#181
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Perhaps, a little something with less reverb to hear the genuine Olson mojo ?
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There are still so many beautiful things to be said in C major... Sergei Prokofiev |
#182
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That is just a gorgeous sound!! Enjoy!
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--------------------------------------- 2013 Joel Stehr Dreadnought - Carpathian/Malaysian BW 2014 RainSong H-OM1000N2 2017 Rainsong BI-WS1000N2 2013 Chris Ensor Concert - Port Orford Cedar/Wenge 1980ish Takamine EF363 complete with irreplaceable memories A bunch of electrics (too many!!) |
#183
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Congrats on the new guitar.
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My YouTube Page: http://www.youtube.com/user/ukejon 2014 Pono N30 DC EIR/Spruce crossover 2009 Pono koa parlor (NAMM prototype) 2018 Maton EBG808TEC 2014 Hatcher Greta 13 fret cutaway in EIR/cedar 2017 Hatcher Josie fan fret mahogany 1973 Sigma GCR7 (OM model) rosewood and spruce 2014 Rainsong OM1000N2 ....and about 5 really nice tenor ukuleles at any given moment |
#184
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Merry Christmas to you too! |
#185
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I agree with you -- but I must admit that the recording with the Olson features better playing on my part and better recording conditions altogether. The Olson does have a sweet and piercing quality in the treble along with a very defined bass. I also like the natural "compression" that seems to be the SJ's trademark. I can't wait to post some videos of this guitar! |
#186
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Thanks for listening, Mike! I am having a great time playing the guitar!
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#187
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Here's the dry version: https://soundcloud.com/syndicatedart...ough-1/s-cexTK |
#188
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Congrats on the guitar....I've followed the thread for some time...and gorgeous too! THE TREE is something else!
Nice to hear the dry recording......there's certainly resonance to that guitar. Do you ever comment on your recording set-up? I love the depth of your wet sound...( mics used, programs? plug-ins? external recording gear?) I'm very new to that dept. Great playing and Merry Christmas! Fred
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1993 Bourgeois JOM 1967 Martin D12-20 2007 Vines Artisan 2014 Doerr Legacy 2013 Bamburg FSC- 2002 Flammang 000 12 fret 2000 McCollum Grand Auditorium ______________________________ Soundcloud Spotify |
#189
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And this sounds great. The guitar sounds so wonderfully huge yet very immediate or intimate. Sure doesn't need much added "wetness" from a deep reverb. Thanks for posting.
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My YouTube Page: http://www.youtube.com/user/ukejon 2014 Pono N30 DC EIR/Spruce crossover 2009 Pono koa parlor (NAMM prototype) 2018 Maton EBG808TEC 2014 Hatcher Greta 13 fret cutaway in EIR/cedar 2017 Hatcher Josie fan fret mahogany 1973 Sigma GCR7 (OM model) rosewood and spruce 2014 Rainsong OM1000N2 ....and about 5 really nice tenor ukuleles at any given moment |
#190
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Great playing Joe, and beautiful guitar Jim! |
#191
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Now, that sound gives me goosebumps and your sensitive playing...just wonderful ! Personally, I find too much reverb does not give a great guitar enough room to add something special, and, additionally, hides a good player's touch...
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There are still so many beautiful things to be said in C major... Sergei Prokofiev |
#192
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I'm a big fan of all your music Mau and really enjoyed getting to hear a "dry" run... and it sounds so rich and warm. What a beautiful looking guitar and a wonderful build thread... thanks for sharing. Joyeux Noel at Bonne Annee, Berf
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#193
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Nice playing as always Mau. I actually enjoy both renditions equally, some parts with the Kraut more and others with the Olson more. What are the tunings used for each - sounds like different keys which does make it difficult for direct comparison.
Anyway, I think you have two stunning guitars here which seem to both excel in different ways without making the other redundant at all. Just my opinion though...
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Cornerstone Zion Jacobs OM |
#194
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And Merry Christmas to you as well! I use an Apogée MiC plugged into an iPad3 and GarageBand. The reverb is the default one, which I set to about 40%. There is no further processing of the sound. Everything is uploaded directly from the iPad. I am planning to upgrade to a MacBook Air, Apogée Duet and a pair of condenser mics as soon as the MacBook Air becomes available with the Retina display. The iPad is great and simple -- but having a pair of mics would be so much nicer... |
#195
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Personally, I hate the dry version. I wouldn't play traditional blues with a wet signal -- nor would I play Si Bheag Si Mhor and most of the airy stuff without it. That's the sound that I like. I posted a link to the dry version just so you could hear the guitar without any effects -- and also to show you how the reverb doesn't dramatically alter the tone of the guitar. It's still very much the same tone -- except with a bit of extra colour. I'm not a traditionalist or a purish, and I don't know that any of my guitars "need" reverb -- but I just like it that way. I've been a guitar player for over two thirds of my life and I don't think I could change my preferences at this point -- nor would I have any reason to do so. |