#61
|
||||
|
||||
The Martins that most intrigue me are their reproductions of 30s models. They do a great job with those.
Taylor doesn't have anything like that, but I see and hear lots of great music made with Taylor guitars that sound fabulous. I have great admiration for their business model and wood supply management. Perception ... The V class marketing thing pretty much erased whatever interest I may have had in owning a Taylor. |
#62
|
|||
|
|||
Quote:
|
#63
|
|||
|
|||
Well...it is my perception that Taylor makes a lot of changes to their bracing pattern every few years. Why do they do that more than Martin/Gibson/Larrivee? Does it suggest they are searching for the right formula? It seems as though Andy is on innovation overdrive. Why?
I guess I will wait until they settle on the final next design. |
#64
|
|||
|
|||
Yes, it can get a little weird at times. Don’t let it bother you.
It’s just guitars and your allowed to have an opinion no matter what anybody else tries to read into it.
__________________
Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster Last edited by rokdog49; 09-13-2020 at 02:42 PM. |
#65
|
|||
|
|||
Quote:
A few years ago, C.F. Martin lamented that he was constrained from innovating by his most loyal customers who would object to the introduction of any advancements. |
#66
|
|||
|
|||
page 5, time for more popcorn....
__________________
"I go for a lotta things that's a little too strong" J.L. Hooker |
#67
|
|||
|
|||
Quote:
They don't implement wholesale changes though.
__________________
'18 Pre*War 000-28 Braz |
#68
|
|||
|
|||
When they settle on a bracing pattern for more than a week and you are sure that they have finally found something that is worth resting on their laurels, wake me up. Until that time, I do not want to buy a guitar where they think they have something better in 2/3 yrs.
|
#69
|
|||
|
|||
Quote:
One last. For the Furch guy. I've owned Taylor's and Martins but never seen a Furch. They sound/look good on videos but there are easier options here in middle America. Last edited by FOG01; 09-13-2020 at 09:17 PM. Reason: misspelling |
#70
|
||||
|
||||
Naw, don't worry about it. Sometimes we need to just hash things out a bit. As long as it doesn't get personal, it's good. One thing: threads like this show how passionate guitarists are about their instruments and chosen makers.
__________________
*********
https://markstonemusic.com - American Primitive Guitar in West Texas Instruments by Kazuo Yairi, Alvarez, Gibson & Taylor Former AGF Moderator |
#71
|
|||
|
|||
Re: The original post: "Satan is Real"? A "420" Guitar? The Ed Sheeran Jr dreads? The fun prodding of Gibson with the CEO series? Stratabond necks? The new 413CE? I could go on.
I'm glad Chris has had some fun over the years, and none of this detracts from the outstanding guitars Martin has been making this century. But there's a little "Crazy Eddie" vibe to some of this stuff. |
#72
|
||||
|
||||
Five pages of Ford vs. Chevy.
Bob
__________________
"It is said, 'Go not to the elves for counsel for they will say both no and yes.' " Frodo Baggins to Gildor Inglorion, The Fellowship of the Ring THE MUSICIAN'S ROOM (my website) |
#73
|
|||
|
|||
Quote:
I am very glad I bought a Taylor 814c twenty-four years ago as its tone is most satisfying. I would never sell it even though I laud the improvements Taylor has made since 1996. I’m glad Taylor is committed to ever advancing the art and science of guitar construction. |
#74
|
|||
|
|||
In 1971, I purchased a Martin D-28 brand new (sadly just missing the Brazilian era). It developed a curl in the pickguard and I hadn't played it in years, but recently had it refurbished and am now playing it again. I've also acquired two Taylors--a 712 and a GS Mini Rosewood; and two more Martins--an 00-28 and a DJr. I like them all. In a practice session, I'll keep my interest up by switching from one to another.
Nevertheless, I'm not wed to either Martin or Taylor. I'm now negotiating for a Collings 0028 14-Fret. Depending on how much I like the Collings, my Martins and Taylors may see a lot less use. |
#75
|
|||
|
|||
I just caught this thread 5 days late so didn't read more than the first page of replies.
Both Taylor and Martin are trying to reach a broad segment of the guitar population, and IMO each have a "sweet spot" where they their "flagship" models and have the most perceived playing value. Particularly in Taylor's case, the cheaper models tend to be a bit overpriced and their super-pricey models have to compete with custom/boutique brands and models. Once you get into the $4k range they start competing with Bourgeois, Santa Cruz, etc. In the lower range people see great value in Yamaha, Blueridge, Eastman, etc where Taylor and Martin depend on brand name to get the extra dollars for comparable level guitars. JMO
__________________
Assuming is not knowing. Knowing is NOT the same as understanding. There is a difference between compassion and wisdom, however compassion cannot supplant wisdom, and wisdom can not occur without understanding. facts don't care about your feelings and FEELINGS ALONE MAKE FOR TERRIBLE, often irreversible DECISIONS |