#16
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As soon as I decide it's not working.
They are gone. Last time I didn't change the strings. I sold the guitar. |
#17
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I rarely hate a PB or 80/20 set. But when I do come across a set that: I do not like the feel or don't tune well... they come off within a day.
I do have preferred sets (i.e., D'Addario EJ17, EJ19, EB Earthwood Med-Lights pb and 80/20.... Don't hate Monels but they are not preferred... EB Aluminum Bronze - tried'em twice - sounded ok.. loud... hated the gritty feel... off they came same day... |
#18
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I usually try to go a week. Some strings sound quite a bit different with a little time (or make me less nauseous?). I have yet to try a set that I absolutely hated. I probably would not suffer those for very long.
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Keith Martin 000-42 Marquis Taylor Classical Alvarez 12 String Gibson ES345s Fender P-Bass Gibson tenor banjo |
#19
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As soon as I discovered how slippery Elixirs are, they came off straight away. Really annoying considering the price 😕
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#20
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I change strings often just out of inexperience (with sound of type/gauge etc) and curiosity- when I started on this path long ago I didn't even know string gauge, never mind make up, existed- lots of time to make up for- though I will say, I do like Martin Monels on both my LAG's, a T70A and a T118ACE and my Martin 00015M- I didn't like them on the Martin 00017, which is what it came with from Martin so I put a set of DR Rare on it - I also like GHS cryogenic strings and John Pearse-
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#21
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I'm with rlllink in that I don't enjoy string changes and so even if I'm not digging a set of strings they tend to stay on longer than they would if I had a "your wish is my command" guitar tech at my beck and call.
I also dislike the sound of new strings, which makes me less attracted to string changes and also makes me want to wait to see if the new strings settle in. Martin Retro Monel is a common example that need a little playing time to give the sound I want from them, but even the ubiquitous phosphor bronze sets won't give me something I like until they've been played a bit. And since I have lots of instruments, that "played a bit" interval isn't like it'd be with a person who plays a particular guitar daily. Besides the "settle in" factor, when trying a set that changes the sound of a guitar, there's my consideration that I may need to learn to appreciate that change in sound or learn how to use the new timbre, because I seek and enjoy variety. Other players have "their sound" and sound preferences and can easily dispense with any explorations like that.
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----------------------------------- Creator of The Parlando Project Guitars: 20th Century Seagull S6-12, S6 Folk, Seagull M6; '00 Guild JF30-12, '01 Martin 00-15, '16 Martin 000-17, '07 Parkwood PW510, Epiphone Biscuit resonator, Merlin Dulcimer, and various electric guitars, basses.... |
#22
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Quote:
Unless I have a gig or recording session, I leave em on till they die (lose sustain). If I've 'not-liked' strings it's for minor and picky reasons with tone, not generally playability. I'm not one to waste $10 or more just because I've heard something I like better. |
#23
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Quote:
J
__________________
~~~~~Bird is the Word~~~~~ Martin D-41, Larrivee L-19; Gibson L-130; Taylor 614-ce-L30; R Taylor 2 H&D Custom OM; Bauman 000 Cervantes Crossover I; Kenny Hill 628S; Rainsong Shorty SGA; CA GX Player, Cargo; Alvarez AP70; Stella, 12-string; 2 Ukes; Gibson Mandola; Charango, couple electrics |
#24
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I usually know pretty quick, within a few days, unless I'm purposely wanting the "dead" sound. About every 2 yrs. I'll order several sets of strings and run them for a few days each. Most of the time I stick with what I've always liked, but sometimes I find something new I enjoy!
__________________
"The real risk is not changing. I have to feel that I'm after something. If I make money, fine. But I'd rather be striving. It's the striving, man, it's that I want." - John Coltrane |
#25
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Definitely give em a few days. Some strings like Retros , take at least a day or two or three to mellow out and then they're great. I was really disappointed with Retros the first time I put them on my GPC-15. Came back a few days later and they were completely different and they've been on it for a few months now and still sound good.
The only string type I've had issues with were 80/20. The few times I've tried them (usually on Martin type guitars) I couldn't stand them and took them off the same day. Maybe they mellow out after a few days but I didn't wait around. I just tried 85/15 lights vintage bronze from GHS on the suggestion of another member and they are pretty good and cheap (on a D-18)! |
#26
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Quote:
I have one more set, though, that I can try on my Mahogany GS. Thanks for this comment. |
#27
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My Taylor came with Elixirs that came off as soon as I got the guitar home. However, I don't think I've ever installed strings that I disliked so much that I couldn't leave them on for a week.
Monels definitely need a week to find their groove.
__________________
1 dreadnought, 1 auditorium, 1 concert, and 2 travel guitars. |
#28
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If I decide I don't like them they come off. IMO life is too short to spend time playing a guitar you're not enjoying (especially just because of the strings).
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#29
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I suffered with monels for a month before taking them off, I kept waiting for them to sound good, I heard so many people say give it a couple weeks or so. Then I suffered through them for a month yet again with a different guitar. Swore them off forever, now like a dog going back to its vomit I have another pack and am going to try again and probably suffer for another month again lol
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#30
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A voice of inexperience
As I've previously said; I change strings out of curiosity and inexperience- at the same time I'm looking for a clean sound. By that I mean, as a poster in a different thread said a few weeks back when I tried to describe what I strive for, the PB's produce more overtones than Monel- overtones to me, distract from the sound of the simple, which is a creed I live by.
There is more to it though than simply the strings. My Martin 00015M came with PB's and I put Monels on it and love it. The Martin 00017 came with Monel strings and I put PB's on it. I bought the 00017 because I wanted to experience the Martin mystique, if you will, with Spruce, because I really liked the mahogany Martin 00015M. Now, my LAG T118 ACE is cedar- I love the Monel strings on it. My LAGT70A is spruce and I love the Monel strings on it I've not experienced a time lag in the difference in the sound. They gave me what I wanted as soon as I got it in tune and still do even on the Martin 00015M- and I beat the stuffin out of them on a couple of songs I do- I even tune them down and beat them even harder- they're hanging in- I go back to standard tuning and voila! what I like there too. Inexperience can be a wonderful thang! |