#31
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If you visually inspect your file you'll probably see a few peaks in the waveform that are far above the rest. The highest peak will set the limit for normalization or manual gain adjustment, so one trick is to manually reduce those peaks. If even more "loudness" is desired a brickwall limiter might be used. Fran
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E ho`okani pila kakou ma Kaleponi Slack Key in California - www.kaleponi.com My YouTube clips The Homebrewed Music Blog |
#32
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But the time spent playing with mics is time _not_ spent improving one's playing, arranging, and composing, and those are the real limits to the quality of the recording, once a minimum level of gear and technical knowledge is in play. I can offer something of a comparison between the H4n internal mics and a fairly expensive external mic: http://www.homebrewedmusic.com/2009/...-the-zoom-h4n/ I'm embarrassed to say that I didn't do a same source level matched comparison between the internals and externals, but perhaps there's enough information in those samples to help you decide about spending on new mics. Fran
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E ho`okani pila kakou ma Kaleponi Slack Key in California - www.kaleponi.com My YouTube clips The Homebrewed Music Blog Last edited by Fran Guidry; 09-22-2012 at 10:29 AM. |
#33
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Good point, Fran, about focusing on performance. That's really where the vast majority of my time goes. I'm not looking to get crazy about recording. I just want to know enough to produce a reasonable recording. My playing really isn't at the level yet where a lot of time focused on recording would pay off. The advice you all have given here is great. Thanks very much.
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Circa OM-30/34 (Adi/Mad) | 000-12 (Ger/Maple) | OM-28 (Adi/Brz) | OM-18/21 (Adi/Hog) | OM-42 (Adi/Braz) Fairbanks SJ (Adi/Hog) | Schoenberg/Klepper 000-12c (Adi/Hog) | LeGeyt CLM (Swiss/Amzn) | LeGeyt CLM (Carp/Koa) Brondel A-2 (Carp/Mad) |