#16
|
||||
|
||||
Quote:
Never thought of a warm soak. It might help. I know when I taught and students switched, if they learned to play more relaxed, it helped. The interesting thing was at every lesson I played each student's guitar (to see if things needed adjusting or repairs), and handed them mine. This often meant they they went from their 1¹¹⁄₁₆" nut to my 1¾" (1¹²⁄₁₆") nut and they didn't even notice. They loved playing my guitars and often switched without issue when they upgraded guitars. I also placed my guitars with reliable students to take care of for me while we vacationed (often 4-6 weeks at a time) and I gave them permission and gear to play it at their church, school, etc. while we traveled. I personally have a harder time when playing fingerstyle dropping back to a 1¹¹⁄₁₆" width fingerboard than the other way round. I feel the differences. I find myself focusing on fingerings instead of music for a bit. When I play electric it doesn't even phase me, but I'm not playing the same style of music on electric I do on electric. The different techniques when playing electric backing/lead versus fingerstyle |
#17
|
|||
|
|||
I have noticed that it is easier for me to transition to a wider neck (1 3/4) from a narrower one than vice versa.
As I age, and have time to play more, my fingertips appear to be widening. I can still play guitars with a 1 11/16 nut, but only if the neck profile is fat. Otherwise, I struggle not to mute strings inadvertently.
__________________
Neal A few nice ones, a few beaters, and a few I should probably sell... |
#18
|
|||
|
|||
fairy-nuff Steve, but what kind of style do you play?
__________________
Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#19
|
|||
|
|||
I have guitars from the same manufacturer with 1 11/16 and 1 3/4 necks and can't tell the difference.
Methinks it also might be neck shape. Then again, I can transition from 6 to 12 string without any issue. I do have problems with my wife's classical, but that's over 2".
__________________
Larrivee OM-03RE; O-01 Martin D-35; Guild F-212; Tacoma Roadking Breedlove American Series C20/SR Rainsong SFTA-FLE; WS3000; CH-PA Taylor GA3-12, Guild F-212 https://markhorning.bandcamp.com/music |
#20
|
|||
|
|||
Pretty much everything - pick, fingerstyle, Nashville hybrid (pick-&-fingers), cross-picking, chord-melody, lead, rhythm, in a variety of genres - and as long as the guitar is properly set-up I have no issues. IME it's all a matter of technical refinement: violinist Itzhak Perlman has mitts that would do credit to a WWE Smackdown superstar, and I've never heard of him demanding a cello-width fingerboard to compensate for either physique or age - and back in the late prewar era when archtops were considered virtuoso solo instruments (there was a whole school of "classical archtop" that flourished at the time) as well as Big Band comp boxes, Epiphone (along with their erstwhile competitor Martin) was producing guitars with 1-5/8" (or narrower, in the case of some Epis) necks. FWIW I own a few 1-3/4" guitars - Avalon, Rainsong, a couple 12-fret Martins - but with the exception of the Rainsong (mine's an early-2K's N1 neck with a shallow soft-D profile - easier, but not ideal), unless I need "that" sound in a particular setting they get the least play time...
__________________
"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased) |
#21
|
|||
|
|||
I play guitars with different neck widths along with a 12 string and a mandolin.
It takes a little time for mussel memory to kick in but after it does, changing from one instrument to another posses no problems for me. I do have days however, that anything that I play can cause some pain in my hands and shoulders. Getting old sucks.
__________________
Happiness Is A New Set Of Strings L-20A |
#22
|
|||
|
|||
Quote:
You're right about getting old...
__________________
"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased) |