#1
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DPA 4099
Tossing around buying a DPA clip on the tailpiece mic for my Campellone,anyone try these??
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#2
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I've used them before and still own one. Live, it's really tough to get loud enough before feedback, in my experience. Check out the Bartlett:
https://www.bartlettaudio.com/collec...hantom-powered 1/3 the cost and more effective for live use. It's my go to if I can use a mic these days. |
#3
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Thanks, I check it out
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#4
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Here's one on my L-5: https://youtu.be/jV2M7i8pGl4?t=498
Or if you perfer Artie Shaw: https://youtu.be/HSTc-Zr058Q?t=952
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Jonathan Stout www.campusfive.com/swingguitarblog NEW ALBUM "Spreadin' Rhythm Around" - PRE-ORDER NOW: bit.ly/c5-rhythm 1932 Gibson L-5 1939 Gibson L-5 1937 Gibson ES-150 2012 National Style 1 (German Silver) 2004 Eastman 805 non-cut 2002 John LeVoi 12-fret Petite Bouche 2016 Waterloo WL-14 LTR 1939 Gibson EH-185 Vintage '47 VA-185G |
#5
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I had a 4099 for a while then sold it. It's so close to the guitar that you only get part of the the sound of the instrument. A Shure SM81 mic on a mic stand 6-12 inches from the guitar reproduces more of the instrument and that sounds better to me.
Also, since the 4099 is a shotgun mic it picks up sound from the rear. If you twist it 180 degrees and point the back at your guitar it sounds almost as loud as when it's facing the "right way." I find that unacceptable because if you have a stage monitor in front of you it's going to feed back. Last edited by Al Acuff; 08-20-2017 at 09:27 AM. |