#31
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My voice is lower now after some neck radiation treatments (and likely coupled with older age). I've also been experimenting with different tunings for certain songs. I'm fortunate to be able to have some 8 guitars right now and I can leave a guitar in a given tuning.
For those with standard scales, I have been using the following: One full step down Double dropped D Open G Orkney (which is, I believe, CGDGCD) I have an R Taylor 2 that is a shorter scale and it sounds fine to me in the double dropped D (where it is these days for this one song). Which makes sense since that only involves 2 strings. I have one 25" scale guitar and it seems (to me anyway) to handle any of these tunings just fine but I have not made a serious assessment. There are of course different flavors of short scale, 25 being the longest of short I think........... For a bunch of songs I used to sing in G/C I now cannot. I prefer to just drop the tuning one whole step. Someone mentioned travel guitars and not tuning down. Indeed, my Baby Taylor behaves best 4 big steps up (an E chord shape sounds as an A). When tuned to lower pitches it exhibits some real intonation issues when fretting around the fretboard, esp. in standard pitch tuning.
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~~~~~Bird is the Word~~~~~ Martin D-41, Larrivee L-19; Gibson L-130; Taylor 614-ce-L30; R Taylor 2 H&D Custom OM; Bauman 000 Cervantes Crossover I; Kenny Hill 628S; Rainsong Shorty SGA; CA GX Player, Cargo; Alvarez AP70; Stella, 12-string; 2 Ukes; Gibson Mandola; Charango, couple electrics |
#32
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So if I tune down a step and my partner is playing standard tuning—— to join him I would only have to capo 1st fret and I would match him, correct ? Jed |
#33
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Another question. If I want to make my 1 11/16 to 1 3/4 I could tune 1/2 step down and just capo and now have wider nut guitar, right ?
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#34
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Yep, I’m a high baratone so tune down a full step and use mediums to compensate for the lost tension. Works great for me. I first tried it when learning Yesterday since McCartney tunes down a full step for that. Liked it so much on some other songs where I was having trouble hitting the high notes, like Dust in the Wind, that I left it there.
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Guilds: 69 F312 Braz, 89 Nightbird II, 91 Nightbird CU, 94 GV70, 96 A50 flattop, 06 CO1 Cedar, 11 F30CE, 13 CS F30R Reno Star, 14 GSR F30CE Coco, Orpheum OM RW, Orpheum SS Hog. SOLD: Guilds: 78 F40,79 F112,’87 GF60R,94 DV72,07 CS F47 Braz,11 DD6MCE,12 F30,12 F30R,18 F2512. Other: 70 Epi 5102,74 Ibanez LesPaul,90 Gibson ES347,15 Alvarez MFA70,15 Martin OM28VTS,15 Epi ES339Pro,16 Alvarez AF60 |
#35
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I tune most guitars 1/2 step down because it suits my voice. The guitars also sound great tuned down.
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#36
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Typically I tune down 1/2 step with my 6-strings (I've done so since the 80s), and a full step with my 12-string. I think the 6-strings sound darker in a good way. As for the 12-string - despite what some guitar manufacturers claim, they hold up better (less chance of the top bellying, and the neck and bridge pulling up), due to the reduction in string tension from tuning down. Oh yeah, and it also sounds darker to me in a good way.
Tuning down a whole step on my 12-string also has the side benefit for me, of working better playing-wise for the music played in the church band I'm a part of (the music director is a piano player, and she seems to gravitate towards downshifted [pitch-wise] keys) - I'm one of those weirdos who prefers to avoid using a capo (I want to maintain access to the guitar's full register. while playing songs). It's probably a by-product of back when I played lead guitar in rock bands, and did a fair amount of zooming up and down the neck. Ellen
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Play Whatever Brings a Smile To Your Face My Smile Makers: Guild OM-120 Guild F-2512E Deluxe 12-string Eastman E3DE 2013 Ibanez AFJ-95 |
#37
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I think Alice in Chains used to record a lot of their music detuned 1 1/2. Or was it just 1/2? |
#38
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Tune down half a step (one fret) and capo up one fret to match your friend in standard.
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Bob https://on.soundcloud.com/ZaWP https://youtube.com/channel/UCqodryotxsHRaT5OfYy8Bdg |
#39
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Yes, although exact width at the capo may vary.
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Bob https://on.soundcloud.com/ZaWP https://youtube.com/channel/UCqodryotxsHRaT5OfYy8Bdg |
#40
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There are a bunch of songs (mostly 80's 90's rock ballads) that were recorded 1/2 step down. So, don't worry about it. It's been a thing for decades.
I keep at least one guitar down 1/2 step for certain songs. Send me an Angel by Scorpions for example. A lot of 12-string players keep theirs down a half or a full step as well. Anything more than 1 full step, I would grab my Baritone and capo accordingly.
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Larrivee OM-03RE; O-01 Martin D-35; Guild F-212; Tacoma Roadking Breedlove American Series C20/SR Rainsong SFTA-FLE; WS3000; CH-PA Taylor GA3-12, Guild F-212 https://markhorning.bandcamp.com/music |
#41
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I'm currently using 13s on my Ibanez and have it tuned down a full step to D (it had what I thought could be a lifting bridge, but is most likely a poor glue job, but I'm playing it safe). With the mahogany, it now sounds really dark and has a pleasant grumble to it.
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As my username suggests, huge fan of Yamaha products. Own many acoustic-electric models from 2009-present and a couple electric. Lots of PA too. |
#42
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From brother Paul, "Every one of my guitars is tuned down a half-step except for my 12-string which is a whole step. I frequently capo the first fret to bring it back to standard depending on the song." When I read this, it told me that the capo action in the second sentence referred to the 12 string to bring it back in line with the rest of your instruments, all of which were in what you may have mis-labelled as 'standard'. That is, your own personal choice of tuning. The key part was the word 'it' in "bring it back to standard", referring to one item. If you tune the 12 down a whole step, then you would have to capo on the second fret to bring it back to true standard. On the other hand, capoing your other guitars on the first fret will bring them back to standard tuning. So when brother Jed wrote, "So if I tune down a step and my partner is playing standard tuning—— to join him I would only have to capo 1st fret and I would match him, correct ?", are you referring to a half step or a full step? Using 'step' in this context without a modifier leaves the meaning up in the aether. Having no idea what your starting point is (or even where your end point is supposed to be, presuming your partner plays in standard tuning), any answer is at best 'maybe', and begs additional information. Also part of my confusion. What is "a virtual shorter scale guitar" and what is a benefit of it? And my guess is that any question directed to me on this may well require a 'yes' answer. Don .
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*The Heard: 85 Gibson J-200 sitka/rosewood Jumbo 99 Taylor 355 sitka/sapele 12 string Jmbo 06 Alvarez AJ60S englmn/mpl lam med Jmbo 14 Taylor 818e sitka/rosewood Grand Orchestra 05 Taylor 512ce L10 all mahogany Grand Concert 09 Taylor all walnut Jmbo 16 Taylor 412e-R sitka/rw GC 16 Taylor 458e-R s/rw 12 string GO 21 Epiphone IBG J-200 sitka/maple Jmbo 22 Guild F-1512 s/rw 12 string Jmbo Last edited by donlyn; 01-30-2020 at 09:18 PM. |
#43
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I don't sing but tune down a 1/2 step on my 000-18 just because I think it sounds a little 'richer'
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2022 Brook Lyn Custom, 2014 Martin 000-18, 2022 Ibanez GB10, several homebrew Teles, Evans RE200 amp, Quilter 101R and various speaker cabinets, Very understanding wife of 48 years |
#44
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Thanks for making me aware of this Martin gauge. Are they coated strings? This Martin Light-Medium gauge seems to have added some in-between gauge-size strings across the board. The result seems to be closer to a slightly lighter medium gauge overall. I like the Elixir PB HD Lights, which are also a compromise between light and medium gauge (.013 - .053). They are coated, which I like. They are mostly Medium treble strings matched with Light bass strings. I find they beef up the treble sounds on my smaller body guitars, while at the same time keeping the medium trebles for the large body guitars while trimming the effect of the big bodies a bit. And taking over 10 pounds of tension from a set of medium gauge strings helps my older hands. Don .
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*The Heard: 85 Gibson J-200 sitka/rosewood Jumbo 99 Taylor 355 sitka/sapele 12 string Jmbo 06 Alvarez AJ60S englmn/mpl lam med Jmbo 14 Taylor 818e sitka/rosewood Grand Orchestra 05 Taylor 512ce L10 all mahogany Grand Concert 09 Taylor all walnut Jmbo 16 Taylor 412e-R sitka/rw GC 16 Taylor 458e-R s/rw 12 string GO 21 Epiphone IBG J-200 sitka/maple Jmbo 22 Guild F-1512 s/rw 12 string Jmbo |
#45
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If you're tuned down a step...a full step...as in your E strings are tuned to D, your A string tuned to G, D to C, etc...you'd capo at the second fret to put you in standard tuning...
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"Music is much too important to be left to professionals." |