#16
|
|||
|
|||
My acoustic trio just did a three hour gig at a local fine-dining establishment for $300 plus dinner and drinks. I don't drink, so that didn't cost them anything. And by the time we were all packed-up, we didn't want to bother them for dinner. So they got a "bargain".
P.S. I've been gigging in rock and country bands, solo nuevo flamenco jazz type stuff, and acoustic duos and trios for 35 years. I've made (per person) anywhere from $50 (that was many years ago playing in country dive bars), to $500 (that was for NYE Y2K). I generally won't pack up my gear and leave the house for anything less than $100 in my pocket. I had a regular solo acoustic gig a few blocks from my house where I only charged them $100 for two hours, but the tips were very good. One person tipped me $50, and then his wife and daughter also gave me tips! I walked-out with $250 for a $100 gig that night. Very nice! I've also played many weddings for very good money (those were consistently the best money). I've played somewhere between 1,000-2,000 gigs over the years and used to tour the NW in a bus with a rock band. So I've seen it all besides full-on concert arena stages and my advice is this: do what you have to do to get out there and get experience and exposure, but don't "disrespect yourself" either. Because taking too little pay for very long tends to bite you in the butt somehow. I did just do a "freebie" (for tips only) with the trio, because that was our first gig together and we wanted a no-pressure, informal situation to get the ball rolling. So I'm not above that sort of thing. But our second gig was the $300 one mentioned above. We're all seasoned pros and weren't going to be giving our hard work and experience away for long. We're worth more than that. I take deserving gigs for varying rates of pay, but I'm sure not going to busk at my age and level of experience.
__________________
http://soundcloud.com/jwflamenco Last edited by Red_Label; 05-21-2019 at 04:32 PM. |
#17
|
|||
|
|||
I can't thank all of you enough for the insight. This is great advice and I definitely will put it to good use!
__________________
2017 Taylor 814ce (X-brace/ES1) 2013 Taylor 314ce (ES1) 2005 Taylor 614ce (ES1) |
#18
|
|||
|
|||
And then there are the worthy fund raisers that I play free for because I believe in the cause. And I even play free at times for local venues because I like the place and am not in need of the funds at the moment. I share these just for balance to the other gigs I do for pay.
Locally I live in an area where there is an abundance of good musicians who will play for very little. That makes it tough for anyone else to get paid much. And solo gigs are non-existent now. Only duos, trios and larger get the gigs because there are so many of them. The market is flooded, the pay goes in the toilet and the really good solo musicians just give up. Bummer. |
#19
|
|||
|
|||
This subject comes up 2-3 times a year here. I don't see any changes. It is really dependent on where you are.
In the New England seacoast area (Boston to Portland, Maine), there is a glut of performers and bands, which drives down the going rates. Solo, my rate is $50 per (playing) hour. For private parties, I also add in transportation and 'hassle' fees. My acoustic trio was getting $250-300, sometimes with dinners (not drinks) thrown in - but we turned down gigs at less than $200 for 3 hours. There are a lot of younger players/bands around that take gigs much cheaper - but many of them are 'full-timers', or struggling. As long as people will take the low-paying gigs, the pay won't go up. For a new band, the way to approach it with the venue is 'we'll give you a discounted rate for our first gigs to see how things go and if we get a crowd, but after that our fee is $xxx'.
__________________
Mike My music: https://mikebirchmusic.bandcamp.com 2020 Taylor 324ceBE 2017 Taylor 114ce-N 2012 Taylor 310ce 2011 Fender CD140SCE Ibanez 12 string a/e 73(?) Epiphone 6830E 6 string 72 Fender Telecaster Epiphone Dot Studio Epiphone LP Jr Chinese Strat clone Kala baritone ukulele Seagull 'Merlin' Washburn Mandolin Luna 'tatoo' a/e ukulele antique banjolin Squire J bass |
#20
|
|||
|
|||
Quote:
Good point! I have played a bunch of free gigs at museums and fundraisers for other entities over the years. There's one in particular that I played 3 or 4 years in a row, that I've been turning-down for the past couple of years. It's always such a long, sweaty, stressful day for me. But the entertainment director calls me every year like clockwork and I'll probably accept next time. I don't play these charity cases with other musicians though, because I don't want to assume that they're also into giving their time away. In the past, I've always been a bit "embarrassed" when I've played these gigs in a band and we're being paid pretty big money. I know it's their choice of whether or not to book paid bands, but still... when I've done those highly-paid galas in the past I always felt like we were the only ones on the dole (though I know that the sound people, caterers, etc were all being paid as well). So I prefer just to take those gigs as a solo artist. I have donated monies paid back to charity events in the past as well. Just depends on my determination of the charity's "worthiness". I'm a sucker for animal causes.
__________________
http://soundcloud.com/jwflamenco |
#21
|
|||
|
|||
Maybe ... it depends on the venue, and your local market. For us, we'd insist on $300, no more than 3 hours, and would reject any venue that wanted us to play past midnight. We're not playing to young folks (although many come to hear us), and we draw more playing 8-11 (after dinner). Venues come around to our way of thinking when they realize that many who come for the music came early for dinner. It's not unusual for a table of four to spend $200 over the course of the evening (dinner and drinks). Those younger people just don't have that kind of disposable income, and spend the night nursing $2 PBRs.
|
#22
|
|||
|
|||
How Much to Charge for 3 Hour Gig?
I don’t live in the US but $225 is far too little, don’t rip yourselves off!!! I would have thought $600 would be more appropriate... Personally I don’t get out of bed for less than $10,000.
__________________
Huss & Dalton DS-12 Custom (Italian/Mahogany) Collings 000-2H (Sitka/Rosewood) Dave King L-00 (Adi/Mahogany) Gibson J-45 JT project "1942 Banner" (Adi/Mahogany) Eastman E20P (Adi/Rosewood) Sigma-SDR-28MLE (Adi/Madagascan Rosewood) Sigma SDR-45 (Sitka/Rosewood) Sigma SDM-18 (European/Flamed Mahogany) Freshman FA400D (Engelmann/Rosewood) Freshman FA300 (Cedar/Hog) Voyage Air VAD-06 Last edited by bobster7; 05-22-2019 at 09:24 AM. |
#23
|
|||
|
|||
Does anyone here do retirement home gigs? If so, is it paid or volunteer? If paid, us it reduced rates?
I'd like to do some retirement home performance. I'm not looking to do it for money per say, mainly for enjoyment and sharing with the retirees there. However, I respect others may do so for income, and don't want to affect the market for working musicians, or possibly for myself in the future, were I to need to be paid to continue. As has been said, initial fees set the basis for future expectations. |
#24
|
|||
|
|||
Quote:
__________________
http://soundcloud.com/jwflamenco |
#25
|
|||
|
|||
Quote:
__________________
'59 Gibson J-45 "Spot" '21 Gibson LG-2 - 50's Reissue '94 Taylor 710 '18 Martin 000-17E "Willie" ‘23 Taylor AD12e-SB '22 Taylor GTe Blacktop '15 Martin 000X1AE https://pandora.app.link/ysqc6ey22hb |
#26
|
|||
|
|||
Quote:
At this price point you can play as often as you wish and with minimal amount of gear. We do make it a point that these locations are no farther than 25 minutes away. Farther away = higher rate.
__________________
Roy Ibanez, Recording King, Gretsch, Martin G&L, Squier, Orange (x 2), Bugera, JBL, Soundcraft Our duo website - UPDATED 7/26/19 |
#27
|
||||
|
||||
As many have suggested --location location location...
And I would add type of venue, generally I always played solo so can't really offer for your trio depends on the typical for your area . But basically for bars/coffeehouses/brewpubs I held to $50 per set ( at least 2 sets) at 45 minute set with 5 to 10 minute break between sets. Restaurants usually $200 for 2 hours Or $150 and dinner if the food was good I don't drink so it was food based.
__________________
Enjoy the Journey.... Kev... KevWind at Soundcloud KevWind at YouYube https://www.youtube.com/playlist?lis...EZxkPKyieOTgRD System : Studio system Avid Carbon interface , PT Ultimate 2023.12 -Mid 2020 iMac 27" 3.8GHz 8-core i7 10th Gen ,, Ventura 13.2.1 Mobile MBP M1 Pro , PT Ultimate 2023.12 Sonoma 14.4 |
#28
|
||||
|
||||
Charge the going rate or a little more. The folks who get gigs by low balling the competition usually don't do well in the long run.
I'm with Kev on the numbers but it doesn't matter to me whether it's salary or tips or what combination. If I can take home around $200 from a gig I'm happy. If it's less than $100 it's not worth leaving my house. If you approach your competitors with hey man I'm new at this and I don't want to step on anyone's toes can I ask your advice it should go well. Over the years I have been turned on to sweet gigs by "competitors". If you support your venue and the other musicians working there you'll become one of the family you'l have the gig forever. And for what it's worth small local venues usually pay what they pay. It's generally not negotiable and you can either take it or leave it. You can negotiate, meals, drinks, etc. |
#29
|
|||
|
|||
Charity? Don't you know these places PAY for entertainment? An acquaintance of mine used to play more than 200 such gigs a year, which was a significant portion of his total income. 200 gigs x 100 per (minimum) = 20,000/year. All in the afternoon, leaving him free to play evenings in other venues. What you propose is like working at McDonald's for free ... someone isn't gonna have a job.
|
#30
|
|||
|
|||
So, gigging, huh?
Sounds like after travel expenses one might need to play out a couple times a week for a few months to fund a new D-18.
__________________
______________________________________ Naples, FL 1972 Martin D18 (Kimsified, so there!) Alvarez Yairi PYM70 Yamaha LS-TA with sunburst finish Republic parlor resonator Too many ukeleles |