#46
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Hey, Greyhound. Just wondering how the L1Pro8 did at the gig. I'm debating between that and the L1 pro16. Mostly concerned about flexibility and coverage.
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#47
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Sorry I lost track of this thread. Bottom line is it did just fine and a couple of people who have heard me in the same space running 2 Schertler Jam 150’s in the past preferred the sound of the Bose. A lot has todo with the tower and it’s ability to project into the room. I normally run the schertlers on short speaker stands that are maybe 8” off the ground. So in that setup the tweeter is maybe 20” from the floor. I’ve used them for years and at the end of the day I think the Schertlers are more musical to my ears and I use them in my music room for a very fine sound. The Bose are great for this type of live application and I have owned the old compact as well as the “last” generation 1s with the B2. I have some placement challenges in my regular venue and I can’t get the tower behind me with sufficient space. So it gets kind of angled. I’m thinking of picking up an S1 to use as a monitor. Playing again on the 15th I will report any new observations.
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#48
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Quote:
I also have a Bose S1 Pro and Highly recommend using one as a floor monitor. It is surreal how great that works.
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Martin DC-18E (Ambertone) Martin HDC-28E Martin D-18 (2015) Collings D1 Traditional Emerald X20 Fender CS '63 Telecaster Custom Collings I-35LCV Collings I-30LC Collings 290 www.heartsoulaz.com |
#49
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Interesting update: Last night I had a duo gig. I play bass or acoustic guitar in my Duo. I bring a bass cabinet and Mesa Boogie WD-800 amp with my Sadowsky 5 string bass. I was in a rush last night and half way to the gig I realized I left the Bass amp at home.
So I played bass through the Bose L1 Pro8. Oh my Goodness!! It was superb! I will not be need to carry my bass amp to my duo shows in the future. The Bose sounded so good! I had more than enough volume, low end and it handled the Low B string without a hiccup. I am super impressed!!
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Martin DC-18E (Ambertone) Martin HDC-28E Martin D-18 (2015) Collings D1 Traditional Emerald X20 Fender CS '63 Telecaster Custom Collings I-35LCV Collings I-30LC Collings 290 www.heartsoulaz.com |
#50
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Martin HD-28 Sunburst/Trance M-VT Phantom Martin D-18/UltraTonic Adamas I 2087GT-8 Ovation Custom Legend LX Guild F-212XL STD Huss & Dalton TD-R Taylor 717e Taylor 618e Taylor 614ce Larrivee D-50M/HiFi Larrivee D-40R Blue Grass Special/HiFi Larrivee D-40R Sunburst Larrivee C-03R TE/Trance M-VT Phantom RainSong BI-DR1000N2 Emerald X20 Yamaha FGX5 Republic Duolian/Schatten NR-2 |
#51
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Great to hear Gary and I agree Sprucetop!
I am surprised there isn't more talk about this Pro8 system. I've been very pleased with my purchase ! The versatility, ease of use, features and sound quality is simply amazing. Sure it's $1200 bucks. Which could be steep for many.. I get that. But it covers a ton of ground musically... plus my vocals straight in from my mic are silky smooth. No other processor needed! What is mind blowing.. is that I can enjoy top quality sound without blowing out mine or my audience's ears. |
#52
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Just upgraded from an L1 Compact to the Pro8 yesterday. Our initial use of the Pro8 was just a low-volume rehearsal for our acoustic duo in the basement, but VERY noticeable improvement in sound. The Pro8 is much more "open" and natural sounding and the bass is much nicer even with just an acoustic guitar at low volume. Really happy with this upgrade so far!
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#53
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The real contender is Evolve 30m that I have and love.
Anyone played both side-by-side? I know the L1c couldn't hold a candle to the 30m. It made every voice sound great though and the 180° coverage was nice |
#54
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I like how reading through the thread there were incrementally more owners in the making. Wish I'd found out about these back when life was normal, but I've really got my sights set on a Pro16 to replace the L1 MII that I loved playing though, but never liked setup/tearing and moving to the vehicle by myself with it.
Really interesting too what Groberts was saying about it being able to negate his need for dragging the bass amp anymore. Don't know if I'll get a Pro8 first, but I can definitely see one, or even both models creeping over the horizon.
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Journey OF660, Adamas 1581, 1587, 1881, SMT - PRS Cu22, Ibanez JEM-FP, S540, RG550, Fender Stratocaster Heil PR-35 : Audio Technica AE-6100, ATM5R : Beyer TG-V90r : Sennheiser 441, 609, 845, 906 : ElectroVoice ND767 HK 608i Friedman WW Smallbox, Marshall 4212 |
#55
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#56
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I share Chriscom's concerns. The 41 lbs is a show-stopper for me. The Pro8 is
the only Pro model I would consider. I also have the L1m2 and would sacrifice a little power to save some trips up and down stairs. I read/saw the Pro8 is more like an L1S replacement than the L1 Compact. The Compact did not cut it for my needs. After viewing the comments and video links in this thread, I am convinced the Pro8 has more features and sounds fuller. Is this translating into noticeably more power and coverage than the L1 Compact? Thanks.
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Michael Goodall MdRSC/Adirondack yr2018 + Sunrise Goodall RSC/Sitka yr2001 + Sunrise Goodall HRGCC/Italian yr2004 + Sunrise Martin D-10E Sitka/Sapele MX-T Bose L1 mod2, Pro8, S1 Pro, QSC K8.2, CP8 |
#57
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Martin DC-18E (Ambertone) Martin HDC-28E Martin D-18 (2015) Collings D1 Traditional Emerald X20 Fender CS '63 Telecaster Custom Collings I-35LCV Collings I-30LC Collings 290 www.heartsoulaz.com |
#58
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Quote:
I'd much rather make one 41 pound trip, especially if the Pro16 can come anywhere close to reminding me of the MII.
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Journey OF660, Adamas 1581, 1587, 1881, SMT - PRS Cu22, Ibanez JEM-FP, S540, RG550, Fender Stratocaster Heil PR-35 : Audio Technica AE-6100, ATM5R : Beyer TG-V90r : Sennheiser 441, 609, 845, 906 : ElectroVoice ND767 HK 608i Friedman WW Smallbox, Marshall 4212 |
#59
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Another vote for a shoot out between Evolve 30 and new Bose Pro models.
I have both an Evolve 30 and a Bose L1 compact, and the Evolve 30 is in another league especially volume. |
#60
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NAD! New Bose L1 Pro8 Line Array DEMO Vid!
My workhorse for small venues is my Bose L1 Compact. I love this system. It’s never let me down for hundreds of gigs, rehearsals, and home practicing. My experience with the L1 is the reason I purchased the Bose Pro16 rather than the Evolve 50. I’m now playing solo shows in larger venues and need “more power”. These are rooms that I would normally play with my band. Due to the Wuhan virus, they are now only booking solo shows.
The Pro16 sounds great, but mine had a high pitched (8.5K) ringing/hiss. I exchanged it for a new one but it had the same issue. I found out later that there were others with the same issue. I was willing to put up with the wobbly tower but I just won’t accept this quality issue. Apparently the Pro8 doesn’t have this issue. My guess is that it isn’t as wobbly because the tower is lighter and not as top heavy as the Pro16. Long story short, I am waiting for my EV Evolve 50M to be delivered. It has the mixing features of the Evolve 30M plus a few other additional features. It has two effects channels with many reverbs, echoes, choruses and compressions to choose from.
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http://www.restlessray.com Last edited by GreatGretsch; 02-09-2021 at 11:01 PM. |