#1
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is there a guitar that by looks only,you would not consider?
For me it would be the Martin ditson
Ugly guitar in my opinion Anyone else feel this way about a particular guitar ? Dave
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Larrivee d02 Last edited by Daveyo; 04-13-2019 at 03:14 PM. |
#2
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Hmmm, I don't buy based on looks. However, no carbon fibre guitar I've ever seen, in person, print or on line, has made me look twice or consider it a "good looker".
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#3
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Any cutaway. Any Seagull. Anything with a smile-shaped bridge.
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#4
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Quote:
Take a look at Emerald Guitars they are gorgeous!
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Taylor V-Class 814ce, 717e BE WHB, 520ce, 454ce, 420 Cedar\Maple, T5z Classic Martin D18E Retro Cordoba C10 Crossover Emerald X20 Rainsong H-OM1000N2 Voyage-Air VAD-04 Custom Les Paul Hot Rod Deville 410, Fishman Loudbox Performer |
#5
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This thing Dylan SJ 200
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#6
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Can stand the look of a sunburst. I need to see more of the real character of the wood.
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_zedagive If you play it right the first time, it's not hard enough. Breedlove Exotic CM Classic E: Red Cedar/Black Walnut Bedell Angelica Bellissima Parlor: Sunken Cedar/EIR Breedlove Crossover OO Mandolin: Sitka/Maple |
#7
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Any guitar with too much "unnecessary asymmetry" (e.g. an asymmetric shape of the bridge or the headstock).
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Eastman E8OM Eastman E1OOSS-LTD |
#8
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Why mention guitars and upset AGFers that might just happen to own them?
I'd take that Gibson SJ-200 Bob Dylan any day ... but I'd remove that top pick guard and have any reference to Bob immediately burned off the guitar.
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Brucebubs 1972 - Takamine D-70 2014 - Alvarez ABT60 Baritone 2015 - Kittis RBJ-195 Jumbo 2012 - Dan Dubowski#61 2018 - Rickenbacker 4003 Fireglo 2020 - Gibson Custom Shop Historic 1957 SJ-200 2021 - Epiphone 'IBG' Hummingbird Last edited by Brucebubs; 04-13-2019 at 05:09 PM. |
#9
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If I was actively looking, anything with steel strings would get a pass from me. I have one but rarely does it get played. In the classical suite, if it doesn't have a cut or electronics it also gets a pass. Otherwise, they pretty much stick to a simple aesthetic. Cross-overs can get some appointments but usually nothing ostentatiously disqualifying.
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#10
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I hate early Breedlove’s. That headstock and bridge. Send them all to me for safe disposal. Heavy sarcasm here, they are wonderful guitars
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Schenk Grand FingerStyle, Richard Gilewitz signature Emerald X7 Taylor 555 |
#11
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Non starters for me include any dreadnaught with a cutaway, any cutaway with a slotted headstock, and any guitar with a haphazardly installed pickguard (I know it when I see it). Heck, add any cutaway with any pickguard to the mix.
Austin |
#12
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I hear ya. I love the sound of the SJ-200 but some Gibsons look like hokey '70s era country & western shirts.
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Jim 2023 Iris ND-200 maple/adi 2017 Circle Strings 00 bastogne walnut/sinker redwood 2015 Circle Strings Parlor shedua/western red cedar 2009 Bamburg JSB Signature Baritone macassar ebony/carpathian spruce 2004 Taylor XXX-RS indian rosewood/sitka spruce 1988 Martin D-16 mahogany/sitka spruce along with some electrics, zouks, dulcimers, and banjos. YouTube |
#13
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One man's meat is another man's poison. I've never been a fan of the Gibson Hummingbird's overall aesthetics, but I have several friends who just love them.
Gibson Hummingbird On the other hand, while I wouldn't deliberately seek out a guitar with double parallelogram fingerboard inlays, if I were to encounter a Gibson Hummingbird Artist at the right price on a day when I could afford to buy it, I might: Gibson Hummingbird Artist I've played several of those Hummingbird Artists and have liked each of them. Their aesthetics are also more to my taste than the standard Hummingbird's are. So it's all really a matter of personal preference. Wade Hampton Miller |
#14
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Beyond perhaps the Taylor Swift Baby Taylor, probably not.
I'd take any of those Gibsons posted earlier any day of the week and twice on Sunday. |
#15
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Quote:
whm |