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1978 D-18
I just learned of a Martin D-18 for sale. My new neighbor mentioned that she's got her late mother's Martin guitar and wants to sell it. I took a look, and according to its serial number, it's a 1978. It was hardly used by the mother, and it's sat in its original molded Martin case for years. This guitar is in like-new condition! And it feels and sounds great.
I can probably get this guitar for a very good price. But I did some research and I'm now concerned about bridge/intonation issues and the non-adjustable truss rod situation in some 1970s Martins. What should my concerns be? |
#2
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None. You are getting it for a good price. The intonation is off on many of these. The bridge is generally moved back. It will leave a line. All Martins did not have adjustable truss rods well into the eighties. It could well be that the guitar is in such good shape someone will tell you not to fix it. Worst case is you sell it to a collector and buy something else. If you make a pile on it, split the profit with your friend..
I'd buy it and get it fixed so it intonates well. Bryan Kimsey has a ton of videos explaining this. He generally does less the better shape the guitar is in.
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2007 Martin D 35 Custom 1970 Guild D 35 1965 Epiphone Texan 2011 Santa Cruz D P/W Pono OP 30 D parlor Pono OP12-30 Pono MT uke Goldtone Paul Beard squareneck resophonic Fluke tenor ukulele Boatload of home rolled telecasters "Shut up and play ur guitar" Frank Zappa |
#3
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The intonation problems at Martin were caused by worn tooling that needed to be replaced but hadn’t been. That problem had long since been identified and corrected by the time this D-18 was built.
However, as Brick mentioned, there can still sometimes be problems with the intonation with Martin guitars from the late 70’s. Instead of being caused by faulty tooling, however, it’s usually caused by the neckset geometry shifting and changing over the decades. If that is a problem with this instrument, it can be corrected. But if it’s as near-mint as you describe it, it might not be an issue at all. 1970’s Martins get badmouthed a lot more than they deserve, in my opinion. They could be a bit hit or miss, especially those built during the earliest years of the decade, but they were still the finest factory-made steel string acoustic guitars on the market at the time. Wade Hampton Miller Last edited by Wade Hampton; 06-20-2020 at 02:04 PM. |
#4
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If you go to Bryan Kinsey’s website, there is a cost breakdown of standard repairs to 70’s Martins. Sounds like the frets are fine, but a reset, bridge relocation if the intonation is off, and possibly a bridge plate removal would be in order.
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Patrick 1968 Martin D-28 1975 Martin D-18 1976 Martin 000-18 1989 Martin 000-16M 2015 Martin 00-DB Jeff Tweedy 2012 Gibson J-45 Custom 2017 Gibson J-35 1971 Alvarez K. Yairi Classical 1970 Lou J Mancuso nylon string hybrid Harmony Sovereign H1260 30's MayBell Model 6 Nash MW-500 1998 Yamaha LS-10 2003 Tacoma EKK9 |
#5
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Before we sign him up for Bryan Kimsey’s extensive laundry list of guitar modifications, let’s assume for a moment that the guitar is precisely as he’s described it and is in near-mint condition, shall we? I have played PLENTY of 1970’s Martins that were in exquisite condition and had no intonation problems whatsoever.
1970’s Martins really, truly do not automatically require major modifications in order to be playable. It’s always a good idea to let a professional guitar repair tech take a look at guitars like these, in case there are some unseen problems, but just because it’s from the dreaded 1970’s it doesn’t mean that it’s a basket case or requires any modifications at all. whm |
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Quote:
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#7
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Somebody else buying it before you decide....
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Emerald X20 Emerald X20-12 Fender Robert Cray Stratocaster Martin D18 Ambertone Martin 000-15sm |
#8
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My 75 D18’s intonation is off by 1/8”, it could go for a reset and refret, it has a bridge plate the size of Texas, but it still sounds pretty good. Hope for the best but prepare your wallet for repairs just in case. If it needs $1k to get it up to snuff, so be it, just be aware and spend accordingly.
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Patrick 1968 Martin D-28 1975 Martin D-18 1976 Martin 000-18 1989 Martin 000-16M 2015 Martin 00-DB Jeff Tweedy 2012 Gibson J-45 Custom 2017 Gibson J-35 1971 Alvarez K. Yairi Classical 1970 Lou J Mancuso nylon string hybrid Harmony Sovereign H1260 30's MayBell Model 6 Nash MW-500 1998 Yamaha LS-10 2003 Tacoma EKK9 |
#9
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The main benefit of the endless doom and gloom about 1970's Martins on guitar forums is that it keeps the prices on them lower than if there was no badmouthing going on. I'm not trying to belittle the issues with your D-18, pdx, because those are things that the alert buyer should watch out for.
But Martin made many wonderful guitars in the 1970's, as well, and that often gets ignored entirely on threads like this one. That's all I'm trying to say. whm |
#10
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Quote:
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Patrick 1968 Martin D-28 1975 Martin D-18 1976 Martin 000-18 1989 Martin 000-16M 2015 Martin 00-DB Jeff Tweedy 2012 Gibson J-45 Custom 2017 Gibson J-35 1971 Alvarez K. Yairi Classical 1970 Lou J Mancuso nylon string hybrid Harmony Sovereign H1260 30's MayBell Model 6 Nash MW-500 1998 Yamaha LS-10 2003 Tacoma EKK9 |
#11
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The materials used in the construction of ‘70’s Martins is very high quality, generally speaking.
That most of them are excellent instruments is no surprise.
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"pouring from the empty into the void " |
#12
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Welcome to the forum OOO
A good read that should address most of your concerns: https://reverb.com/news/70s-martins-...u-need-to-know
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'71 Martin 00-18 '76 Martin D-28-sold '04 Martin D-15-sold '14 Martin 00-15m |
#13
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As already noted, the main issue I have seen expressed has to do with the oversized rosewood bridge plates.
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"You start off playing guitars to get girls & end up talking with middle-aged men about your fingernails" - Ed Gerhard |
#14
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While Bryan Kimsey has modified many a 70s D 18, even he is reluctant to modify one in pristine condition. They are likely to increase in value over time, where in thirty years a shaved brace guitar could be players grade.
But I agree that each instrument should be evaluated in hand, and if you never venture out of cowboy chord land, the intonation issue is no big deal. It is nowhere near the minefield 60s and 70s Gibsons are.
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2007 Martin D 35 Custom 1970 Guild D 35 1965 Epiphone Texan 2011 Santa Cruz D P/W Pono OP 30 D parlor Pono OP12-30 Pono MT uke Goldtone Paul Beard squareneck resophonic Fluke tenor ukulele Boatload of home rolled telecasters "Shut up and play ur guitar" Frank Zappa |
#15
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And aren't we glad!
whm |
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1978, d-18, martin |
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