#46
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Levity in this age is very welcome
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This . . . . . Oh my, will there ever be another musician / composer like this ever again? woo woo |
#47
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You are probably onto something here.
Unlike many others, I own up to it and do count on the appearance. It's the whole package that counts to me, it has to look nice and be put together in an outstanding manner - as well as sound and play to my satisfaction.
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The Bard Rocks Fay OM Sinker Redwood/Tiger Myrtle Sexauer L00 Adk/Magnolia For Sale Hatcher Jumbo Bearclaw/"Bacon" Padauk Goodall Jumbo POC/flamed Mahogany Appollonio 12 POC/Myrtle MJ Franks Resonator, all Australian Blackwood Blackbird "Lucky 13" - carbon fiber '31 National Duolian + many other stringed instruments. |
#48
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What is this "name" y'all are talking about?
The fellow who made this guitar didn't care much for other bling either. As far as the rest of this thread goes, I like pretty straight-grain wood on the backs of guitars way more than crazy grained wood or wood that looks flat sawn... and tight grain on the front... I read that Gibson used to glob on the lacquer, I can barely see the grain on the front of my 57 Country Western through the crazed finish... -Mike |
#49
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Ebony bridge pins. I think plastic is just fine
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#50
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I would hands down say the pickups in a guitar are the most overrated part.... people see a stratocaster with 59's in it or a les paul with P-90's in it and they get all excited..... why though?
Tone is purely subjective when it comes to guitars especially electric.... the pickups can have a diverse effect but there's alot of other factors to consider as well that are often overlooked...... the gauge strings your using, the size and watt of the amp your using, the settings on your amp, pre-amp, effects boards and pedals, the size room your playing in, the acoustics of the room you are playing in, the relative humidity at the time, the guitars setup can become a factor as well... there's a thousand factors that can contribute to determining a guitars "tone". yes you should be focusing on tone when it comes to guitars but always remember that big music shop full of guitars and amps is a completely different environment to your bedroom at home.... |
#51
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Too, I wouldn't equate having a certain aesthetic expectation for a pricey guitar (as a whole) with "obsessing" over it. I have relatively mild OCD and Lord knows I have obsessed over things (just ask Mrs. GS about my 914c odyssey....). The back of my Martin ain't one of 'em.
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2019 Martin Custom Shop HD-28 (Adi/EIR) 1998 Taylor 914ce (Engelmann/EIR) 1995 Takamine EN10c (cedar/mahogany) 2013 Yamaha FG720S-12 (Sitka/mahogany) |
#52
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Regarding acoustics, I think aesthetics and brand can both mean a lot. I’ve always thought people get a little too hung up on nut width and nut and saddle material.
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Eastman: AC630 Super Jumbo (2019) Gibson: Eric Church Hummingbird Dark (2016), J-45 Standard (2013), Gibson L-00 (1930s) Guild: D-55 (1998) Martin: D-41 Reimagined (2019), 000-15SM (2018), OM-28 VTS Custom (2016), D-18 Golden Era (2014) Taylor: K24ce Builder’s Edition (2020), K14c Cedar (1999) Yamaha: CSF3M Parlor (2019) |
#53
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The end pin. I mean. . . does anyone REALLY need a fossilized walrus ivory end pin to match their bridge pins?
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#54
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That said, I wouldn't pay the huge prices some ask for aesthetics, labels, etc. I'm not inclined to pay $10k for a PRS with super nice wood but nothing special electronically, but I'm totally willing to pay $4-6k for a well build guitar that offers all the electronics I want or need for my purposes. |
#55
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I would go with this. 1 and 11/16 vs 1 3/4 is the least of my concerns when considering a purchase. Also I see much fuss dealing with gloss vs satin necks. I own acoustics and electrics with both, and either one is fine with me.
Also the species of spruce top is overrated to me. I own Sitka and Engelman and have played Adirondack and Sitka is just as good as anything else out there.
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Taylor- DN8, GS Mini, XXX- KE Gibson - Gospel Reissue Takamine- GB7C |
#56
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The difference between playing my Ovation or Takamine (both have a 1 11/16" nut) and my guitars with a 1 3/4" nut is readily apparent to me. Like night and day.
YMMV
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2019 Martin Custom Shop HD-28 (Adi/EIR) 1998 Taylor 914ce (Engelmann/EIR) 1995 Takamine EN10c (cedar/mahogany) 2013 Yamaha FG720S-12 (Sitka/mahogany) |
#57
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Adi bracing vs Sitka. How many times have we discussed this in various threads, and I’m as guilty as anyone. After many years and many guitars, it’s the whole package that matters, not this one attribute. Might as well include no tongue brace vs with in this too.
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Merrill | Martin | Collings | Gibson For Sale: 2023 Collings D2H 1 3/4 Nut, Adi Bracing, NTB -- $4100 shipped |
#58
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And the funny thing is as soon as I saw that I didn't just simply read it, I sang it, and in that voice too And I know you did too
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#59
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To each there own but as one who makes guitars I think it's silly to make the interior of the guitar perfectly clean like a doll house inside. I never sand braces preferring to leave tool marks, pencil lines and so on. The hand of the maker is what I call it. Though there was guy who posted here recently, I think, who put a little mouse in the inside of the guitar and I thought that was cool.
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#60
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Kinda depends on whether you're a player or a "collector". For a player, everything is overrated. The guitar is only 10% of the equation. For a collector, nothing is overrated - except maybe tone.
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