#46
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Here's an analogy for the science we have so far... Water makes things wet. No argument there. Water does, in fact, make things wet. However, from that fact we would be wrong to conclude that everything that is wet was made wet by water. There are other liquids that can make things wet. Water may or may not be a contributing factor but unless we can rule out the presence of other liquids, we cannot conclude that the wetness was caused in whole or even in part because of the water.
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Jim 2023 Iris ND-200 maple/adi 2017 Circle Strings 00 bastogne walnut/sinker redwood 2015 Circle Strings Parlor shedua/western red cedar 2009 Bamburg JSB Signature Baritone macassar ebony/carpathian spruce 2004 Taylor XXX-RS indian rosewood/sitka spruce 1988 Martin D-16 mahogany/sitka spruce along with some electrics, zouks, dulcimers, and banjos. YouTube Last edited by jim1960; 12-04-2022 at 12:18 PM. |
#47
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(Just kidding—I have three Taylors, but couldn’t resist. I also have found that guitars sound better with age—some more so than others—but don’t care to debate it.) |
#48
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In my initial post, to contextualize the study that I cited, I also mentioned immediately after that quote that there have also been a number of studies (though I didn't cite any) that have suggested that under experimental conditions, subjects can't generally or consistently distinguish between "opened up" tops.
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"What have I learned but the proper use for several tools" -Gary Snyder Bourgeois DR-A / Bowerman "Working Man's" OM / Martin Custom D-18 (adi & flame) / Martin OM-21 / Northwood M70 MJ / 1970s Sigma DR-7 / Eastman E6D / Flatiron Signature A5 / Silverangel Econo A (Call me Dan) |
#49
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So why would the guitar be the only machine that doesn't wear in (and out) with use?
I don't know of any guitar maker who doesn't believe that guitars change with age and playing. As a maker, I'm convinced that they do, as somebody who trusts science (as far as I understand it) I know how hard it will be to 'prove' that. Since it's not really in anybody's economic interest to do that work, it's unlikely to happen any time soon, so there will be plenty to talk about on these lists for years to come... |
#50
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All factors have an effect. Why leave out one factor because others are also involved? The old question: Is it nature or nurture? The question is wrong. The answer is: both. If a wooden guitar changes mass, stiffness and shape as it ages (which are facts not up for debate) my question is: “how could they NOT have an effect on its responsiveness to a string vibrating it?” |
#51
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It is, therefore it does,
or is it, it does, therefore it is, or is it.....
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Herman |
#52
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Jim 2023 Iris ND-200 maple/adi 2017 Circle Strings 00 bastogne walnut/sinker redwood 2015 Circle Strings Parlor shedua/western red cedar 2009 Bamburg JSB Signature Baritone macassar ebony/carpathian spruce 2004 Taylor XXX-RS indian rosewood/sitka spruce 1988 Martin D-16 mahogany/sitka spruce along with some electrics, zouks, dulcimers, and banjos. YouTube |
#53
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Does anyone know if anything ever came of the Sonic Sitka project?
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"Here is a song about the feelings of an expensive, finely crafted, hand made instrument spending its life in the hands of a musical hack" |
#54
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Certainly people who claim a new guitar has opened up after a month (IF they’re not imagining it) are talking about different reasons than a guitar that has decades under its belt because the factors I speak of have not had a chance to do anything worth mentioning. Those things are a long continuum. |
#55
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This is 100% the truth. It's impossible to accurately measure how a guitar's tone changes over a span of years because it fluctuates from day to day (as temperature & humidity change), room to room, etc. E.g. I often take the same guitar and play it in different spots within the same room...and it sounds radically different due to the room acoustics. So how can we hope to observe, in any objective way, the changes in tone over a span of years?
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#56
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One of the first things someone might say is “record it” but I’ve tried dropping in on recordings too often to have much faith in that too. My belief in opening up is based on a collective sound that I believe I hear in most decades old guitars .. they sound drier/crisper, more responsive, perhaps less uniform (words that work for my memory in my mind) which of course is not all that objective. If I combine that with thinking lighter, stiffer and somewhat deformed which are objective, it supports what I believe I hear. But yeh - prove it? No hope. |
#57
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Why does a solid wood guitar "open up"?
It is obvious to me that wooden new guitars can ‘open up’ over the first few months, and maybe even after years. Taking into account psychological factors, it is still unmistakeably clear that I’ve heard dramatic improvements over the first year or so of a new guitar. The first few months have a change, then a slower change over the first few years. Possibly even more improvements over a couple decades.
To me it’s not a ‘tonal’ difference alone so much as a volume and tone difference.
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Doerr, Skytop, Henderson, Kinnaird, Edwinson, Ryan, SCGC, Martin, others. https://youtu.be/_l6ipf7laSU Last edited by RussellHawaii; 12-05-2022 at 05:56 PM. |
#58
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Some experiments that have been done with 'artificial playing' of violin family instruments have shown changes. This sort of thing could be well enough controlled to allow us to sort things out. It would take time and effort, and since nobody would profit from it, nobody is willing to invest in the experiment.
Most of the things we have found out along these lines have been byproducts. Engineering students need to learn how to use vibration modeling and analysis hardware and software, and when the department head or thesis advisor is interested in guitars they can talk a student into using that, instead of a race car or airplane, for the subject. Various aspects of tone have been subjects for these sorts of projects, as was done by Wright at UWales/ Cardiff, in 1996, but tone change over time is not as useful to look at, and more time consuming. One of the few studies like that I know of looked into the 'ToneRite', and decided that it doesn't work (in the online 'Savart Journal'). Until we can show that playing does change tone we're not in any position to ask 'why'. There are lots of ideas about it, but lacking data we can't decide between them. |
#59
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Much agreed am I that changes happen. Less sure am I that they are necessarily due only to woods maturing and becoming stiffer and lighter. For example, can the short term changes (weeks to months) be due to parts settling in and fitting more precisely with each other? Maybe the components are just acclimating with the new owner's environment?? Lots of variables at work, I would imagine. |
#60
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Just another tidbit of anecdotal info on this topic...
While considering purchase of a guitar with walnut back and sides I found this comment in the "Walnut as a Body Wood" page of the Taylor website: "The bass tones initially produce a woody character that will grow richer with time and extended play." I get that this is advertising talk, but they probably really think there's something to "play-in" to some degree or other to say that. |