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#1
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I've been thinking of replacing the biscuit on my single cone - it's the standard national one, but unfortunately I'd been a little over zealous in tweaking....still worked but in the back of my mind I thought about a replacement, and perhaps making my own.
Research online pretty much said maple is the only way to go - Maple is a bit hard to get a hold of here (Australia) but the guy renovating downstairs had some left over slabs of Merbau (or Kwila) which is a little harder than maple and thought it might work. Short story is, in spite of my decidedly dodgy woodworking skills, it seems to work a treat! Quite pleased with the sound although the action is a bit high, I'm sitting with it for a while as my over-zealous tweaking is what got me into trouble in the first place. ![]() ![]()
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National Resophonic NRP 12 Fret Loar LH-700-VS Archtop Herrmann Weissenborn Recording King RP-10 Recording King RG-35-SN Lapsteel Maton 425 12-string Stella Tenor ESP 400 series telecaster My Youtube |
#2
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Cool dude!
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Doug, guitar player of variable quality for over 35 years. Gibson: J-45 Standard, L-1 Blues Tribute, L-00 Vintage, J-185 Original Martin: 000-18MC, 000-28VS National: Triolian 12 Fret My Recordings |
#3
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Good on ya! I've put off replacing the saddle on my baritone tricone, because it will require gluing extra maple on so I can compensate it, which is needed on the baritone.
And here you are going from plain wood stock to a shaped biscuit? I am feeling very wimpy...
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I only play technologically cutting edge instruments. Parker Flys and National Resonators |
#4
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#5
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Rockabilly69: thanks for the tip, I'll give that a go!
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National Resophonic NRP 12 Fret Loar LH-700-VS Archtop Herrmann Weissenborn Recording King RP-10 Recording King RG-35-SN Lapsteel Maton 425 12-string Stella Tenor ESP 400 series telecaster My Youtube |