#1
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2002 Taylor W10c. Keep the Pure mini or retrofit with ES2?
I've got a 2002 Taylor W10ce that has a factory installed K&K Pure Mini. I LOVE this guitar and I actually prefer playing it over my 1998 810. I play a lot at church and play occasionally at gigs around my area. I really like the sound of the Pure Mini but would prefer more control over the tone and volume. I use an Ultrasound DI plus preamp when plugged into the PA system at church and it's great. However, if I want to go play a gig somewhere else, I don't like to unhook my wireless and pre-amp at church and lug it around. I'm really considering having this guitar retrofitted with the ES2 system, so I can get around all of that. I'm looking for pro/cons and to get all of your opinions. I don't plan on selling the guitar, so having Taylor cut holes in it isn't and issue for me. Should I get the ES2 or keep it like it is with the Pure Mini? Your thoughts please.
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Education is important! Guitar is importanter!! 2019 Bourgeois “Banjo Killer” Aged Tone Vintage Deluxe D 2018 Martin D41 Ambertone (2018 Reimagined) 2016 Taylor GS Mini Koa ES2 |
#2
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K&K Vs....
Go with the K&K. You'll get great sound out of it, you won't have all that crud inhabiting the inside of your guitar, won't have the rattling battery box at the bottom or all those extras holes defacing the natural look of the guitar's wood.
Get the impression that I'm not a fan of the ES 2? Yeah, about that.......
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1995 Taylor 412 1995 Taylor 612C Custom, Spruce over Flamed Maple 1997 Taylor 710 1968 Aria 6815 12 String, bought new |
#3
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Also, look at the Trance Audio Amulet. I have it in a couple of my guitars and love it.
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-Mike www.montaramusic.com https://www.instagram.com/mikemccall_guitarist/ https://www.facebook.com/Mike-McCall...-250327412419/ A few guitars, a uke, a banjo and a cajon |
#4
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I use the K&K mini in my guitars and understand your situation. I find that the smaller the DI box the more like I'll use it and easier it is to carry with me. I have a K&K Pure XLR preamp and it works fine but I recently tried the new(ish) LR Baggs Session Di (about the same price) with compression and saturation and it's a great combination. And it's small enough to fit inside my guitar case. Really is my favorite preamp.
The other option is the K&K Ultra Pure System that gives you onboard controls with built in preamp including phase. It works well too. Just depends on how much hardware you want inside your guitar? http://kksound.com/products/ultrapuresystem.php
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Jim Dogs Welcome......People Tolerated! |
#5
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Quote:
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Education is important! Guitar is importanter!! 2019 Bourgeois “Banjo Killer” Aged Tone Vintage Deluxe D 2018 Martin D41 Ambertone (2018 Reimagined) 2016 Taylor GS Mini Koa ES2 |
#6
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The best thing I can say about the Taylor systems is they never sound bad. Never sound like a cheap undersaddle piezo. Never sound like a K&K mini with no preamp direct to a board.
But they never sound really good to me. Now working in every scenario from solo to a working band is not a bad thing, and there is a lot to be said for that. As for feeling the need for a bunch of EQ, since going Dazzo and more recently Dazzo into SunnAudio DI, well I just don't need any more than is on my amp or any mixing board. Frequency matched pickups for your guitar into a full frequency linear pre with a ton of headroom into PA or amp set mostly flat is the recipe for happiness. I have discussed the ES system with multiple Taylor owners and they agree, with gigging musicians most liking them because they never sound bad and they do fine in every situation. I've not played in a loud band in a while, so I'm fully willing to admit to situations I might really want a Taylor to plug in.
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2007 Martin D 35 Custom 1970 Guild D 35 1965 Epiphone Texan 2011 Santa Cruz D P/W Pono OP 30 D parlor Pono OP12-30 Pono MT uke Goldtone Paul Beard squareneck resophonic Fluke tenor ukulele Boatload of home rolled telecasters "Shut up and play ur guitar" Frank Zappa |
#7
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This has been my experience with the ES-2. In bth by 214ce-k dlx and my gs mini-e koa. Straight into the PA and you're on your way.
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#8
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I picked up an 814 when the ES-2 came out, hopping to have a no hassle live rig.
I was not happy with the sound. It was better then most USTs I have experienced but I felt it lacked the warmth I was looking for. The guitar sounded great unplugged. I now use a Furch D32 with a mini/mic/onboard pre/sound hole controls. It has all the warmth and volume I need. The mic will feed back if you crank it but adding just 10 to 15% adds a nice shimmer. Most folks would not notice I blended in the mic and I could live without it but it does add a subtle transparency and shimmer to the sound that I notice. The only down side with the on board pre is you would still need an external EQ for on the fly adjustments. But for my solo gigs I have not needed it. I have it adjusted at the board. So a K&K with small outboard pre would, IMHO, sounds better then the ES-2
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David Webber Round-Body Furch D32-LM MJ Franks Lagacy OM Rainsong H-WS1000N2T Stonebridge OM33-SR DB Stonebridge D22-SRA Tacoma Papoose Voyage Air VAD-2 1980 Fender Strat A few Partscaster Strats MIC 60s Classic Vib Strat |
#9
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Quote:
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Jim Dogs Welcome......People Tolerated! |