The Acoustic Guitar Forum

Go Back   The Acoustic Guitar Forum > General Acoustic Guitar and Amplification Discussion > Classical

Reply
 
Thread Tools
  #1  
Old 09-28-2018, 07:31 PM
man-Argentina man-Argentina is offline
Registered User
 
Join Date: Sep 2018
Location: Mendoza, Argentina
Posts: 20
Default Modern look on classical guitar, which luthiers watch ?

What are luthiers that make classical guitars but with a more modern look aproach ? Luthiers that work exclusively on guitars for classical or at least mostly (not luthiers that make archtops or acoustic and once in a while make classicals, i think i know all the most knowful names).

Im a big user of classical guitar but i would like to see some more modern takes, always i see aesthetics risks for the archtops and acoustics, but less to see on classicals.

This are an example from a builder from Argentina. Norberto Moreno Luthier: just a touch a moderness





Reply With Quote
  #2  
Old 09-28-2018, 08:17 PM
Bax Burgess Bax Burgess is offline
Registered User
 
Join Date: Sep 2010
Location: SE PA
Posts: 2,482
Default

http://www.rogerthurman.com/

https://www.ebay.com/itm/Concert-Cla...-/183371430671

Nothing as intense as steel string design, which is a little disappointing.

https://www.dreamguitars.com/shop/builders/matsuda.html
Reply With Quote
  #3  
Old 09-28-2018, 08:21 PM
Skip Ellis's Avatar
Skip Ellis Skip Ellis is offline
Charter Member
 
Join Date: Dec 2006
Posts: 1,425
Default

Chris Sobel (C.E. Sobel Guitars) makes wonderful instruments. I've owned three of his and presently own one of his Conservatory models (Cedar over Madagascar RW) and it checks all the boxes for me. Check his website.
__________________
2022 Brook Lyn Custom, 2014 Martin 000-18, 2022 Ibanez GB10, several homebrew Teles, Evans RE200 amp, Quilter 101R and various speaker cabinets,
Very understanding wife of 48 years
Reply With Quote
  #4  
Old 09-29-2018, 05:15 AM
Mooh Mooh is offline
Registered User
 
Join Date: Dec 2001
Posts: 1,661
Default

For factory built guitars, I recently found a nice La Patrie (Godin) classical that pleases me. It wouldn't be the first brand I'd normally consider for a classical but this particular one just grabbed me. All solid woods.

Not really classical, but I have a nice Cervantes Crossover that I like. It would make me look at their other guitars if I was in the market.

Beyond that, I would co-design one with an independent luthier if I was in the market for something less traditional, and look locally.
Reply With Quote
  #5  
Old 09-29-2018, 08:35 AM
Carey Carey is offline
Registered User
 
Join Date: Feb 2009
Location: Los Osos, CA
Posts: 845
Default

Gary Southwell's Model A guitar comes to mind. Paul McGill's
Super Ace model is another.
Reply With Quote
  #6  
Old 09-29-2018, 10:05 AM
Bax Burgess Bax Burgess is offline
Registered User
 
Join Date: Sep 2010
Location: SE PA
Posts: 2,482
Default

Quote:
Originally Posted by Carey View Post
Gary Southwell's Model A guitar comes to mind. Paul McGill's
Super Ace model is another.
Gary Southwell's A seems to check all of the boxes.
https://www.youtube.com/watch?v=LBfnzeonef0

McGill's Super Ace is also right in there.

Maybe the visual innovations are mostly, if not all, in the crossover category.

Last edited by Bax Burgess; 09-29-2018 at 10:11 AM.
Reply With Quote
  #7  
Old 09-29-2018, 08:49 PM
ceciltguitar ceciltguitar is offline
Charter Member
 
Join Date: Sep 2010
Posts: 1,317
Default

Kirk Sand makes about a half dozen different modern cutaway classical guitars, starting with his "standard Classical" model, including another 5 or so "Signature" models.

http://www.sandguitars.com/home.htm

-------------

Post # 33 on page 3 of the AGF thread linked below has a photo of the new Emerald X 10 carbon fiber with cocobolo veneer nylon string guitar that Alistair Hay built for me this year.

https://www.acousticguitarforum.com/...=519257&page=3

-------------

John Buscarino makes at least 3 different models of contemporary nylon string guitars.

https://buscarino.com/new-page-1/
Reply With Quote
  #8  
Old 09-30-2018, 03:43 AM
Dogsnax Dogsnax is offline
Registered User
 
Join Date: Jun 2005
Location: Abita Springs, Louisiana
Posts: 1,130
Default

Evan Kingma is a young luthier who has been working with Stephen Hill in Spain the past two years, building Hill's 2a guitars. His own designs definitely have a modern vibe and he prefers unique designs and using sustainable, alternative tone woods. Worth a look....

https://www.evankingmaguitars.com/guitars
Reply With Quote
  #9  
Old 09-30-2018, 04:28 AM
steveh steveh is offline
Registered User
 
Join Date: Jun 2010
Posts: 1,749
Default

Just to echo others' comments:

Gary Southwell A

Cheers,
Steve
Reply With Quote
  #10  
Old 09-30-2018, 05:23 AM
iim7V7IM7's Avatar
iim7V7IM7 iim7V7IM7 is offline
Charter Member
 
Join Date: Feb 2012
Location: An Exit Off the Turnpike in New Jersey
Posts: 5,157
Default

While I understand your inquiry regarding aesthetics, I would encourage you to focus on sound, construction approach, and level of experience before considering your aesthetic preference between choices. In the end, you need to love how the guitar sounds and plays.

The depth of a builder’s wood locker, their appoach at voicing a top (fan, lattice, double top etc. ), body construction (laminated sides, solid sides, types of linings and sound ports etc.), ergonomic features (elevated fretboard, cutaway, fingerboard radius etc.), type of finish (french polish, varnish, nitro, polyurethane etc.) and their level of experience to consistently achieve results or manipulate elements in their system to cater to your needs will all be more impactful than their headstock, rosette and edge design/decoration.

What is the point of a cool looking instrument that you don’t like to play?
__________________
A bunch of nice archtops, flattops, a gypsy & nylon strings…
Reply With Quote
  #11  
Old 09-30-2018, 06:20 AM
man-Argentina man-Argentina is offline
Registered User
 
Join Date: Sep 2018
Location: Mendoza, Argentina
Posts: 20
Default

Quote:
Originally Posted by iim7V7IM7 View Post
While I understand your inquiry regarding aesthetics, I would encourage you to focus on sound, construction approach, and level of experience before considering your aesthetic preference between choices. In the end, you need to love how the guitar sounds and plays.

The depth of a builder’s wood locker, their appoach at voicing a top (fan, lattice, double top etc. ), body construction (laminated sides, solid sides, types of linings and sound ports etc.), ergonomic features (elevated fretboard, cutaway, fingerboard radius etc.), type of finish (french polish, varnish, nitro, polyurethane etc.) and their level of experience to consistently achieve results or manipulate elements in their system to cater to your needs will all be more impactful than their headstock, rosette and edge design/decoration.

What is the point of a cool looking instrument that you don’t like to play?
I put matter in all the things, the sound, the comfort, and the aestetics.

I like to watch different guitars, different looks are good to see, its fun ! See different aproachs, i think its great to watch and appreaciate.

I play on classical guitar but the old fashioned look of the classical guitar, i would like to see different approachs too, its fun.
Reply With Quote
Reply

  The Acoustic Guitar Forum > General Acoustic Guitar and Amplification Discussion > Classical






All times are GMT -6. The time now is 09:15 PM.


Powered by vBulletin® Version 3.8.11
Copyright ©2000 - 2024, vBulletin Solutions Inc.
Copyright ©2000 - 2022, The Acoustic Guitar Forum
vB Ad Management by =RedTyger=