#46
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#47
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That is the larrivee sd50
the best doesn't exist, the one that sounds and plays best for you is the best!! |
#48
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a Custom Furch would be Fun! Or at least a Red Series.
I think a Cedar/Cocobolo, Alpine/Cocobolo or the most interesting would be a Cedar/Ebony guitar. |
#49
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I really believe You need to be hanging out in the AGF custom shop. If you haven't done so already, get over there ASAP.
it's a lot of fun Paul
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3 John Kinnaird SS 12c CUSTOMS: Big Maple/Cedar Dread Jumbo Spanish Cedar/WRC Jumbo OLD Brazilian RW/WRC R.T 2 12c sinker RW/Claro 96 422ce bought new! 96 LKSM 12 552ce 12x12 J. Stepick Bari Weissy WRC/Walnut More |
#50
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Considering Bert Jansch played a Yamaha LL11 no need to go all boutique. Plenty of great sounding guitars in the mid priced range. It's in the hands...
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1990 Martin D16-M Gibson J45 Eastman E8D-TC Pono 0000-30DC Yamaha FSX5, LS16, FG830, FSX700SC Epiphone EF500-RAN 2001 Gibson '58 Reissue LP 2005, 2007 Gibson '60 Reissue LP Special (Red&TV Yel) 1972 Yamaha SG1500, 1978 LP500 Tele's and Strats 1969,1978 Princeton Reverb 1972 Deluxe Reverb Epiphone Sheraton, Riviera DeArmond T400 Ibanez AS73 Quilter Superblock US[/I] |
#51
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I agree, it’s the one that talks to just you.
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Martin D35 2015 Martin D16GT 2009 Sigma D28V 2013 |
#52
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Technique resides in the hands, but tone is in the construction. The scale length, setup, and construction of the guitar either impart or limit characteristics which are really important to certain styles of fingerstyle. There are mid-line instruments which can be setup mechanically great which do not have the responsiveness, resonance, projection or sustain necessary for certain types of fingerstyle. I taught intermediate and advanced fingerstyle guitar locally for 40 years. The average person who wants to learn fingerstyle doesn't have a clue that there are many categories of fingerstyle. They are often fans of a certain player and want to learn his/her style. |
#53
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Determined you are...eager to spend whatever.
Play many guitars you must.. then you might know...or you may not? -Yoda |
#54
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The top one…
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Guitars: Waterloo WL-K Iris AB 1990 Guild GF30 Bld Maple Archback Alvarez AP66 Baby Taylor G&L ASAT Tribute T-style |
#55
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Or how about a sinker redwood/cocobolo? (I want one! )
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Furch Yellow Master’s Choice — Cedar over EIR |
#56
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We each have our own price point and preferences. What we need to recognise is that our fellow players may have different price points and preferences, with perfectly valid reasons for doing so. Guitar playing is all about enjoyment and some people get a lot of enjoyment out of “boutique” guitars. It’s in the hands as you say, and it’s also in the subtleties that these guitars can offer for some fingerstyle playing in particular, as well as the different playing situations and what the player is listening for. |
#57
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I would definitely have a maple MWD model Kostal on my list.
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Keith Martin 000-42 Marquis Taylor Classical Alvarez 12 String Gibson ES345s Fender P-Bass Gibson tenor banjo |
#58
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It is interesting to me that Brian Applegate has not been mentioned to this point. He builds a well voiced guitar in several styles, that works remarkably well for fingerstyle. YMMV.
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2019 Applegate SJ Last edited by GuitarsFromMars; 10-30-2021 at 11:14 AM. Reason: adjective. |
#59
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So....... , now you know...
What's it going to be?? |
#60
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I played my first Somogyi this summer. I may get stoned for this, but I was underwhelmed. Not that it wasn’t an amazing guitar. It was. It played great and sounded great. But it was nearly twice as much as the most expensive Olson I’ve played and it didn’t move me like the Olson did. In fact, I felt really bewildered by the fact that it was just as good (to me) as the guitars around in the $8-10k range. With that said, maybe there was some magic I just didn’t understand. I think my expectations were just so high that maybe they couldn’t be met. I think what made the experience unbiased was the fact that, when I played it, I didn’t even realize I was playing one. Anyway, by no means am I saying it wasn’t a great guitar. I’ve just played a few guitars that really spoke to me in my life and every Olson has been up there. This one was not and I was really surprised. |