#16
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Luckily I don't have any acoustic hangers-on that I've kept based on looks. But I've got a couple more basses than I need, but can't part with.
__________________
Assuming is not knowing. Knowing is NOT the same as understanding. There is a difference between compassion and wisdom, however compassion cannot supplant wisdom, and wisdom can not occur without understanding. facts don't care about your feelings and FEELINGS ALONE MAKE FOR TERRIBLE, often irreversible DECISIONS |
#17
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Picked this up recently. Sounds great and plays great. I'd keep this one for looks alone. |
#18
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It's obvious from your post that you'll be sorry when it's gone, so why sell it? You've got it in the house, so keep it for now. You can always sell it later if you have to. They say that life is short, and I doubt that they are lying.
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#19
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It's a personal call, but for me, instruments are meant to be played. If a guitar stops getting played, I'd rather sell it to someone who will play it. Aesthetics never comes into the decision process for me.
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"It's only castles burning." - Neil Young |
#20
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I kept a crossover that I liked the look and sound of probably much longer than I needed to. It was a beautiful instrument. I eventually decided to let it go as I really liked the steel string sound. I used the money to put towards another steel string guitar and have no regrets at all. I guess I am one of those folks who believes that a beautiful guitar should be played and the music it makes enjoyed.
Best, Jayne |
#21
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Quote:
Just curious... Wade Hampton Miller |
#22
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Quote:
Sell the looker and don’t look back.
__________________
Circa OM-30/34 (Adi/Mad) | 000-12 (Ger/Maple) | OM-28 (Adi/Brz) | OM-18/21 (Adi/Hog) | OM-42 (Adi/Braz) Fairbanks SJ (Adi/Hog) | Schoenberg/Klepper 000-12c (Adi/Hog) | LeGeyt CLM (Swiss/Amzn) | LeGeyt CLM (Carp/Koa) Brondel A-2 (Carp/Mad) |
#23
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You have very good eyes. That's African blackwood. It's a Jonathan Razo OM with Bavarian spruce top. |
#24
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I tend to rid myself of things that are pretty to look at, but not a lot of fun to be around.
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#25
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I am almost always unimpressed by "stylized" guitars, preferring the classic designs from the days of yore... but that one is really cool!
__________________
1955 Gibson ES-125 1956 Fender Champ lap steel 1964 Guild Starfire III 1984 Rickenbacker 330 1990s Mosrite (Kurokumo) Ventures 2002/2005 Fender Japan '60s Tele [TL-62-66US] 2008 Hallmark 60 Custom 2018 Martin Custom Shop 00-18 slot-head 1963 Fender Bandmaster (blonde blackface) 1965 Ampeg Gemini I 2020 Mojotone tweed Champ kit build |
#26
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This is a good point. There's nothing wrong with it being an instrument, wall art or both. I have a couple of guitars that are worthless but have some sentimental value so they hang around as wall art.
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Original music here: Spotify Artist Page |
#27
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Keeping guitars based on looks
I have one of those, it's also been fun to play after a neck reset last year.
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#28
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never a consideration, if it doesn't sound good but looks good, and it's a guitar, what good is it? I suppose if you were in the business of renting props to film makers, you'd keep a good looking lousy sounding guitar, but that's the only circumstance I think would make sense.
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#29
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Quote:
__________________
Pete "Never take a fool with you when you go, because you can always pick one up when you get there"! Billy Connolly. |
#30
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Quote:
As I said on that thread, I've owned some very nice vintage Favilla ukuleles but have never seen a Favilla guitar in the wild. I saved this picture of yours and tucked it away into a file I have of gorgeous acoustics.
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"A ship in a harbor is safe, but that is not what ships are built for." - John Shedd |