#46
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The few Taylors I've played, I really like the neck, action and how they play. HOWEVER, I don't like the tone/sound. Always seem 'thin' or 'tinny' to me. Both are personal preferences and you have to go with what works for you.
I sorta equate it to my relationship with IPA beers. A lot of people love them and they are a rage with the micro-brewing community; but, I don't like 'em. Every time I go out with friends and someone orders an IPA, I ask for a sip ... maybe I'll like it this time. Nope. (To each their own.) Guess I'm just going to underscore what others have been saying: go with what works for you. If you like the way a Taylor plays and the sound, go for it. I'm sure you won't be disappointed. (I don't think I've ever heard anyone complaining about Taylor build quality.)
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Breedlove: Oregon Myrtlewood Eastman: AC630ce 12-String Seagull: M6 G&L: Fullerton Deluxe ASAT Special |
#47
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Taylor (IMHO) seems a good deal like Starbucks. They have many products, lots of stores and it sounds like they try to take care of their people, but, for some reason(s)many dislike the company, because, well, it’s Starbucks. Consider this: if their coffee was terrible they would not exist, at least at the level they do.
Now, I have never played a Martin that I would own (yet). From what I know, there are way too many issues with quality control, warranty and company policies (reread:from what I know). And I have never cared for the sound of any I have played, not that it is a lot. I AM A Taylor fan of sorts, but there are SO MANY folks playing Martins that I have to question my opinion. I have heard Martin instruments that I really like, but have never had the chance to play a nice one. But there are so many Martins out there that my opinion is obviously of little value. I do respect their reputation for making instruments for a long time….. I like the way Taylor does business, quality control and their reputation for warranty service. And I feel like the company is doing a bit more than simply selling instruments and I like that aspect. Yes, many Taylors tend to fall on the bright side sonically, but string changes can fix that…… |
#48
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#49
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People like what they like. While the idea is totally foreign to me, some don't like the sound of Martin guitars. I've always liked the sound of Taylor guitars. My old 410 has aged into a quite resonant and lovely sound. While a little weak on the projecting bass notes, the midrange and high notes are beautiful, rich in overtones, yet maintaining clear separation. It's one of those guitars that just keeps demanding to be played.
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2022 Martin 000-18 2022 Martin HD12-28 2022 Martin HD-28 2022 Gibson J-45 Standard 2022 Taylor American Dream AD27 Mahogany 2007 Breedlove AC250/SM-12 2006 Breedlove AD20/SR Plus 2003 Martin 000C-16SGTNE 2000 Taylor 410ce 1990 Martin Shenandoah (< 1990 a bunch of great old Yamahas I lost track of) My music: https://pro.soundclick.com/dannybowman |
#50
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#51
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That has nothing to do with customer service, and everything to do with their warranty policy -- two very different things.
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#52
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As a business owner, I can say that's absolutely customer service. How you serve the customer is not relegated to how polite your agents are. It's also how you take care of issues that arise. While I may not agree with the other poster about the fret issue, I can say that's a customer service and craftsmanship issue.
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#53
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I can only speak to the Taylor I've played, an Academy 12. I might just be the lucky one, but it has a warm, round, full sound and has gotten even better in the 2 years I've owned it.
The ironic thing is that I've played many more expensive guitars that have all sounded inferior to my own. A few Breedloves, a PRS Angelus, and 2 Eastmans - all different sounds (and certainly not necessarily worse!!) but I found that mine had the warmest sound, which goes against everything I've heard about Taylors. I really want to get a higher quality guitar someday, but in the realm of <3K I haven't played anything I like more. I just wish the string spacing was wider..
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My YouTube Channel: https://youtube.com/@rileydaleguitar |
#54
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There is not a whole lot of common ground here. Most people like them or they don't. I'm in the don't camp. I don't like the neck profiles, and like many, find them too bright. The ES 2 pickups are solidly in the they are ok category, and I think cutaways on an acoustic are plainly ugly.
You will find folks who love the necks, love the tone, love the pickups and swear they use the cutaway. Such is the world of subjectivity. You are wise to trust your own opinion. There are people who dislike almost every shape, size, and manufacture of any guitar. Don't buy marketing, buy the guitar. And don't stress if your tastes change. It's part of the ride.
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2007 Martin D 35 Custom 1970 Guild D 35 1965 Epiphone Texan 2011 Santa Cruz D P/W Pono OP 30 D parlor Pono OP12-30 Pono MT uke Goldtone Paul Beard squareneck resophonic Fluke tenor ukulele Boatload of home rolled telecasters "Shut up and play ur guitar" Frank Zappa |
#55
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#56
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I’ve had two Taylors—a light one and a heavy one. It was, of course, the difference between Koa and Rosewood.
There’s no reason to think that Taylors as a brand are heavier or denser than other brands. We internet guitar lovers are sometimes perhaps too willing to generalize from our particular firsthand perceptions . Perceptions which are themselves colored by prior experiences, unconscious biases, and unexamined associations. Something to keep in mind. |
#57
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Lest we all forget, this forum used to be the original unofficial Taylor Guitar Forum.
I have had excellent customer service with Taylor, up to and including them taking back to the factory my then twenty-two-year old K14c to repair finish issues. Bob
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"It is said, 'Go not to the elves for counsel for they will say both no and yes.' " Frodo Baggins to Gildor Inglorion, The Fellowship of the Ring THE MUSICIAN'S ROOM (my website) |
#58
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Tommy |
#59
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Its worth noting that the additional weight is coming from the neck. That weight is not inhibiting the production of sound. The term "heavily built" refers more to the the construction of soundboard, bracing. In fact a heavier neck would dissipate less energy, allowing more to be transferred to the top.
I've played bright Taylors for sure. Those tended to be the smaller bodied guitars that I think of as stage guitars for singer songrwiter types, and in a full band setting. I wouldnt characterize the dreads I've owned as "bright". |
#60
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With the frequency of threads like this one its more like the "hate on Taylor" forum. Or maybe that was the original intent.
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