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Saw Molly Tuttle live
I finally got a chance to see Molly Tuttle live on Wednesday. She was at a small venue in Hollywood. What an incredible talent! She was nothing short of jaw-dropping amazing on the guitar. She had it all. Speed, tone, clarity, clean, etc.
For the guitar nerds: She rotated between a couple of dreads. I believe they were a Pre*War (natural top) and Preston Thompson (sunburst with a torch inlay on the headstock). Neither had a name on the headstock. So those are just guesses. She had a full band behind her, but the sound guy did a great job letting us hear her playing clearly. |
#2
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Best, Jayne |
#3
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I wish I heard about it. I am 1.5 hours away. She is playing "Frisco" tonight. Thank you for the review.
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#4
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I took the train from Philly to see her in NYC on Monday. That show was well worth the trip. If she was there tonight, I might just go again.
The 2 guitars looked liked Huss & Dalton and Thompson from my vantage point. She could have made an $100 Yamaha sound great. |
#5
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Quote:
Best, Jayne |
#6
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Yes, her Preston Thompson and most likely her Pre War
Those are whe played when we caught her a month ago |
#7
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She is a gem. I saw her at Wintergrass a few years ago and really appreciated her guitar ability, as well as her singing and songwriting. She has the full package. As someone who also plays banjo, I loved her clawhammer guitar stuff. Check it out on YouTube if you haven't.
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My Therapy: Martin 000-18GE 1937 Sunburst MFG Martin 000-15 Kevin Enoch Tradesman Open Back Banjo Collings MT2-O Honey Amber Royce Burt #560 5-String Fiddle |
#8
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I saw Molly last June in Ogden Utah.
She had a three piece backup band with her. The sound was awful that night but you could hear and tell how talented she was despite the poor sound. I liked her claw hammer guitar playing a lot. This young lady will go far.
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Happiness Is A New Set Of Strings L-20A |
#9
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The backing band was great and they ripped through a rousing cover of the Yeah Yeah Yeahs "Zero." She did a two song mini solo set of "Gentle on My Mind" and "White Freightliner Blues" that was blazing. BTW, it was a sound gal who did a great job.
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Yamaha FS 800/Martin 0-18/1948 Stella H928/Guild M-20/Fender American Performer Telecaster |
#10
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I REALLY wanted to go to that show, but had to go out of town for work.
Last edited by Kerbie; 05-25-2019 at 01:40 AM. Reason: Please refrain from profanity |
#11
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Molly was superb at The Greystones, Sheffield, UK a few weeks ago. In a small, intimate setting (130-capacity), I had the good fortune to be sitting front row, centre-stage - maybe six feet from the lady herself. She played completely solo, and she used only one guitar - pretty certain it was her Pre*War - through a ToneDexter into the house PA.
Being so close, I was able to hear both the PA, and the acoustic sound coming from the guitar, and I have to say it was astonishingly good - that dry, woody, vintage sound everyone craves. And, of course, Molly’s playing was jaw-dropping. I was also surprised by the strength of her singing - she has matured as a vocalist, and can hold her head up alongside some of the major ‘stars’ - and her songwriting is very impressive indeed. Very much A Night To Remember! A shot of Molly at the gig with some of the UK’s Folk-Music luminaries (pic. from the FaceBook Page of Kate Rusby)...L:R Martin Simpson, Damien O’Kane, MT, Kate Rusby. 2C8A919C-4F19-4BFC-921B-64A1AD838134.jpg
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John Brook ‘Lamorna’ OM (European Spruce/EIR) (2019) Lowden F-23 (Red Cedar/Claro Walnut) (2017) Martin D-18 (2012) Martin HD-28V (2010) Fender Standard Strat (2017-MIM) |
#12
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Thanks for the correction and my apologies to the amazing sound gal.
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#13
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Caught her for the first time when she came through Richmond this past winter. Mind-bending talent, for sure. My wife had not heard a single one of her tunes before we went and was an instant fan after the first number.
Austin |