#1
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Played an Emerald today...
I was in Greenville SC today and found myself going
down the street Guitar Center is on. I went in and was immediately greeted by a nice lady who took me to the acoustic room. On the way there she told me there was some nice guitars there, a D-28, a J-45. "And look up there", she told me as we entered the room, "have you ever seen one of those?" She scooted way up the ladder and fetched it down for me, and let me sit there with it for a while. It is heavy. The first note I strummed out of it was mind blowing. Gallons of sound pour out of that strangely positioned sound hole and blow into your face. Lush seemingly room filling sound. Very different kind of beast. I just looked. When an Emerald has a veneer, it is real wood. I'm pretty sure this one is veneered with The Tree. -Mike |
#2
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I tracked this guitar down, based on your post. It's an X30 model, Emerald's "dreadnaught" guitar. Had it been an X20 or X10, I would have bought it sight unseen and had it shipped to my local GC just to hear it. I think Emerald makes great guitars based on its ergonomics, but I have only heard one in person, an X7 that was overpriced and scratched to shirt. Were you tempted?
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Purfle Haze Recreational guitar player |
#3
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Were you tempted?
I intended to look more closely at it when the lady was coming down the ladder. Then I strummed it. I believe it is in very good condition, not scratched up or old looking. I wish my J-50 blew lush guitar sounds in my face like that guitar does, but I'm not ready to change over to a giant heavy guitar. Not only does it sound good, but the way the sound comes out and washes over the player is an extra dimension to playing. -Mike |
#4
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Emerald is a great company and I have owned several. They do not sell through dealers to my knowledge so I assume it was used. Yes it is a real wood veneer on a carbon fiber guitar. It’s basically impervious to weather, temperature, and humidity (within reason). The inlays I believe are ground metal mixed with epoxy.
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Every passing minute is another chance to turn it all around. |
#5
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I've played exactly one Emerald - a stock X10 I purchased and returned a year ago - and I loved everything about it except the neck. Very flat, thin D profile, and the fretboard gets really wide as it approaches the body. I found it uncomfortable and fatiguing to play - disappointing, because I so wanted it to work for me.
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Alvarez MF75 Alvarez Yairi PYM60HD/14 Alvarez Yairi FYM66HD Bedell TBA-24-G Bedell TBCE-18-G Gurian S3M (1978) Taylor GS Mini-e Bass |
#6
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Come and get it! ...
https://www.guitarcenter.com/Used/In...tric-Guitar.gc https://www.guitarcenter.com/Used/In...tric-Guitar.gc https://www.guitarcenter.com/Used/In...tric-Guitar.gc https://www.guitarcenter.com/Used/In...tric-Guitar.gc If this keeps up, poor Alistair will be competing against himself in the used market as he tries to sell his new instruments. Tony
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“The guitar is a wonderful thing which is understood by few.” — Franz Schubert "Alexa, where's my stuff?" - Anxiously waiting... |
#7
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Welcome to the Carbon Fiber sub-forum, Mike. That X30 you checked out is Emerald's biggest 6 string, their equivalence to a jumbo. Yes, it puts out a lot of sound. As do their smaller guitars - that offset up-turned soundhole will make you re-think "old fashioned" center soundholes.
I have 4 Emeralds and they are each my favorite within their size category. The more time you spend with an Emerald, the more you appreciate all they do to build in comfortable ergonomics. The workmanship is excellent; each of mine sound and play great. The wood you see on the top of some Emeralds is a very thin veneer. It does not affect the tone, but is there to add to the esthetic. The veneers they use make each of those guitars a one-of-a-kind. They sell factory direct only (from Ireland), with some in-stock guitars and an on-line 3D Builder that lets you pick veneers, colors, inlays, pickups, scale length, and other options... it is interesting to look on their site (www.emeraldguitars.com) and design just what you want. Hang around this sub-forum - you will learn a lot about the advantages of carbon fiber over wood, and details about the different CF makers. Jim
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Some CF, some wood. |
#8
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Hang around this sub-forum
Howdy Captain Jim... I've been reading this forum from the firehose ("Today On The AGF" button) so I see all the sub-forums... I posted this in the general forum, and the moderators moved it here I guess... I see y'all talking about your carbon fiber guitars and liking your carbon fiber guitars. None of that translated to the experience of this first timer hearing the sound coming out of a big Emerald. -Mike "holy cow!" |
#9
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Tom '21 Martin D-18 Standard | '02 Taylor 814c | '18 Taylor 214ceDLX | '18 Taylor 150e-12 | '78 Ibanez Dread (First acoustic) | '08 CA Cargo | '02 Fender Strat American '57 RI My original songs |
#10
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If you want something not so large see if you can find one of Emeralds X-20s. They have a big presence in an OM size package. And it feels smaller than an OM to boot. If you search the subforum for the Carbon fiber sharing thread you may find someone nearby that would let you try theirs out.
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#11
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FYI, the Emerald guitars have such well thought out ergonomics that they usually feel about one size smaller than the overall dimensions suggest. The X20 feels more like a 000 or OM size, the X30 (a true jumbo) feels like a deep dreadnought, and so forth. I think that Alistair is not doing himself a favor by calling the X20 a "dreadnought", when it is more like an OM size when you actually hug it.
The offset sound hole acts like your own personal monitor, and you hear more what the audience hears compared to most center sound hole guitars. I have Rainsong and other guitars, but nothing is like that offset upward-facing sound hole. |
#12
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x20a.jpg The size of the X20 is nearly the same as a Martin OM. But I agree with you that Emeralds feel smaller. My X20 feels noticeably smaller than any of the OM's I've owned or played. They put a lot of thought into how a guitar feels in the players hands. |
#13
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Thanks for posting that comparison photo, Kevin. It really shows the true size, which ain't a dreadnought. He is selling about all the guitars he can make so calling the X20 a "dreadnought" apparently isn't hurting sales much. I have saved your image for future use.
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#14
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The body length and width of the X-20 are closer to an OM but the depth of 4.75" is closer to a dread.
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#15
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FWIW, "Dreadnought" isn't just about size, it's also about depth.
I think the X20 is deeper than an OM, and I think an X30 is deeper than a Dreadnought. And, for that matter, I think it's also about tone and volume. Because carbon fiber doesn't need internal bracing...or at least as much internal bracing, depending on the company, you can get a much bigger sound out of smaller dimensions. I don't think anyone says, "Well, this guitar sure is loud and has the exact tone I was hoping for, but I sure wish it was bigger, heavier, and more awkward to hold!" So the X20 is designed to fill the functions you'd expect from a dreadnought in terms of volume, projection, tone, etc. The X30 has the boomy bass and complex midrange that some people call muddy that you get from jumbos. I'm getting out of my understanding for this next two, but I *think* an X7 gives you the closest experience to an OM, and an X10 fits what you'd want from a Parlor. At the very least, I think the X7 is smaller and has a shorter scale that sweetens up the tone at the expense of a little projection, etc. I do remember that the early RainSongs I played on were much louder than expected for their size in terms of an equivalent wood guitar. So it seems at least possible that with Emerald pitching the X20 as a Dreadnought equivalent, and people buying it when they want a Dreadnought equivalent, and it being their most popular guitar, that it sure seems to scratch that Dreadnought itch, even if it is actually smaller and more comfortable to play. I'd say if you get the chance, try one out, even if you're not planning on buying. Just so you'll know.
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Emerald: X10 Slimline Nylon, X10, X5 Nylon Rainsong Flamenco Nylon (SN#120) Composite Acoustics 5iM-CE (GXi) Cordoba Stage Enya NexG 2, Mountain Guitar, Luna Tribal |