#16
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Do you know what beats "better" for me? Interesting...
Last edited by Guest 429; 02-09-2013 at 06:46 AM. |
#17
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I've liked the value of some Squier lines for a while now, but honestly, I prefer the SX and Agile lines sold by Rondo Music. I think the SX Hawk and SX Funnian, their Strat and Tele respectively, beat the Squier and MIM lines at a fraction of the price.
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#18
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Big Difference
I played a (purchased new) 95 Strat Plus for over 10 years and thought it was great. When relics lost their appeal I was offered a used master built custom shop strat for a price I couldn't pass up.
Better playability, better sound. Big difference.
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________________ Old and In The Way |
#19
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Thanks Bob, I will do some A/B tests next week. You make a cogent point about how the guitar reacts to high gain. I am gonna check this out.
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#20
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I heard a difference between the two. But for me it was not better or worse. Just different. I make my living doing session work and writing and sometimes the lo-fi Squire sound is preferred for me. I have many Strats new and old and several Squiers. Here I talk about my $99 Squier...
http://proguitarsecrets.blogspot.com...ire-strat.html And here's the $89 Squier Tele I bought to string up African tuning, I just used that guitar on a song I wrote for Taboo's (Black Eyed Peas) new record.... http://proguitarsecrets.blogspot.com...an-guitar.html The great thing about cheap guitars is you can have several for different string combinations and tunings like... http://www.youtube.com/watch?v=6N0eL15HSYc
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Tom Strahle http://www.youtube.com/tstrahle ...lot's of free lessons here. Acoustics: Martin D-35, 1924 Martin 0-28k, Taylor 814-ce, Gibson Dove, Lowden F-22, 60's Gibson Folksinger, Taylor 655, Martin Baritone (prototype), Larrivee Parlor (tuned high-strung) |
#21
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Quote:
For me, the biggest myth is that the greatest music has almost always featured "great tone" when I would argue that it has most often featured "truly interesting tone." Here's to keeping things interesting! |
#22
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They did sound different. The Squier was always the louder of the two, but louder doesn't equate to better.
A tiny sample of two guitars through one amp tells me absolutely nothing. |
#23
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Tom Strahle http://www.youtube.com/tstrahle ...lot's of free lessons here. Acoustics: Martin D-35, 1924 Martin 0-28k, Taylor 814-ce, Gibson Dove, Lowden F-22, 60's Gibson Folksinger, Taylor 655, Martin Baritone (prototype), Larrivee Parlor (tuned high-strung) |
#24
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Quote:
Anyway...I haven't tried the other lines from Rondo, but seriously think you can get a well built and inexpensive guitar from them, and mod the heck out of it if you want it to do anything more, and still come out cheaper than much of what else is out there. Additionally, I discovered Carvin guitars, and am very impressed with their fit and finish. I don't love the tone of all of their pickups, but think the finishing compares very well against PRS. They have some twin-blade humbuckers that fit into single-coil slots that sound awesome, and there is a guitar in the GIS (Guitars-in-stock) that is a beautiful green with a birdseye maple fretboard that has these pickups, and that guitar is about $900. I think that guitar is a fantastic buy for anyone looking to go higher up. And they give you 10 days, no questions asked, so you can return it for just the cost of shipping. Many options for low, mid and high pricing, which makes our hobby so much fun!!
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--------------------------------------- 2013 Joel Stehr Dreadnought - Carpathian/Malaysian BW 2014 RainSong H-OM1000N2 2017 Rainsong BI-WS1000N2 2013 Chris Ensor Concert - Port Orford Cedar/Wenge 1980ish Takamine EF363 complete with irreplaceable memories A bunch of electrics (too many!!) |
#25
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Quote:
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=-=-=- Steve Acoustics: Takamine G-series, Larrivee D-03e Electrics: Carvin Goldtop CS4, Fender Standard Strat, Fender Standard Tele, Gibson Les Paul Classic, Hamer Studio Custom, Epiphone Sheraton II, Charvel MIJ So-Cal Type 2, The Dali "Beer Guitar" Amps: Fender Mustang III, Laney Cub10 |
#26
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I am with Fretbuzz on this one. The Squier sounds different but not worse than its thousand dollar big brother.
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#27
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Sometimes that difference can be glorious.
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Tom Strahle http://www.youtube.com/tstrahle ...lot's of free lessons here. Acoustics: Martin D-35, 1924 Martin 0-28k, Taylor 814-ce, Gibson Dove, Lowden F-22, 60's Gibson Folksinger, Taylor 655, Martin Baritone (prototype), Larrivee Parlor (tuned high-strung) |
#28
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The American strats have silky action and wonderful fret work. The pickups are cleaner and if I ever get a job again I will consider a YJM at least on the bridge. However, when they did the setup for me, and I had a strat specialist do it, they said to leave the pickups alone. That with a band or a backing track they would be just fine. The jury is still out. However, I continue to be amazed how close the two sound.
The Squier however, has these unwanted overtones, which you can work with and make a rather complex sound pallette. Its not clean, its more, blended electronica, not at all unpleasant, but not really clean. I figure the American strats are cleaner, especially the bridge pickup. Without gain, the middle and neck pickups on the Squier sound pretty good, the tone control tames them. |
#29
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I finally got around to watching the full videos. Bang ON! So well presented, you did a great review! |
#30
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Davis:
First, thanks for starting this thread. Picked up an MIC Bullet Strat and couldn't be happier. I think you have the Affinity? but give this a try: really lower the neck pup, starting with a sliver, with middle pup less than 1/4" for a start. Tune in the neck pup to a kind of "woody" vs "gooey" fairly transparent (Purple Hazish) and go for a certain transparency with the middle, bass presence but not bass dominance. Frankly even with the noticeable higher bridge pup I go for that transparency. I can always dig in. You can dial in more "glass" and "quack" that way, even with those ceramics. The "quack" source for the 2 and 4 positions is in the middle pup. especially towards the treble side, but too high there can take you out of that too. It takes a lot of patience, tweaking back and forth. I also recommend setting your amp to Treble 10, Bass 0 during this process. Get it "there" with these settings first. I would also recommend letting the trem float even if you don't use it. Go with 10s, decent relief and towards the acoustic side of action (like Hendrix and Jerry Garcia). Put simply moderate output ceramics are great for clean break playing, not super clean, but really there's more clarity there than you might think, by going lower with those pups, but really for Strat pups in general. BTW I actually like the ceramics in the MIC Bullets better than the current ceramics in the MIM Standards. By going for more output...you can get less. Regards, FB Last edited by Guest 429; 02-18-2013 at 10:16 AM. |