. And I’ll probably buy another Yairi for the simple fact that I can get what I believe is a high end guitar for a steal of a price. That being said, they do seem to vary a lot, so I’m not sure all of their models are the same quality especially the Japanese market ones.
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#188
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2) The OP asked about Yairi guitars, not K.yairi specific.
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#189
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Add Steve Hackett to your list.
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#190
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But going back to Japanese guitars, that hasn't hurt Takamines.
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-2017 Gibson J-45 Standard -2019 Gibson J-15 -2019 Gibson Les Paul Junior -2020 Gibson Les Paul Special -2019 Gibson Les Paul Studio -2021 Fender Aerodyne Special Telecaster -2022 Fender Telecaster 50s (Vintera) -1994 Fender Telecaster Deluxe 70 (Vintera) -Sire V5 5-string |
#191
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No worries, I may have misunderstood whether this thread was about K Yairi or other Yairis. Though if it's the latter, I don't see how the thread would make sense considering the other Yairi-named guitars are essentially different brands, using different materials, and from different manufacturing facilities. It would almost be like saying, "Why don't Yamahas, Gibsons, and Estebans hold their value?" Apples to oranges to bananas.
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#192
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#193
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I have a DYM60 Honduran, which holds its own with guitars at twice the price. Plus the build quality is amazing.
As for Alvarez, there are few companies at their price points that make better sounding guitars. I'm not sure where the disrespect comes from.
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2023 Martin D-18 2023 Martin 1937 D-28 Authentic VTS Guatemalan Nat. 2023 Eastman E2OM Cedar 2022 Gibson J-45 Studio Rosewood 2020 Cordoba C12 SP 2018 K. Yairi DYM60HD 2013 Martin 000-28VS 2011 Taylor GS Mini |
#194
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Why do Yairi guitars not hold value?
If/when I need another acoustic, Yairi is definitely on the list of makers(Used though). The DCB is enough for me to pay attention…
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Chupacabra OM-18 Guild OM-120 w/ aftermarket JourneyTek pickup Breedlove Discovery Companion travel guitar. Fender RW Flea Jazz Squier Sonic Pbass Acoustic 30 watt Bass Amp Ampeg 20watt bass amp all sorts of guitar picks, capos and bits n' bobs. |