![]() |
#31
|
|||
|
|||
![]()
I have about 4-5 guitars in heavy rotation. I pretty much play a couple of hours every night and I will randomly pull out 2 of them and go back and forth running through my repertoire. Over time I know which songs sound better on a particular guitar. It's fun and I'm blessed to be able to do it.
![]()
__________________
Martin D18 Gibson J45 Martin 00015sm Gibson J200 Breedlove AD25/SR Plus Guild G212 Eastman E2OM-CD |
#32
|
|||
|
|||
![]()
Nope - I have two acoustic guitars - both Sitka/mahogany and they each have their own unique sound so no need to compare. The Martin 000-18 is used for certain things and the Brook Torridge is used for certain things. No need to compare - apples and oranges.
__________________
2013 Brook Torridge, 2014 Martin 000-18, '94 Gibson ES-165 Herb Ellis, several homebrew Teles, Evans RE200 amp, Quilter 101R and various speaker cabinets, Very understanding wife of 45 years |
#33
|
|||
|
|||
![]()
It's a fun thing to do once in a while. Mostly I do it when something new arrives and I want to learn all about it and how it compares to my others, to see where it fits in and where it shines brightest.
__________________
The Bard Rocks Kinnaird 000 Adk/Ziricote Sexauer L00 Adk/Magnolia Hatcher Jumbo Bearclaw/"Bacon" Padauk Leach "Arctos" OM Millenium Sequioa/Macassar Ebony Goodall Jumbo POC/flamed Mahogany McAlister baritone Adk/Bubinga Appollonio 12 POC/Myrtle MJ Franks Resonator, all Australian Blackwood '31 National Duolian banjos of all kinds, mandolin, autoharp, tiple... |
#34
|
|||
|
|||
![]()
All three of mine do different things musically and I’m happy they don’t sound similar in any respect.
__________________
Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster. |
#35
|
||||
|
||||
![]()
I'll do it when learning a song to see which of my handful of guitars suits that particular tune the best. Usually I have a good idea going in but I'm often surprised. To me that is the big fun of having choices.
Recently I picked up a second 00 size guitar (Collings 001-T) with the intention of comparing it to the one I have (Martin 00-17 A) and keeping the favorite. Never done this before ... just yesterday I changed my mind 4 times. Fun but I thought for sure there would be a clear favorite by now! |
#36
|
|||
|
|||
![]()
I love comparing the tone of my guitars, they are all strung with the same strings so it affords a respectable comparison. I love comparing the Gibson with the H&D as people often liken then to one another based on looks. They are arguably the two guitars with the most prominent differences in tone and feel amongst all of my guitars!
__________________
Huss & Dalton DS-12 Custom (European Spruce/Mahogany) Collings 000-2H (Sitka/Rosewood) Dave King L-00 (Adirondack/Mahogany) Gibson J-45 John Thomas "1942 Banner" Reissue(Adirondack/Mahogany) Eastman E20P (Adirondack/Rosewood) Sigma-SDR-28MLE (Adirondack/Madagascan Rosewood) Freshman FA400D (Engelmann Spruce/Rosewood) Freshman FA300DLX (Cedar/Mahogany) Voyage Air Songwriter VAD06 |
#37
|
|||
|
|||
![]()
This is one reason I've never wanted two "same" guitars. All of mine are very different from each other. There's no point in comparing between an HD-28, a 12 string Ovation, an Altamira Sel-Mac copy, a spider bridge wood bodied resonator, an archtop and a 6-string banjo. I play and enjoy each one.
|
#38
|
|||
|
|||
![]()
I used to more than I do now, but now days perhaps occasionally, e.g. if I bring home a new guitar or I'm trying to pair a given song with a given guitar to see which one sounds best.
__________________
Mark |
#39
|
|||
|
|||
![]()
So I still didn't hear which one you decided to use on your gig.
|
#40
|
|||
|
|||
![]()
I don't A/B my guitars much any more. But each night, I try to pick two different guitars, so I have a variety of sound. In COVID times, I've been playing a little more, so occasionally, I've been getting to a third or even fourth guitar, which is good to make sure they're all getting played. I thought about mixing it up for a few weeks and picking only one guitar per day, so I can dig in a little more (and in the case of my Adi tops, give them more of a chance to warm up!).
__________________
"It's only castles burning." - Neil Young |
#41
|
|||
|
|||
![]()
Gonna be the Bourgeois! Put a new set of DR Strings Veritas mediums on it and it’s time to let it shine.
__________________
Education is important! Guitar is importanter!! 2019 Bourgeois “Banjo Killer” Aged Tone Vintage Deluxe D 2018 Martin D41 Ambertone (2018 Reimagined) 2016 Taylor GS Mini Koa ES2 2006 Charles J. Horner Fiddle |
#42
|
|||
|
|||
![]() Quote:
__________________
"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased) |
#43
|
|||
|
|||
![]()
I agree with "comparing" guitars relative to which one works best for a certain song, style, or whatever. But I see this as more of a "situational" comparison vs. a "competitive" comparison.
In my eyes, a competitive comparison is when you're determining (in your opinion and for your musical aims) if one guitar is better than another one. An example of this might be when you're reducing the herd -- selling one and keeping one. But in general I know what I like in and expect of a guitar, and I judge each one individually as much as possible. Cheers! |
#44
|
||||
|
||||
![]()
I've posted a few "which guitar is which" recordings here and its difficult, if not impossible, to choose correctly in a blind test without knowing each guitar personally. Its really a matter of recognizing the sound of an individual guitar, not select it based on what it should sound like.
__________________
Barry An Daingean {William Coulter}: Celtic covers - videos https://soundcloud.com/barry329 Avalon L2-320C, Guild D-55, Guild D-120C, Gibson J-45, Larrivee OM-05, Martin D-16GT Alvarez ap66sb, Cordoba C5, Seagull Folk, Washburn D-10S |
#45
|
|||
|
|||
![]()
What he said.
__________________
Lowden O-32c Gibson J-45 Rosewood Gibson Rosewood AG Parlor Martin OMC-15e Martin OM-28ce Taylor K66 Koa 12-string McIlroy AS25c Harmony H-162 ...and whatever the next one is ![]() |