#1
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Drawbacks to having clearer recordings
Now that I have a couple of quieter mics, a better area to record in and software/ plug-ins that hold my hand and help me get much better (to my ears) recordings I'm noticing more areas where I should be holding certain notes longer, playing with less hand noise .......
Its a vicious circle,
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#2
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Yup. Nowhere to hide. You're about to become a much cleaner player and a far more proficient editor.
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#3
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This is a phenomenon I witnessed in the studio many times, especially with vocalists. Like Brent said there's nowhere to hide but the good news is it will challenge you to be better. Good luck
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#4
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Ah yes the two edged sword of good clean equipment and recordings
On the one hand there is no better starting place, on the other hand the horrifying realization that now your foibles are exposed naked for the world to hear.
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Enjoy the Journey.... Kev... KevWind at Soundcloud KevWind at YouYube https://www.youtube.com/playlist?lis...EZxkPKyieOTgRD System : Studio system Avid Carbon interface , PT Ultimate 2023.12 -Mid 2020 iMac 27" 3.8GHz 8-core i7 10th Gen ,, Ventura 13.2.1 Mobile MBP M1 Pro , PT Ultimate 2023.12 Sonoma 14.4 |
#5
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At the celebration of life for a cousin's daughter, my wife sang and I accompanied her on guitar. As I arranged my part and we practiced I started recording it. SMy wife is a wonderful vocalist (much better than me accompanying her) but she was concerned about how the recordings, played through my revealing monitors, were sounding. I assured her when the song was done at the event, with their speakers and all the background noise, all would sound fine.
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Chuck 2012 Carruth 12-fret 000 in Pernambuco and Adi 2010 Poling Sierra in Cuban Mahogany and Lutz 2015 Posch 13-fret 00 in Indian Rosewood and Adi Last edited by ChuckS; 02-24-2019 at 03:11 PM. |
#6
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You want to be forced to play cleanly get access to a guitar synth. That thing will bust you in a second for sloppy playing with all sorts of squawks and spurious noises. You can use that same synth to improve your timing if you combine it with computer software that creates sheet music from what you're playing. It will reward you with a display of more 64th rests and dotted whatever notes than you thought existed. Don't ask me how I know all this.
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Some Acoustic Videos |
#7
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So true, Barry! I don't pretend to have the greatest equipment or cleanest playing, but this is indeed is always a challenge for sure!
One other thing....after you record for a while with the new equipment, ( and maybe you're already there) you can train your ear to know "in the moment" whether this or that little (or big) sound is going to be an issue when you listen back to the whole track. I always record with headphones and for me this makes a difference. Have fun!! Fred
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1993 Bourgeois JOM 1967 Martin D12-20 2007 Vines Artisan 2014 Doerr Legacy 2013 Bamburg FSC- 2002 Flammang 000 12 fret 2000 McCollum Grand Auditorium ______________________________ Soundcloud Spotify |
#8
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A big amen to everything said above in the tread, including the MIDI post.
Something I'd like to emphasize: it's good, in that you now have the ability to monitor your playing separately and in your own focused time. I myself have a devil of a time telling how well I'm playing when I'm playing--I'm too busy with the mechanics of playing and the puzzle of what to play. I've learned things from recording for sure. For example, the virtue of simple sounding better than complex very often. It's also bad, in that you may become too focused on what problems you can now hear and less on what works, particularly on what works in the context of how others hear your music. There's some risk in getting too self-conscious.
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----------------------------------- Creator of The Parlando Project Guitars: 20th Century Seagull S6-12, S6 Folk, Seagull M6; '00 Guild JF30-12, '01 Martin 00-15, '16 Martin 000-17, '07 Parkwood PW510, Epiphone Biscuit resonator, Merlin Dulcimer, and various electric guitars, basses.... |
#9
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Yes. Becoming more proficient at recording and mixing has made me a better musician as well. There are a lot of “that’s just not gonna do” moments now that I wouldn’t have cared about in the past. I am going through and getting roughed out versions of a lot of songs I have written or co-written with the intention of really going back and doing them justice.
Recording is definitely impoving my guitar playing.
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‘97 Taylor 555 12 string ‘17 Martin HD 28 ‘19 Martin CEO 9 ‘20 Gibson 1960 Hummingbird reissue ‘16 Gibson Hummingbird Avant Guard (gigging guitar) Note to self: Never play a guitar you aren’t willing to buy. |
#10
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Quote:
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Jim 2023 Iris ND-200 maple/adi 2017 Circle Strings 00 bastogne walnut/sinker redwood 2015 Circle Strings Parlor shedua/western red cedar 2009 Bamburg JSB Signature Baritone macassar ebony/carpathian spruce 2004 Taylor XXX-RS indian rosewood/sitka spruce 1988 Martin D-16 mahogany/sitka spruce along with some electrics, zouks, dulcimers, and banjos. YouTube |
#11
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Quote:
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Enjoy the Journey.... Kev... KevWind at Soundcloud KevWind at YouYube https://www.youtube.com/playlist?lis...EZxkPKyieOTgRD System : Studio system Avid Carbon interface , PT Ultimate 2023.12 -Mid 2020 iMac 27" 3.8GHz 8-core i7 10th Gen ,, Ventura 13.2.1 Mobile MBP M1 Pro , PT Ultimate 2023.12 Sonoma 14.4 |
#12
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One of the benefits of aging...we get older, our hearing deteriorates, and our playing sounds cleaner...problem solved ;-)
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#13
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it sure is but your ears are getting trained and that is a great thing.
try lifting your fingers for less noise. i do agree that sometimes a little more sustain is better than a chopped note. but, that may make it tough to get to your next area timely. play music!
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2014 Martin 00015M 2009 Martin 0015M 2008 Martin HD28 2007 Martin 000-18GE 2006 Taylor 712 2006 Fender Parlor GDP100 1978 Fender F65 1968 Gibson B25-12N Various Electrics |
#14
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The next few months should be interesting, thanks everyone!
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#15
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Quote:
(you know I'm joking, right?) |