#1
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Martin Custom OO padauk
I played this at Tobias Music and A/B'd it with my Eastman OO. The Martin had a high altitude European spruce top, according to Tobias. It was $3999. My Eastman is $799.
The Martin is, not surprisingly, a clearly finer instrument. The amount of bass I heard defied the laws of physics. I couldn't believe what I was hearing. When I strummed my Eastman right after, my mind said, "Sounds nice and even, but plain Jane." And the Martin's body has slightly less depth. The Eastman has new Elixir 80/20 lights, and the Martin has Martin retro lights. I'll try the Retros, but I'm skeptical that this is the missing ingredient. I'm depressed.
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Eastman E1SS-CLA-LTD Eastman E1OOSS-LTD Cordoba Fusion Orchestra CE Cordoba SM-CE Mini Classical Acoustic Ibanez Blazer 21 MIJ Stratocaster 2 Yamaha PSR-SX900 keyboards I play professionally Roland FP-90 digital piano I play for pleasure with piano VSTs. |
#2
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I love when that happens.
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1 dreadnought, 1 auditorium, 1 concert, and 2 travel guitars. |
#3
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Not a fair comparison
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#4
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Our purpose on this planet is to resolve these issues. |
#5
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How was the sustain on the Martin? I recently got a Halcyon SJ with Padauk back/sides, and the sustain is out of this world ... the builder I think attributed it to the Padauk. Overall nice even tone between the Padauk, Lutz Spruce and his build, but the sustain shocks everyone who plays it ... got a variety of amplified characteristics, which may explain the shock. Ooohhh, bad pun.
But I've never seen a Martin Padauk guitar live, only in pictures. I'm surprised the wood is not used more often. It's striking. Here's an example: HalcyonSJ_side.jpg HalcyonSJ_back.jpg
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martin D-28A '37 | D-18 | SCGC H13 | gibson SJ-200 taylor 814ce | 855 | GS Mini H.V. | goodall RP14 | Halcyon SJ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . |
#6
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Quote:
Last edited by Kitkatjoe; 10-24-2019 at 12:50 AM. |
#7
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I'm glad to hear that the Martin 00 Padduk beats the Eastman. I'm worried that the taste for the latters will seriously damage the better makes' employement schedule; they do copies or iterations of the most iconic models they can find (Gibson's J 45, L-00s.., SJ-200s even I saw recently, Martin's D-28s, D-18s, and so on), all at a better price .
Padduk seems to be a genuinely very good wood for guitars' backs and sides : several years ago, I tried a luthier's nylon strings guitar that remains in my memory as one of the three guitars I liked the most probably, among all the nylon strings I've ever played...It's no surprise that it works well on steel strings too (though it seems very rarely used like Pj Roberts noted)... Don't be depressed, great guitars are usually expensive (even very expensive) but rewarding once you've got one... |
#8
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Anyway, as Chris Martin says - "when you get a new guitar - that's the worst its ever going to sound!"
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#9
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Well the good news is it's down to $3400 now lol.
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#10
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Although you’ll see plenty of posts asserting someone’s $800 Eastman is just as good as a $5k Martin. One thing for certain they are both guitars.🤣
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#11
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When I played my Eastman for the first time, my mind said, "Oh yes!" With the Martin, I said, "What?" I really didn't want to hear something that blew my guitar away. The $2000 Taylor OOs in the other room didn't.
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Eastman E1SS-CLA-LTD Eastman E1OOSS-LTD Cordoba Fusion Orchestra CE Cordoba SM-CE Mini Classical Acoustic Ibanez Blazer 21 MIJ Stratocaster 2 Yamaha PSR-SX900 keyboards I play professionally Roland FP-90 digital piano I play for pleasure with piano VSTs. Last edited by Kerbie; 10-24-2019 at 11:25 AM. Reason: Removed profanity |
#12
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I can't say I'm surprised although a small body guitar with a bass response that defies physics? Sounds like my dream guitar!
I still haven't gotten over the custom d-18 I played one time. Didn't have my standard to compare it to though. But there's always the what ifs. But the money wasn't there and I wasn't sure I was willing to trade in my standard and then some cash on top of that. I haven't been back to that shop since and I'm afraid to. If it's gone, I'll be disappointed and I know it has to be gone by now. Sigh...
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We've got some guitars. |
#13
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#14
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Comparison is the thief of joy- Teddy Roosevelt
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#15
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Portland OR. Adi-top, GE bracing. It seemed to be D-18 on steroids but without comparing it to my standard, I'll never know and I'm not sure I want to know.
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We've got some guitars. |