#16
|
|||
|
|||
Quote:
Curious about it, but it's a lot of work to put in, do all that setting up and then find that I don't like it.
__________________
Rick Yamaha MIJ CJX32 Avalon L32 Avalon A32 Legacy Lowden 022 Gibson J-185 Takamine TNV360sc Cole Clark Fat Lady 3 |
#17
|
|||
|
|||
Quote:
When I want real thumping low end, I use my Rick Turner Renaisance guitars. Frankly, they sound amazing plugged in and they do NOT feed back. ;-) I use them for all of my duo gigs. I did work wit the K&K more and got better results, but I guess I'm not hearing why so many people rave about these. Sure, there's no piezo quack and they sound pretty good, but it doesn't really sound like my guitar and it requires a good bit of eq to sound good. I think I need a grahpic eq with it in addition to the preamp. Maybe I'll try my Fishman Stage preamp and see how that goes. |
#18
|
|||
|
|||
Quote:
|
#19
|
|||
|
|||
Quote:
I do know that some Martins have small bridge plates that do not accomodate the disc size for even the small size of the K&K Pure Mini. Mounting the transducers partially hanging over the bridge plate edge has been the cause of excessive feedback reported in the past by users. I'm sure it's not the case for you, but I relate it because there are times when problems can be traced to poor selection of a pickup. 2. Working with the knowledge of what creates feedback and what's going wrong in your particular application. 3. Not expecting substantial and accurate "bass" from a Bose S1 with it's 6" driver. 4. Not desiring something other than what the combination of guitar, pickup, and amplification can provide. Adding more equipment as a remedial solution often doesn't cure a problem that results for the basic physics of amplification. 5. An awarenesss that there ARE cases where a K&K transducer (provided it's the correct one...) just isn't going to work well with your equipment. Some guitars just aren't suited to a bridge plate transducer. You certainly can use the age old "solution" of using a good microphone if you want your amplified sound to be a close facsimile of your guitar. Of course, then you face a whole other set of feedback issues. Last edited by Rudy4; 06-02-2022 at 01:18 PM. |
#20
|
|||
|
|||
Quote:
In any case, best of luck with your tweaking! Louis |
#21
|
|||
|
|||
Quote:
I've been using K&K pickups for a long time & have dealt with feedback issues all along. The only real solution I found was putting a soundhole cover on when playing in loud situations. I ended up doing the James May Ultra Tonic conversion in an OM-21 & was immediately blown away! The feedback issue disappeared & the sound quality improved considerably. I recently sent my old D-18 to Bryan Kimsey for some work. He replaced the original K&K equipped large bridge plate with a small maple one so I had him just add a new Ultra Tonic rather than trying to save & reinstall the K&K. Again, I now have zero feedback from this guitar & I play in a large band with electric & acoustic (me) guitars, electric bass, piano, keyboard, drums, multiple singers & sometimes other instruments thrown in like violins & mandolins. We all have monitors as well, so you know stage volume is pretty high. Not only does my guitar not feedback at all, it also sounds better than the K&K. So, want to move away from feedback? IMO, a simple, straightforward was is the James May way. Not cheap but buy once & smile. Frank Last edited by fwphoto; 06-03-2022 at 02:28 PM. |
#22
|
|||
|
|||
I have K&K's in a variety of instruments... mandolin, mandola's, tenor, resonator and standard guitars, banjos and even a nyckelharpa. I also have LR Baggs in Lowden's, and a Taylor and a Takamine with their own.
In my experience, a good pre-amp with EQ and a notch filter has been the solution to all sorts of feedback problems... cutting bass and notching the howler. I have Headway's that are good, and a Grace Design Felix that is brilliant and worth all the many pennies it cost for good sound from K&K's with feedback "controlled" |
#23
|
|||
|
|||
Use a HPF, Soundhole plug or change it for an Anthem.
__________________
Please SUBSCRIBE to my YouTube channel |
#24
|
|||
|
|||
Quote:
Consequently I no longer use that guitar for most gigs and have gone to a Godin A6 Ultra. Similar options might be a Fender Acoustasonic, Taylor T5 and the like. No, my Godin does not give me the tone of my HD-35, but the feedback wars are over and I have the fullness in the sound that I feel I need as a solo guitarist. Good luck in your quest.
__________________
Some Acoustic Videos |
#25
|
|||
|
|||
Quote:
That’s why I almost always gig with my Rick Turner Renaissance guitars. I always get compliments on the sound. 3rd from guitar players. |
#26
|
|||
|
|||
I have an OM-42 with K&K's going through a Tonedexter. Tonedexter not only makes the guitar sound great, there are powerful feedback tools on it too. But as has been said, if you are playing with drums and electric guitars or bass, K&K's are probably not your best choice.
__________________
2003 Martin OM-42, K&K's 1932 National Style O, K&K's 1930 National Style 1 tricone Square-neck 1951 Rickenbacker Panda lap steel 2014 Gibson Roy Smeck Stage Deluxe Ltd, Custom Shop, K&K's 1957 Kay K-27 X-braced jumbo, K&K's 1967 Gretsch 6120 Chet Atkins Nashville 2014 Gold Tone WL-250, Whyte Lade banjo 2024 Mahogany Weissenborn, Jack Stepick Ear Trumpet Labs Edwina Tonedexter |
#27
|
|||
|
|||
If your getting your gain level correct
You should just use the vol control on The s1 ..if your overdriving the amp With the pre than you'll have issues. I loved the kk in small quiet settings. But I eventually bought a sunrise pickup. Much more consistant and it's not a disc piezo. So no feedback..I havnt looked back. All that tone just to have to cut it back And choke it out just doesnt make sense. Kk are just not made for high volume situations..perhaps on a big stage where the speakers are far away..jmho |
#28
|
|||
|
|||
James May Ultratonic - he makes an easy to install retrofit kit to work with your existing K&K, or if you need a pickup, he can sell you the whole thing. Problem solved -
__________________
More than a few Santa Cruz’s, a few Sexauers, a Patterson, a Larrivee, a Cumpiano, and a Klepper!! |
#29
|
|||
|
|||
I agree with your thinking, but I've no suggestions to remedy your issue with the K&K pickup. I just installed a K&K pure mini in my J45 and it works really well. Whether thru headphones, Solo Amp, Loudbox Mini or, even my old Peavy Ecoustic 112. Like you, I've been "at this" for some time, trying several different options, Fishman and LR Baggs products mostly. I've long since made peace with the goal of "my guitar, only louder" quest. I think the K&K is the best "bang for the buck", given it's $109 and it does not "quack". Hope you get it figured out and if so, let us know the remedy.
__________________
2005 Gibson J45 Rosewood 2017 Gibson J45 Hog 12 fret 2019 Gibson J45 Rosewood Modern Cut-Away |
#30
|
|||
|
|||
For $179, nearly twice the cost of the pickup. Not sure that is cost-effective for those folks who buy a K&K pure mini, or a Fishman product or an L.R. Baggs product. Value segment options....
__________________
2005 Gibson J45 Rosewood 2017 Gibson J45 Hog 12 fret 2019 Gibson J45 Rosewood Modern Cut-Away |