#31
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No Kev, not a " thinly disguised " bashing of anything. There was no agenda whatsoever. We have guitars of both brands between us and as we said both are excellent. Sorry you found it so tedious. At least it drew an interesting anecdote from you.
Last edited by NotveryGood; 09-11-2020 at 03:37 PM. |
#32
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And speaking of "re inventing the wheel" Tedious because Taylor marketing was hashed and rehashed ad nauseam here on AGF when they brought out V bracing
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Enjoy the Journey.... Kev... KevWind at Soundcloud KevWind at YouYube https://www.youtube.com/playlist?lis...EZxkPKyieOTgRD System : Studio system Avid Carbon interface , PT Ultimate 2023.12 -Mid 2020 iMac 27" 3.8GHz 8-core i7 10th Gen ,, Ventura 13.2.1 Mobile MBP M1 Pro , PT Ultimate 2023.12 Sonoma 14.4 Last edited by KevWind; 09-11-2020 at 04:11 PM. |
#33
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I came to solid wood acoustic with a mid class Taylor. I also got a Martin D-35, then other Taylors.
I do receive the Taylor's "Wood & Steel" quarterly magazine and have a sigh and pinch my nose while I go through "Bob speaks" and other self advertising articles. While Martin seems to me to keep in luthier's mood, Bob Taylor is more a businessman as shown by his implications in Ebony harvesting in Africa as well as Koa plantation in Hawaï and overmarketting small innovations as changing X bracing to V bracing with an outrageaous try at a huge increase in price listing. Anyway, I do love my Taylors as much as my Martins !
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Needed some nylons, a wide range of acoustics and some weirdos to be happy... |
#34
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Martin HD-28 Sunburst/Trance M-VT Phantom Martin D-18/UltraTonic Adamas I 2087GT-8 Ovation Custom Legend LX Guild F-212XL STD Huss & Dalton TD-R Taylor 717e Taylor 618e Taylor 614ce Larrivee D-50M/HiFi Larrivee D-40R Blue Grass Special/HiFi Larrivee D-40R Sunburst Larrivee C-03R TE/Trance M-VT Phantom RainSong BI-DR1000N2 Emerald X20 Yamaha FGX5 Republic Duolian/Schatten NR-2 |
#35
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Whoa! What a SWEET J-45! Yep, shoulda kept it.
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Walker Clark Fork (Adi/Honduran Rosewood) Edmonds OM-28RS - Sunburst (Adi/Old Growth Honduran) |
#36
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#37
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#38
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Rich Corinthian Leather, anyone?
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#39
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I do have both.
I prefer Taylors but really do like my Martin as well.
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#40
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I own several of both brands, and must admit they both make turds!
I lean to slightly favoring Martin, but own more Taylors. I was very disappointed to find some new Martins selling well over 3k that needed neck resets. Very sad. YMMV |
#41
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These threads are always quite interesting in a sense - to remind everyone that it takes everything to make a world.
Before I could afford any of these guitars, I always used to think that Taylor was the guitar you used to perform onstage when you were a pro (of course, it's a bias driven by the bands I was listening to), whilst Martin was the guitar for country / solo singers. I wasn't naive enough to think there was more to it than this - and that ultimately the difference was down to how much you paid for the guitar. The brand didn't matter. I couldn't imagine there would be any significant difference in sound. Now I can afford more expensive gear, it does strike me still - time to time - and in a way that is deep and significant - almost teary, as if I was grateful to be allowed to play guitars like that - how much more better and easier to play these are. I have both. It doesn't matter. It's the same feeling. To be grateful to be allowed to play them, to get joy out of it. Of course, I play better, I hear better, I find them being REALLY sounding differently, but still, doesn't matter. The marketing doesn't matter, the history don't matter. So the OP's point: I don't see that perception issue. I think when it comes to music, corporate histories or 'style' are irrelevant. It does strike me (in a very positive way) how every builder large or small is still marveling about what they do. So passionate. |
#42
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First off both make fine guitars no doubt and they
Both occupy that demographic of musicians who are looking to buy an upgrade but dont want To spend 10k on a guitar. So not unlike Fenders buisness model. Martin seems To have a niche mkt on more traditional players who prefer a more conservative approach to playing and the visual appearance of the instrument. Taylor encroached on this a bit with their grand Pacific I think. I think Taylor's tend to play better Out of the box. But i like the sound Of Martin's for the most part. In a band Situation given the constraints of a piezo I'd go with a taylor cutaway. But in a quiet Setting I'd prefer to mic a martin. All subjective if course. |
#43
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I appreciate all my guitars (including Martin, Taylor, Larrivee, USA Breedlove, vintage Guilds, Eastman) for what I like about them without comparing them to each other. |
#44
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The two companies are definitely different in approach and heritage. I think they represent different philosophies because they rose to prominence in different eras. Nevertheless, guitars are guitars. I played Gibson Acoustic for 40+ years, and loved the company and its heritage. I still love their history and heritage. So, when I switched to Taylor, it was a bit emotional - but for me Taylor guitars fit into my purpose and playing style better. Other people find Martins or Gibson acoustic instruments serve them better. No big deal. Guitars are guitars.
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https://markstonemusic.com - American Primitive Guitar in West Texas Instruments by Kazuo Yairi, Alvarez, Gibson & Taylor Former AGF Moderator |
#45
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I feel like Martin vs. Gibson is a Ford vs. Chevy thing (similar w/ Fender vs. Gibson for electrics)... Taylor is more like the PRS of the guitar world - they're a more modern entrant that took a different path and carved their own way, but a way than many traditionalists feel lack soul to some degree.
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'18 Pre*War 000-28 Braz |