#1
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Guitars that sound great recorded
I'm curious what guitars sound best recorded to you. I recently got a second-hand Lowden F32 and I'm not sure if I'm going to keep it. The craftsmanship is excellent, it plays beautifully but I'm a little underwhelmed with how it sounds recorded. It also doesn't seem to like fast strumming. I'm reluctantly considering exchanging it.
Here's a comparison between the OM21 (returned due to defect) and the Lowden. I think the OM21 sounds a lot better recorded. Lowden: Martin OM21: Can you hear what I mean? It's like there's a sweetness to the notes that is missing with the Lowden. I spoke to the guitar shop and they're willing to give me full credit for what I paid for it meaning I wouldn't be out of pocket. I think I'm starting to realise I prefer mahogany over rosewood so would probably be looking at a new Gibson J45 standard or a Martin D18. If you think the Lowden sounds great recorded and I am nuts please let me know. I'm absolutely sick of GAS and have been notoriously awful for returning guitars lately. |
#2
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It's not about which guitar sounds better recorded. Rather, it's about which guitar best complements your voice and playing when recorded.
I'm leaning toward the Martin in this regard.
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1 dreadnought, 1 auditorium, 1 concert, and 2 travel guitars. |
#3
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Oddly enough when I sing with it I don’t get the impression it doesn’t complement my voice, a problem I had with a Taylor previously. I’ve also barely touched my 00015m since I got it as it is a big improvement on that guitar in most areas. I do find it very difficult to mic it well though.
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#4
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I can't really hear the guitars that well, can you post tracks without vocals?
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#5
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Quote:
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#6
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Maybe the Lowden needs a heavier gauge string?
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#7
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I once bought the best guitar I'd ever heard recorded. Some of you may have even heard it on a Candyrat recording.
It was the worst guitar I've ever played. I learned you can EQ a recording to alter the sound of any guitar and make it sound great, even spectacular, when in reality it's a lousy instrument.
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McCollum Grand Auditorum Euro Spruce/Brazilian PRS Hollowbody Spruce PRS SC58 Giffin Vikta Gibson Custom Shop ES 335 '59 Historic RI ‘91 Les Paul Standard ‘52 AVRI Tele - Richie Baxt build Fender American Deluxe Tele Fender Fat Strat |
#8
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According to J.P. Cormier the Boucher Studio Goose is stellar.
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2020 Yamaha LL56 Custom 2021 Boucher SG-51-BMV 2020 RainSong CO-WS1000N2 2019 PRS Silver Sky |
#9
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Chuck 2012 Carruth 12-fret 000 in Pernambuco and Adi 2010 Poling Sierra in Cuban Mahogany and Lutz 2015 Posch 13-fret 00 in Indian Rosewood and Adi Last edited by ChuckS; 02-11-2020 at 10:44 PM. |
#10
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To my ears, Lowden's excel at fingerstyle. I'd never consider a Lowden for strumming. That's not what they were designed to do. Don't get me wrong, you can strum a Lowden until the cows come home, but that's just not what they excel at. There is a natural compression I hear with them that helps to even out every note, and an immediatacy to the note that makes pulling a melody out of a lot of ringing notes possible. They are exceptional in that regard IMHO. For example:
For me, that's not what I look for in a strumming instrument. They are too "even" - strum harder and it still sounds the same. For that sort of thing, I personally think the Taylor GP's (517 and 717's) are some of the best recording guitars on the market. They may lack the booming low end, but that is a good thing for recording. That's why OM's and 000's record so well. You style is kind of a mix between strumming and flatpicking to my ears. I think you are on the right track. The Martin influenced sound works better for what you do. Again, if you can, give the Taylor GP's a go. It might just be the thing you are looking for. Hope this helps. Last edited by jklotz; 02-11-2020 at 11:41 PM. |
#11
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Very nice playing and a sweet instrumental. Guitar sounds great too.
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frazervalley Larrivee, LV-03E Sitka/Peruvian Walnut Bourgeois, Dreadnaught DB Signature, Italian Spruce/Madagascar Rosewood |
#12
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Check out his youtube channel though, he does some great stuff. |
#13
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I agree that, on these recordings, the Martin sounds better. The Lowden sounds muffled, with less presence, compared to the Martin.
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I am here to learn. |
#14
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If it’s the size of the guitar that is the issue would I encounter the same issues with a dreadnought then? Part of what is drawing me towards Gibson J45 as a replacement is that I’ve been told they record well. I also don’t want another 000/OM if I can avoid it. |
#15
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Certainly, in the examples you posted, the OM21 sounds clearer than the F32.
However, there are plenty of recordings of the F32 sounding stellar, and it is generally recognised for its clarity. Before you return another guitar, I believe it would be worth investing time (and possibly some money) on improving your recording skills (and equipment?). There are so many factors which can affect a sound recording of this type that without knowledge of the recording environment, microphone type, number, placement etc. it is difficult to be of much help. I would strongly suggest detailing as much of your recording setup as you can and starting a new thread, including the F32 sound clip, in the ‘Record’ sub-forum here asking for help. With your evident singing and playing skills I think you owe it to yourself to achieve a better representation of what you can achieve (gosh, that sounds patronising, but I can assure you it is meant to be). Of course, recording aside, if the F32 is not doing it for you then you should return it. Regards, Clive. |