#16
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Quote:
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"I've always thought of bluegrass players as the Marines of the music world" – (A rock guitar guy I once jammed with) Martin America 1 Martin 000-15sm Recording King Dirty 30s RPS-9 TS Taylor GS Mini Baton Rouge 12-string guitar Martin L1XR Little Martin 1933 Epiphone Olympic 1971 square neck Dobro |
#17
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To each their own, but the relicing thing doesn’t appeal to me at all. From ‘76 until ‘02 I owned a ‘58 Strat that had a lot of natural wear, but 95% wasn’t by me, but by those players before me...which was ok because at least it was put there honestly.
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Tom '21 Martin D-18 Standard | '02 Taylor 814c | '18 Taylor 214ceDLX | '18 Taylor 150e-12 | '78 Ibanez Dread (First acoustic) | '08 CA Cargo | '02 Fender Strat American '57 RI My original songs |
#18
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I love the sound of a great guitar. But I would prefer that by me playing it, brought it to that condition.
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Proud member of OFC |
#19
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Level 4 has worn frets, a lifting bridge, belly bulge, split top, loose braces and needs a neck reset from new.
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Brucebubs 1972 - Takamine D-70 2014 - Alvarez ABT60 Baritone 2015 - Kittis RBJ-195 Jumbo 2012 - Dan Dubowski#61 2018 - Rickenbacker 4003 Fireglo 2020 - Gibson Custom Shop Historic 1957 SJ-200 2021 - Epiphone 'IBG' Hummingbird |
#20
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Well, if the price is right........ If you get it at a steep discount then it might be worth putting some money in it, in order to bring it back to level three. Then it could be your beater
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David Webber Round-Body Furch D32-LM MJ Franks Lagacy OM Rainsong H-WS1000N2T Stonebridge OM33-SR DB Stonebridge D22-SRA Tacoma Papoose Voyage Air VAD-2 1980 Fender Strat A few Partscaster Strats MIC 60s Classic Vib Strat |
#21
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I'm still struggling with the concept of "reliced" acoustics.
If I were to buy a used guitar with genuine signs of usage ... Ok, but not abusage. I wouldn't want a guitar that was played, or made to look played - the way I don't play.
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#22
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Every review I've ever read by anyone who has ever played one says they are fantastic, and the playability and tone are incredible.
They also have quite a waiting list for new ones from what I hear.
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2015 Martin D-18 1982 Martin HD-28 2013 Taylor 314ce 2004 Fender Telecaster MIM 2010 Martin DCX1RE 1984 Sigma DM3 Fender Mustang III v2 |
#23
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It can sound like it was descended from heaven, but there's no way I am gonna spend my money on an artificially beat-up guitar.
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1955 Gibson ES-125 1956 Fender Champ lap steel 1964 Guild Starfire III 1984 Rickenbacker 330 1990s Mosrite (Kurokumo) Ventures 2002/2005 Fender Japan '60s Tele [TL-62-66US] 2008 Hallmark 60 Custom 2018 Martin Custom Shop 00-18 slot-head 1963 Fender Bandmaster (blonde blackface) 1965 Ampeg Gemini I 2020 Mojotone tweed Champ kit build Last edited by beatcomber; 07-15-2019 at 03:22 PM. |
#24
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So, who strums like that? And with what, a screwdriver?
When I buy a new guitar, I want it to look like a new guitar and in 30 years, mine looks like that, I'd be ashamed of myself! No, I would not buy that guitar no matter how good it sounded. |
#25
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There is a reason the Music Emporium, Carter Vintage, etc. are “excited” to be carrying these North Carolina crafted, hand made guitars.....
https://www.pre-warguitars.com/customers They are the real deal. Heavy distressing is optional. Personally, I think the guitar pictured is beautiful and I don’t expect it will last long. |
#26
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I like playing a guitar that has a history to be appreciated. Marks here and there are just part of the deal and they are, should, be honest. Playing marks even more so. However I occasionally cringe at some blemish imposed which comes from neglect. Or even stupidity. To add those insults to a guitar and then ask for money to apply "artistic" history is stupid in my opinion.
What's next? Buy a new car and you pay a little extra for some door dings artistically placed based on whether it's a mall parking abuse or maybe some from your own garage? While we are at it why not chip the windshield? Sorry...old man. why2 |
#27
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I have always felt that way about electric and now acoustic guitars. 'Poser' is the exact word that comes to mind.
Apologies to anyone who takes umbrage at my opinion.
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=================================== '07 Gibson J-45 '68 Reissue (Fuller's) '18 Martin 00-18 '18 Martin GP-28E '65 Epiphone Zenith archtop |
#28
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Definitely not something I’d be interested in. Outside of my 64’ D-21 that I inherited and is pretty beat up looking, my other guitars are very well taken care of.
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It won’t always be like this. |
#29
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This is a flawed analogy. More appropriate ones would be: Pre-washed/faded jeans. Cracked leather boots. Or any aged leather goods. Belts, saddles, whatever. Hair color. Really any make-up, scents, or other artificial (fake) beauty products. Shabby chic furniture. Or any factory aged/distressed home decor. Anti-aging products. Martin, Eastman, Fender, etc. reliced offerings. Vintaged tuners. I’m assuming you think all of these types of things are “stupid” as well? Last edited by ALBD; 07-15-2019 at 03:24 PM. |
#30
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Apparently that will void the warranty.
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Brucebubs 1972 - Takamine D-70 2014 - Alvarez ABT60 Baritone 2015 - Kittis RBJ-195 Jumbo 2012 - Dan Dubowski#61 2018 - Rickenbacker 4003 Fireglo 2020 - Gibson Custom Shop Historic 1957 SJ-200 2021 - Epiphone 'IBG' Hummingbird |