#16
|
||||
|
||||
I think that's right. Total weight isn't the same as the robustness of construction. I have a Macassar ebony guitar with a maple neck that's downright heavy. But the top is lightly braced and it's highly responsive. It would be the rare spruce-over-mahogany guitar that didn't weigh appreciably less but I doubt many would be more responsive or have a louder, fuller tone. It's construction rather than total weight that matters, I think. But the two sometimes are confused.
__________________
Bob DeVellis |
#17
|
||||
|
||||
My Guild D-46 with swamp ash b/s is the heaviest acoustic guitar I've ever picked up. It is also the proverbial "cannon", and is such a powerful guitar that it doesn't record real well. Just too much rumble in it.
However, I'm the second owner (since 2004) and it's the one I've held on to when many other acoustics have come and gone. It has a glorious tone and the neck is perfect for me. It was my lucky day when I stumbled across it.
__________________
2002 Martin OM-18V 2012 Collings CJ Mh SS SB 2013 Taylor 516 Custom |
#18
|
|||
|
|||
A 70's D-50 was one of the best sounding guitars I have heard and the one that got away that still haunts me.
|
#19
|
|||
|
|||
Quote:
|
#20
|
|||
|
|||
You beat me to it! Light top and braces = more lively. Overall weight of guitar is not significant. That’s why I play a guitar before I buy it but have never weighed one.
__________________
90s Martin D-28 (Algae guitar) 1979 Alvarez CY 115, #226 of 600 1977 Giannini Craviola 12 String 1997 Martin CEO-1R 1970s C.F. Mountain OOO-18 1968 Standel/Harptone E6-N 1969-70 Harptone Maple Lark L6-NC (Katrina guitar) Supreme A-12 Voyage-Air VAOM-06 Esteban Antonio Brown Model |
#21
|
|||
|
|||
For the record, Guild started lightening up its guitars in Tacoma, starting in 2005, and the trend continued in New Hartford in 2009.
Ren did not arrive on the scene at Guild until ~2012, so this trend preceded him.
__________________
Neal A few nice ones, a few beaters, and a few I should probably sell... |
#22
|
|||
|
|||
I noted that both top and back braces are shallow (short). Kind of reminded me of the brace profile on the GAD series.
Another interesting point,:. The D-40 specifies a mortise and tenon neck joint and the D-40 Traditional and D-55 use dovetail. |
#23
|
||||
|
||||
Quote:
|
#24
|
|||
|
|||
1Charlie,
I was referring to the Oxnard versions being lighter still. Some of the Orpheum series ideas may had found their way in, perhaps. Since Ren setup the Oxnard shop and probably had a hand in instructing the newest head luthiers, I suspect his influence may be in the latest guitars. My Hew Hartford D-55 is the same weight at my NH F47R, I believe. 4.9lbs
__________________
2010 Guild F47R 2009 G & L Tribute "Legacy" 1975 Ovation Legend 1986 Ovation 1758 12 String 2007 Walden G2070 2008 Guild D55 Prototype 1998 Guild Starfire IV 2016 Guild Newark St. X-175 Sunburst 1996 Ovation 1768-7LTD " custom " |
#25
|
|||
|
|||
I have A Guild D 35 from '70 and I like it's tone better than one from '77 or '80. The weight difference is significant. Now the later heavy guitars aren't bad by any means and are more likely to survive, witch was the reason they built them heavier.
__________________
2007 Martin D 35 Custom 1970 Guild D 35 1965 Epiphone Texan 2011 Santa Cruz D P/W Pono OP 30 D parlor Pono OP12-30 Pono MT uke Goldtone Paul Beard squareneck resophonic Fluke tenor ukulele Boatload of home rolled telecasters "Shut up and play ur guitar" Frank Zappa |
#26
|
|||
|
|||
Thanks all for clearing up my misconceptions about guitar weight.
Amazing place, this AFG! |
#27
|
|||
|
|||
I have a '74 Westerly D-50 that I got in my college days and it is a cannon. I seldom play it these days because it feels stiff under my fretting hand (I'm getting old!). And it is indeed heavy! I keep thinking of selling it but never go through with that. But it seems to me it should be out there making more music than it does.
__________________
1967 Aria Classical 1974 Guild D50 2009 Kenny Hill New World Player Classical 2009 Hoffman SJ 2011 Hoffman SJ 12 https://paulashley.weebly.com/ https://www.youtube.com/c/PaulAshley https://www.reverbnation.com/paulashley |
#28
|
|||
|
|||
Because if there was a perfect formula for building guitars, every one of them would sound great.
|