#31
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Mary, I really like the Art Nouveau-ish motifs in the Aquarius guitar and look forward to what other design elements lie ahead. Beautifully executed, Tim!
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Instruments: 2022 Dake Traphagen 12F Slope Dread--Torrefied Carpathian Spruce/Snakewood 2016 Darren Hippner "Torres" classical model--German Spruce/Pernambuco Commissioned: mid-2024 Michel Aboudib MA-J Fanfret--Western Red Cedar/Bois de Rose late-2024 Michel Aboudib--TBD |
#32
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Boy Howdy! Beautiful works in progress! I'm especially intrigued by the Skeeter (I've got a pair of 1930s L-00s, love lightweight small-bodies with shorter scale lengths). Y'know, I'm usually so busy at the show that I don't even SEE half the instruments on display, and I refuse to pick up a guitar, because then I would be lost. But I hope to get to try the Skeeter on set-up day!!!
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#33
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And here I thought you'd abandoned working with stone, after your struggles with the stone in my Blimba guitar you built that nearly cost you your religion, as I recall (not to mention a truckload of sanding discs). Or is the malachite softer, like the Petoskey stone coral?
I'm late to the game here, but I'm another McKnight Skeeter owner (Panama RW/Cedar). As Dennis says, the Skeeter is anything but boxy, and it can be a cannon if you want it to be, what with that five-inch depth in the box. The big thing for me is how comfortable this particular guitar model is to hold. It's the McKnight guitar I'll be playing while sitting in the rocking chair on the porch of the old-folks' home one day all too soon. I'm fortunate to own four different models of Tim's guitars, and the Skeeter is the most comfortable to play, and while the wood combos are different across the board, the tone of the Skeeter is on par with the other three. If and when I have the chance to build another guitar with Tim and Mary, it'll be another Skeeter. |
#34
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LOL. Yes there is but bandwidth doesn’t permit posting a list that long.
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#35
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Quote:
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#36
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Layed up some purflings for the SSM guitar:
Next they are ripped into strips. The order is Black - Maple, Blue, Green, Maple, Black: Bending the purflings: While the purflings take a set we notched the rim for the top and back braces: Some builders only notch their rims to accept braces into the kerfed linings but we "let" ours all the way through the kerfed linings and sides. I'm not implying one method is better than the other but our way seems to differ from most. |
#37
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Here is the peg head inlay on the SSM guitar:
Inlays on the Skeeter "Aquarius" guitar: Skeeter FB inlays: SSM FB inlays: |
#38
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Beautiful work Tim! Best of luck at Woodstock!!
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Rodger |
#39
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Some gorgeous stuff Tim & Mary. I would think someone at WILS won’t be able to resist. Gives me some ideas for my upcoming SSD.
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Life is like a box of chocolates .... |
#40
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Thanks Rodger and Dennis for the kind words. Here are some shots of the SSM Rosette which Mary has nicknamed "The Choker":
I'm pretty sure its a one of a kind And one last picture of the Choker with a seal coat of French Onion Dip, which really makes the colors pop: |
#41
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‘17 Two Hands Guitar Co. 000/Concert, Sitka/Brazilian Imbuia ‘17 Two Hands Guitar Co. 0000/Auditorium, Sitka/Indonesian RW ‘93 Taylor 712 (I spent 20 years trying to convince the owner to sell me this guitar) ‘95 Taylor Limited Edition GAWS (I traded my Gibson J-200 for this guitar in ‘95) TWO HANDS GUITARS |
#42
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Finally getting a top for the Slim Slope Dred. This one is the sleeper cause so few have played one. Don’t think I have seen one at a guitar show. But these two guitars show two different ways to comfort and sound. Small and deep. Big and thin. I really think the slim Dred is awesome for me, I’m a Beatles, Neil Young flat picker. The large soundboard I think booms and gives the full effect and feel of Neil’s palm mute. The slimness almost that electric comfort, especially good as old age gives us a higher platform as we strap on. Lol
Seems I’ve seen so many people as they get older go to small guitars, the slim full size soundboard is the road few take, maybe because few are made?
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Steve 2020 McKnight Grand Recording - Cedar Top 2005 McKnight SS Dred 2001 Michael Keller Koa Baby 2014 Godin Inuk 2012 Deering B6 Openback Banjo 2012 Emerald Acoustic Doubleneck 2012 Rainsong JM1000 Black Ice 2009 Wechter Pathmaker 9600 LTD 1982 Yairi D-87 Doubleneck 1987 Ovation Collectors 1993 Ovation Collectors 1967 J-45 Gibson 1974 20th Annivers. Les Paul Custom Last edited by Doubleneck; 09-12-2018 at 05:47 AM. |
#43
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Oh, great, now I have to order a Ken Onion "Leek" knife to remove the French Onion inlay. |
#44
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Dreds are rarely picked up at many shows we exhibit at unless it’s a show targeting Bluegrass or Country. Many players are seeking comfortable couch guitars, or ergonomic friendly features, which are what we mostly build these days. I agree with you that the SSM is a real sleeper and I hope players will come by our table and take it for a spin. I think many will be pleasantly surprised. |
#45
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Cutting the end wedge channel in the Skeeter:
The bindings and purflings go on next: |