#16
|
||||
|
||||
Thank you Steve...I'm humbled, and don't quite know what to say beyond that.
I will say to everyone else, though, that Steve's presence inside of the shop has played a major role in the development and construction of these two guitars. He has a unique way of making the uncomfortable, soon seem more comfortable. Quote:
__________________
‘17 Two Hands Guitar Co. 000/Concert, Sitka/Brazilian Imbuia ‘17 Two Hands Guitar Co. 0000/Auditorium, Sitka/Indonesian RW ‘93 Taylor 712 (I spent 20 years trying to convince the owner to sell me this guitar) ‘95 Taylor Limited Edition GAWS (I traded my Gibson J-200 for this guitar in ‘95) TWO HANDS GUITARS |
#17
|
||||
|
||||
Tom,
Steve has spent quite a lot of time sharing his knowledge with me and demonstrating processes and procedures. It's nice to know that he doesn't feel that it's been time wasted. I look forward to the day that I can spend all of my time working in the shop, building guitars alongside him. Quote:
__________________
‘17 Two Hands Guitar Co. 000/Concert, Sitka/Brazilian Imbuia ‘17 Two Hands Guitar Co. 0000/Auditorium, Sitka/Indonesian RW ‘93 Taylor 712 (I spent 20 years trying to convince the owner to sell me this guitar) ‘95 Taylor Limited Edition GAWS (I traded my Gibson J-200 for this guitar in ‘95) TWO HANDS GUITARS |
#18
|
|||
|
|||
Just wow.
Those guitars are both, simply brilliant in design and finish. There is no way that I would (likely anyone) suspect that they are your first attempts, regardless of prior woodworking experience. They look fabulous. It would be wonderful to hear to high-quality audio files. I remember Steve was talking a while back about working toward this end for his guitars. I hope both of you will be able to showcase your creations with high-res photos and accompanying audio. These instruments deserve that attention, as do both of you guys.
__________________
_____________________________ Jeff _____________________________ Edwinson EPS "iCrucified" [2011] Edwinson Consort "Spirit" [2016] THGCo. 000-Concert "Chi Rho" [2019] Taylor 514e FLTD [2013] Taylor 714e [2016] Martin OM-21 Ambertone [2017] |
#19
|
||||
|
||||
Very nice guitars indeed ... and the coolest logo I've seen in quite some time!
__________________
David Wren |
#20
|
||||
|
||||
Thank you Jeff. It's exciting, yet humbling, to look back on this journey, so far, and see my Creator's two hands at work in all of this.
We do aspire to get good audio samples of our guitars, but that's a little further down the road. Quote:
__________________
‘17 Two Hands Guitar Co. 000/Concert, Sitka/Brazilian Imbuia ‘17 Two Hands Guitar Co. 0000/Auditorium, Sitka/Indonesian RW ‘93 Taylor 712 (I spent 20 years trying to convince the owner to sell me this guitar) ‘95 Taylor Limited Edition GAWS (I traded my Gibson J-200 for this guitar in ‘95) TWO HANDS GUITARS |
#21
|
||||
|
||||
Thanks David. I have a very good friend who is a graphic artist, and he helped me develop the logo. I'm blessed to have many talented and creative friends.
Joel
__________________
‘17 Two Hands Guitar Co. 000/Concert, Sitka/Brazilian Imbuia ‘17 Two Hands Guitar Co. 0000/Auditorium, Sitka/Indonesian RW ‘93 Taylor 712 (I spent 20 years trying to convince the owner to sell me this guitar) ‘95 Taylor Limited Edition GAWS (I traded my Gibson J-200 for this guitar in ‘95) TWO HANDS GUITARS |
#22
|
||||
|
||||
Joel, as one of Steve's friends, I understand how he radiates positivity at every turn. However, your work is just that - yours. And it is beautiful! I really love the bevels, they look comfortable without being too invasive. I'm really looking forward to hearing your work. I'll also echo everyone's comments on the logo, it's fantastic. If this is where you start, it'll be amazing to see where you end up!
__________________
--------------------------------------- 2013 Joel Stehr Dreadnought - Carpathian/Malaysian BW 2014 RainSong H-OM1000N2 2017 Rainsong BI-WS1000N2 2013 Chris Ensor Concert - Port Orford Cedar/Wenge 1980ish Takamine EF363 complete with irreplaceable memories A bunch of electrics (too many!!) |
#23
|
||||
|
||||
Good morning Mike...
Yes, I understand what you are saying, and I'm very happy and pleased to have been blessed, by my Creator, with the abilities to achieve these results this early in my journey. But I also realize that I'm fortunate to be standing on the shoulders of 20 years of experience (successes and failures) that Steve has earned... The guidance and direction in the construction process that Steve gives me, has streamlined my learning curve, given me insight, and kept me from making mistakes that I surely would make while I'm learning this craft... BUT...even more important, is the crafting of tone. It would have taken me years to learn how to coax such wonderful sounds out of a guitar. Steve is teaching me the philosophical foundation of his preferred bracing style, and how to manipulate it to achieve expected results. Steve had me shaping braces waaaaaaaaaaayyyy beyond the point that I was comfortable...not so much pushing me out of my comfort zone...but putting me at ease while nudging me to keep going further...and further...and further than I would have, without such one-on-one guidance. So yes...these guitars are my creations, and I'm very humbled yet proud that they've turned out this well...but the reality of the situation is that they are built upon the foundation of Steve's 20 years of experience...and I'm fortunate and blessed to be standing on his shoulders, and creating guitars with the same DNA as an Edwinson, yet with their own personality. Joel Quote:
__________________
‘17 Two Hands Guitar Co. 000/Concert, Sitka/Brazilian Imbuia ‘17 Two Hands Guitar Co. 0000/Auditorium, Sitka/Indonesian RW ‘93 Taylor 712 (I spent 20 years trying to convince the owner to sell me this guitar) ‘95 Taylor Limited Edition GAWS (I traded my Gibson J-200 for this guitar in ‘95) TWO HANDS GUITARS |