#16
|
|||
|
|||
Quote:
|
#17
|
||||
|
||||
Ring and middle. I’ve tried to make myself use the ring and pinky, which gives you so many options for suspensions and hammer ons, but I’ve just never been able to get automatic with that...
|
#18
|
|||
|
|||
Middle, ring, pinky, free index. Only use the 4 finger for songs that were written with it and call for it.
__________________
"Militantly left-handed." Lefty Acoustics Martin 00-15M Taylor 320e Baritone Cheap Righty Classical (played upside down ala Elizabeth Cotten) |
#19
|
|||
|
|||
my go to strumming G is index on the 5th string middle the 6th string and ring on the 1st string. My go to finger picking G is middle on the 5th string ring on the 6th index finger frets the C, A , and High F and F# notes if needed and pinky frets the high G High D Low F, Low F#, Low C and fretted B if needed.
|
#20
|
|||
|
|||
I learned when playing in/around the 1st position ... ring on the E string, middle on the A, and little finger on the high E (I might also barre the 3rd fret E string). The advantage is that it leaves my index finger free to pick a lead, add some passing notes, hammer on, pull off, whatever. It's also a quick and easy transition to the C major and F major chords since the fingers are already in position.
I usually play a first position E major. If that sounds like it should, I'll play a D major (minus the low E string) ... it's a way for me to check intonation, which in my experience is usually most noticeable on the B string, and shows up when strumming the chord. Then I'll play the G major, for the same reason, the 3rd fret G on the low E string can often go sharp when fretted. Last edited by RustyAxe; 01-23-2019 at 11:33 AM. |
#21
|
|||
|
|||
Quote:
Right - to produce an actual G major triad.
__________________
"There is a crack in everything. That's how the light gets in." - Leonard Cohen. |
#22
|
|||
|
|||
So far, I’m the only one who uses his thumb around the neck. I wonder why that is. Sometimes, if I’m playing in the key of C, I’ll keep the thumb planted as a pedal tone, and then just shift it down for the “wraparound” F-barre chord. You can also easily transition into a full or partial chord of the same F form, which can move anywhere on the neck, without having the drawbacks of a real barre chord, and still leaving 4 fingers free.
|
#23
|
|||
|
|||
Quote:
3rd on 6th string G 4th on 1st string G (and the 2nd string D when desired) I always leave my index finger free when playing this cluster.
__________________
Rick Ruskin Lion Dog Music - Seattle WA |
#24
|
|||
|
|||
Preferred G chord fretting
I learned it pinky on the first, middle on 5, and ring on 6. Like many said, I like that free index for a quick change to C, or spice up things a bit by muting the A string and fretting a C on the B string for a Gsus4. But sometimes I do the 4 finger G if I’m playing a lot of G to D or Cadd9 or Dsus4 to G.
|