#1
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Best acoustic pick up ?
I have couple high end acoustic guitars I would like to add pick ups to,what do you guys suggest? Thanks in advance
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Collings OM Grade 5 Koa Martin 2005 OM-18 Elderly Taylor 2012 612e slotted Froggy Bottom H12 Martin 1972 D-35 Taylor 2015 All Koa 314ce Taylor 2011 12 Fret GCe Fall LTD Taylor GS mini hog,Koa,Holden,Walnut Taylor New 810 e 1st Edition Taylor 914 Dave Matthews Model Martin 0042SC John Mayer:guitar Martin CS OOO41-15 |
#2
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You'll get suggestions of all different types, I'll start. For a soundhole mounted pickup, I really like the Seymour Duncan magmic. I like to be able to blend in more microphone to brighten the sound up.
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3 Yamahas, a Taylor, a Martin, a Guild and a tele It is futile to do with more that which can be done with fewer. Hmmm. |
#3
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Couple of high quality mics and a good PA system.
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#4
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I have two of the Fishman Rare Earth sound hole pickups, they are the best I have found.
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#5
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I agree with this. If you need to use a pickup, I wonder if its worth using a high end guitar at all. The pickup won't reflect the sound quality of such a guitar. Having said that I think the old sunrise pickup was pretty good.
Last edited by Mike Wray; 02-25-2016 at 07:17 AM. |
#6
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Adding a system? Trance Audio Amulet M Dual Mono Acoustic Guitar System.
http://www.tranceaudio.com/amuletm.html
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Martin HD-28 Sunburst/Trance M-VT Phantom Martin D-18/UltraTonic Adamas I 2087GT-8 Ovation Custom Legend LX Guild F-212XL STD Huss & Dalton TD-R Taylor 717e Taylor 618e Taylor 614ce Larrivee D-50M/HiFi Larrivee D-40R Blue Grass Special/HiFi Larrivee D-40R Sunburst Larrivee C-03R TE/Trance M-VT Phantom RainSong BI-DR1000N2 Emerald X20 Yamaha FGX5 Republic Duolian/Schatten NR-2 |
#7
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I agree 100% with this. But...it is limiting in some applications. You cant move about too much. Not that you're ballroom dancing anywhere but it can be a problem. I also use a TC Helion Singer pedal sometimes. You need a guitar plugged into the pedal to read the chord to get the 3rd and 5th for vocal harmony. Using a mic can confuse the pedal and cause distortion. One mic cant be applied to both. I also dont like the soundhole pickups. These can eliminate the above problems but dont let the true sound of the guitar come thru.
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Free speech...its' not for everybody |
#8
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Great Thanks !! Just curious to what people use I AGREE with couple great mic's but that doesn't always work in my case! Thanks so much!
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Collings OM Grade 5 Koa Martin 2005 OM-18 Elderly Taylor 2012 612e slotted Froggy Bottom H12 Martin 1972 D-35 Taylor 2015 All Koa 314ce Taylor 2011 12 Fret GCe Fall LTD Taylor GS mini hog,Koa,Holden,Walnut Taylor New 810 e 1st Edition Taylor 914 Dave Matthews Model Martin 0042SC John Mayer:guitar Martin CS OOO41-15 |
#9
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I use the Trance Audio Amulet M Dual Mono in my Martin HD-28. I've used it in other guitars with great results too.
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Martin HD-28 Sunburst/Trance M-VT Phantom Martin D-18/UltraTonic Adamas I 2087GT-8 Ovation Custom Legend LX Guild F-212XL STD Huss & Dalton TD-R Taylor 717e Taylor 618e Taylor 614ce Larrivee D-50M/HiFi Larrivee D-40R Blue Grass Special/HiFi Larrivee D-40R Sunburst Larrivee C-03R TE/Trance M-VT Phantom RainSong BI-DR1000N2 Emerald X20 Yamaha FGX5 Republic Duolian/Schatten NR-2 |
#10
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Barbera Soloist is my choice.
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#11
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To show the "High End isshh" sound, just high quality mics with a good PA.
But if you want just a very good sound pickup(piezzo, sbt, magnetic, etc...) system, doesnt really matter if it is a 800$ or 8000$ guitar.. And you have plenty of (good)options...
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0018SB 12 Fret(2016) - Max Rosa (Mahogany/Adi) (K&K Pure Mini) Taylor 510 (1997) (Mahogany/Engelman) (Matrix/Aura) Cordoba C10 (2011) (Rosewood/Cedar) Kenny Hill Player 640 (2017)(Rosewood/Spruce) Yamaha NCX 700 (2010) (Mahogany/Sitka) Guitalele Gretsch G9126 (2013) (Mahogany/Mahogany) Genz Benz 150LT Ultrasound/Dean Markley AG15 My Youtube Channel |
#12
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If you have high end guitars I agree that the pickup will be the cheapest part of what you will need. A good preamp can give you ability to shape any pickup. Something like a Grace Felix at a grand and then what will you play through?
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Steve 2020 McKnight Grand Recording - Cedar Top 2005 McKnight SS Dred 2001 Michael Keller Koa Baby 2014 Godin Inuk 2012 Deering B6 Openback Banjo 2012 Emerald Acoustic Doubleneck 2012 Rainsong JM1000 Black Ice 2009 Wechter Pathmaker 9600 LTD 1982 Yairi D-87 Doubleneck 1987 Ovation Collectors 1993 Ovation Collectors 1967 J-45 Gibson 1974 20th Annivers. Les Paul Custom |
#13
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Quote:
Are you gigging solo or with a band? Are you playing at home for your own pleasure or large and noisy venues or small and quiet venues with a very attentive audience? Do you move around a lot when you play or do you sit (stand) in one place? Are using an acoustic amp or going into a board? Are you willing to significantly modify your guitars to achieve sonic bliss, or, do you want to keep you high end guitars untouched? Every "case" dictates different amplification strategies. The more information you give, the higher the quality advise you will receive. Steve
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Still crazy after all these years. |
#14
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Hi cw…
All four of my guitars (3 of which are handbuilt) are equipped with K&K dual source rigs (Pure mini pickup plus internal mic). There are many good 2 source pickup rigs available, and they bring added flexibility to a pickup rig. That said, the most reliable run-o-the-mill pickups which my gigging partner and I love to work with when we are running sound for venues are the K&K Pure Mini which are full, warm, fat, articulate sounding with virtually no issues for setup and getting decent sound if you run them through a decent preamp. We love them in cheap guitars, and even more in expensive guitars. They do reflect a lot of the individual character of different instruments. The K&K probably is not the answer if you are playing guitar in a heavy metal band, but we use them in even fairly aggressive stage environments with zero issues, and far better tone than either an undersaddle piezo or a magnetic pickup. They sound very 'acoustic' which is after all our goal. |
#15
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+1
I have NEVER heard a pick up installed in a guitar that sounded as natural/accurate/true as an external mic. Some sound better than others, but ALL of the internally-mounted pickups (piezo or internal mic, combo this or that, or sound-hole-mounted) have some amount of that unpleasant unnatural plastic nasal sound. I'd almost describe it as a honking quality. Many of us have gotten used to it and accept it because it's so ubiquitous now. Another reason I like an old-fashioned external mic on a stand is I can move the guitar to control not just the volume but the tone for different parts of the song. Without reaching for a knob to turn, no pick up can offer that, not even the very fine clip-on-external guitar mics like the $620 DPA d:vote. Internal pickups are so darned convenient that people forgive their sound. I just can't. I didn't pay a zillion dollars for my fine guitars so they could be sonically castrated. I'm well aware I'm in a tiny minority. Last edited by Tico; 02-25-2016 at 02:00 PM. |