#1
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Here is a different modification....
I am not sure that I would do that to my fretboard, but it is different Here is a link to the instructions if you wish to give it a try... http://www.instructables.com/id/Scal...p-Frets-14-21/ Does anyone have any experience with this? Darrel |
#2
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The Scallop
This is most commonly employed by shred guitarists to make huge "Malmsteen" type vibrato techniques easier. I have seen it done on a couple of acoustics and even a nylon string. It takes some getting used to, and I personally don't like the feel much.
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www.michaelwattsguitar.com Album Recording Diary Skype Lessons Luthier Stories YouTube iTunes Guitars by Jason Kostal, Strings by Elixir, Gefell Mics and a nail buffer. |
#3
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Mmmmm.............no
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John Petros, Paragon, National, Martin, Rainsong, and Santa Cruz |
#4
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Seems to me like it would be harder to play rather than easier. Then again, I'm not a shredder.
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#5
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(in theory) It's helps speed by making the notes easier to fret.
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woody b politically incorrect since 1964 |
#6
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hmmm....worn frets, no problem, just scallop your fret board.
Looks cool with long hair and cowboy boots too... |
#7
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Didn't Stanley Jordan own a guitar with no fretboard, only frets? Looked like something out of a Police Synchronicity video... Anyone remember that?
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#8
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I've been curious about scalloped necks for a while, but haven't owned a guitar like that. When I refretted my electric I did go with the biggest frets I could find. Somewhat similar in feel to scalloping, I imagine.
I might get a scalloped replacement neck for an electric someday to try out. One downside is that the Plek machine won't work on a scalloped neck. Bryan |
#9
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Quote:
As a long-time Deep Purple fan, I feel compelled to point out that Yngwie Malmsteen got the idea of scalloping his frets from Deep Purple guitarist Ritchie Blackmore-who Malmsteen endeavored to mimic with an obsessive zeal rarely seen outside the confines of mental hospitals. The great irony is that Blackmore, while perhaps not the technician Malmsteen is, is a far more tasteful and versitile player than Malmsteen and the vast majority of 80s generation shredsters. Now back to your regularly-scheduled thread...
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Martin 00-18G; Waterloo WL-S; Furch: V1 OOM-SR, Green G-SR, Blue OM-CM; Tahoe Guitar Co.: OM (Adi/Hog), 000-12 (Carp/FG Mahog), 00-12 (Carp/Sinker Mahog), 00-14 (Adi/Ovangkol); In the night you hide from the madman You're longing to be But it all comes out on the inside Eventually |
#10
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I played one of these once. You almost have to learn to play all over again, as it is difficult to press lightly enough to not make every cord and note go sharp. Pretty much the exact opposite of my Les Paul "fretless wonder".
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#11
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Seems like a good skill to have, no?
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#12
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Quote:
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All the years combine, they melt into a dream A broken angel sings from a guitar 2005 Gibson J-45 1985 Guild D17 2012 Fender Am. Std. Stratocaster 1997 Guild Bluesbird |
#13
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John McLaughlin: Ahead of his time...
http://www.musicaloud.com/2009/02/the-shakti-guitar/ Quote:
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Wonderful reality guitars now: Ted Thompson Guitars: T1 (GA), T2 (00), T2C (00) all in sitka/EIR ... Wonderful dream guitars someday: Mark Blanchard Pinyon (00) Ad/Koa slothead 12fret contour cutaway, Mark Blanchard Sugarpine (000) Ad/Mad fan 12 fret contour cutaway w/Manzer wedge |
#14
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Cool...but is it me or does that guitar sound like a Gibson reject? Part of it is the mix is poor.
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Martin 00-18G; Waterloo WL-S; Furch: V1 OOM-SR, Green G-SR, Blue OM-CM; Tahoe Guitar Co.: OM (Adi/Hog), 000-12 (Carp/FG Mahog), 00-12 (Carp/Sinker Mahog), 00-14 (Adi/Ovangkol); In the night you hide from the madman You're longing to be But it all comes out on the inside Eventually |
#15
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A scalloped fretboard is intriguing, but please folks don't butcher up any classic, vintage guitars with your round file just yet... it hurts me to see it. And, seriously, it'll completely devalue your axe.
Grab some First Act junker from Wal-Mart or maybe an Esteban and have at it. You'll be doing it a favor.
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Guild: 2006 F-512 (Tacoma), 2007 GSR F-412 (Tacoma), 2010 F-212XL STD (New Hartford), 2013 Orpheum SHRW 12-string (New Hartford), 2013 GSR F-40 Taylor: 1984 655 (Lemon Grove) Martin: 1970 D-12-20 (Nazareth) Ibanez: 1980 AW-75 (Owari Asahi), 1982 M310 Maple series, 2012 AWS1000ECE Artwood Studio (MIC) Favilla: ~1960 C-5 classical (NYC) |