#16
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An acoustic Coyote with Gordon Lighthoot, Bob Dylan and Roger McGuinn backing up Joni Mitchell. Boom goes the dynamite. Last edited by sinistral; 10-25-2022 at 01:58 PM. |
#17
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Well that gives the coyote some musical cred!
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#18
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Maybe it isn’t for everyone, but so what? Blast them with your Illudium Q-36 Explosive Space Modulator!!
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--------------------------------------- 2013 Joel Stehr Dreadnought - Carpathian/Malaysian BW 2014 RainSong H-OM1000N2 2017 Rainsong BI-WS1000N2 2013 Chris Ensor Concert - Port Orford Cedar/Wenge 1980ish Takamine EF363 complete with irreplaceable memories A bunch of electrics (too many!!) |
#19
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m
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#20
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A little late to the party, but just wanted to comment that I literally LOLed when seeing the proposed sound port! Good stuff!
Favorite post of the week. I hope to see that it becomes reality down the road. |
#21
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m
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#22
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BradHall _____________________ |
#23
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#24
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You can't tease something like this and not follow though!!!
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1995 Maton EM725C - Solid 'A' Spruce Top, QLD Walnut B&S, AP5 Pickup 2018 Custom Built OM - Silver Quandong Top, Aussie Blackwood B&S, Fishman Matrix Infinity Mic Blend Pickup 2021 Faith Neptune Baritone - Solid Englemann Spruce Top, Solid Indonesian Rosewood B&S, Fishman INK3 Pickup 2022 Yamaha SLG200S Silent Guitar |
#25
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Zandit75 I'm not teasing. You order it, I'll build it!
m
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#26
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I'm curious, Mark, what you've observed regarding all those different sound ports (shapes/sizes) and their effect on the overall sound the guitar projects, or the quality of sound that the port itself specifically projects?
Just thinking about it from my position of ignorance, I would think that it actually wouldn't matter much, because only high frequencies are highly directional. So even though it wouldn't impact the directionality of the bass, it wouldn't matter because the bass frequencies are still more likely to be heard. But I do wonder if the size and shape impacts the quality and clarity of the mid-range frequencies we want to hear, or if it just helps recover the very directional high frequency sparkle for the player, especially, e.g., in outdoor settings where you don't get any reflections. I swear, playing outdoors really messes with me psychologically for that reason alone. I also have assumed, likewise, that a sound port would reduce the high frequency information projected out the front of the guitar, so would require different mic placement in recording, or need to be covered up to retain the quality of high frequency sound the mic or audience pics up. I've always like the idea of a sound port (or Emerald's placement of their sound hole, which splits the difference beautifully in my opinion), but would never get one without having some means of easily plugging it up with something of similar hardness and reflectivity as the wood.
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Signatures are the bumper stickers of the internet. |
#27
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If the sound port design is not radical there is no perceived difference in projection for the audience. If anything they can hear better because you can play without your head in the way The general rule for position is it should be pointing at you. You should be able to look right down into the guitar from your (new and more comfortable) playing position. Some interesting things about shapes is an oval is more efficient than a round hole and designs with multiple holes can act like a sound screen rather than a bunch of small sound port holes. You could get a little sliding door made of a similar wood to easily close off the hole but, if the sound port works right, you'd never have a reason to use it.
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright Last edited by Mark Hatcher; 11-30-2022 at 07:32 PM. |
#28
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Interesting and useful observations. - thanks for that. Most sound ports are in the upper bout, which makes sense in that your right arm does not interfere with the sound coming from the port to your ear.. One maker I have used locates his in the lower bout. I thought of this and reasoned, "Well, the lower bout is certainly far more resonant that the upper, so maybe that is the better location."
Playing it, the only conclusion I can make is that it does not seem to be better as a result. And maybe it isn't worse. Your thoughts here?
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#29
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Other than agreeing with you about the possibility of being muffled by an arm, I just haven’t paid attention to them. Ryan makes cool looking vent style ports on arm bevels. I’ve never tried them. I’ll reserve forming an opinion. I was fooled once by sound ports. I’ll try not to be the fool on the second time around. m
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Mark Hatcher www.hatcherguitars.com “"A conclusion is the place where you got tired of thinking". Steven Wright |
#30
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In terms of forward projection, I have read many articles, posts, etc. that say the forward projection of the guitar with a sound port is actually better than those without. I remember one in which there was a sliding cover that could be used to open and close the port and they discover that forward projection was indeed better with the port open by measuring decibel levels I believe.
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PS. I love guitars! |