#16
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Don 1929 SS Stewart Pro Archtop 1921 G Houghton Archtop Banjo 2007 George Rizsanyi Custom Maple Banjo Killer 2017 James Malejczuk Custom OM Black Limba 1980 Norman B50-12 Norman B-20 Recording King single 0 1996 Takamine 1967 Yam G-130 Melvina 1980s Seagull S6 Cedar 2003 Briarwood 1970s Eko Maple 1982 Ovation 2020 Fender Telecaster Mandolin Yam THR5A Sienna 35 Kustom |
#17
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I think getting some good basic instruction from the get go, including reading music, is a very good idea.
I never had a teacher until I had played for many years and decided I wanted to fingerpick. That revealed a whole lot of problems with my technique, and I quickly realized I would not progress without help. I went on lessons.com and had several qualified responses. The teacher I picked has a degree, plays all styles, numerous string instruments, has released several albums and is also an engineer/producer, in addition to teaching and gigging. It was nothing but scales and exercises and method books for a couple of years. Then we moved on to blues tunes. Then to pop tunes. I never would have gotten to this point on my own. I think I'm a fairly disciplined person, and I like to play every day, but when you know you have to play something new every week for someone you are paying it really does increase the motivation. I would recommend it to anyone who feels like they spend too much time noodling. I have noticed that a lot of finger style players had classical training when they were young. If I could turn back the clock I think that might have been a better choice (not that I was aware of it) than playing saxophone in school bands. Nothing wrong with that, but I enjoy the option to make music on my own, which is kind of tough on a horn.
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Bob https://on.soundcloud.com/ZaWP https://youtube.com/channel/UCqodryotxsHRaT5OfYy8Bdg |
#18
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Please don't take me too seriously, I don't. Taylor GS Mini Mahogany. Guild D-20 Gretsch Streamliner Morgan Monroe MNB-1w https://www.minnesotabluegrass.org/ Last edited by rllink; 01-28-2023 at 08:09 PM. |
#19
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Well, then there is the bad teacher, who will teach you either bad habits or to hate music as presented by the bad teacher. In my life I have learned the most from hanging around with players who were better than me, and paying attention.
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2003 Martin OM-42, K&K's 1932 National Style O, K&K's 1930 National Style 1 tricone Square-neck 1951 Rickenbacker Panda lap steel 2014 Gibson Roy Smeck Stage Deluxe Ltd, Custom Shop, K&K's 1957 Kay K-27 X-braced jumbo, K&K's 1967 Gretsch 6120 Chet Atkins Nashville 2014 Gold Tone WL-250, Whyte Lade banjo 2024 Mahogany Weissenborn, Jack Stepick Ear Trumpet Labs Edwina Tonedexter |