#16
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In my experience...many luthiers are amazing guitar builders, but do poor setups. It's a different skill set IMO.
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Bryan |
#17
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I've been playing Guitar for 50+ years, I've played well over 100 different Guitars but I never played a "PLEKed" Guitar. I can tell right away if the setup is an issue. To me a poorly crafted nut and/or saddle is typically the cause of a bad setup.
Does the PLEK address the nut and saddle or just the frets? Thanks |
#18
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Here's the comparison being made in the thread: custom, high-end action and playability luthierie by machine or custom, high-end action and playability luthierie by hand. I have no doubt that a master can translate the custom desires of a client to his instrument by either method. I'd file it under a different tool in the hand of a master, essentially.
However, what I see compared far more often is factory Plek'ing of an instrument vs. luthier custom adjustment of action and playability. Those two aren't always comparable, and comes down to the factory's philosophy. I've repeatedly rejoice in the advent of factory Plek'ing because it has brought many manufacturers' instruments to a place where a client can expect to get a playable instrument from that company EVERY TIME. Will it fit his playing style exactly? That isn't guaranteed but it will be pretty darned good. That is a step forward. I remember encountering reasonably high-end factory guitars in stores with major action flaws that couldn't be fixed with a simple fret level and set up. Those brands who have enlisted Plek at the factory have eliminated that worry from the minds of consumers. However, they most probably decide to send all the guitars out the door with the action at the nut being higher than I prefer. They do that because it is typically cheaper to lower action at the nut than to raise it. The last three Gibsons I've bought, for instance, have had actions good enough that I haven't felt I had to rush them off to my luthier. The one that hasn't taken the trip will get there eventually, but Gibson has upped their action game to make them usable right out of the box. But my luthier's standard setup that he calls his "modern" action is just a little bit better than Gibson chooses to refine theirs, so it will eventually make the trip. Bob
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"It is said, 'Go not to the elves for counsel for they will say both no and yes.' " Frodo Baggins to Gildor Inglorion, The Fellowship of the Ring THE MUSICIAN'S ROOM (my website) |
#19
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I see the point of use in a factory. And I would expect that careful use in the factory is going to reject the grossly messed up units that otherwise get shipped... And as a result - can potentially help an operation sort out upstream process and material issues (if you do it right...).
For example.... Say your sourcing guy gets a screaming deal on mill tail ends of fret wire.... Theoretically - it "meets spec" but in reality it's all over the place dimensionally.... Well - that gets to the Plek machine and it can't be corrected and still maintain the action specs..... If the organization is working right - they reject the stuff and now the purchasing guy is stuck with an expensive lesson concerning a big pile of bad material... Or say for example - the neck making machine is a bit off - resulting in wonky neck sets.... Now they get kicked out at the final plek rather than ending up at Guitar Center and then resulting in all sorts of nasty forum posts... Or say the fretboards aren't being levelled properly... Same thing.... And so if you do it right - this forces you to sort this stuff out with good practices and QC checks in the process... Do you need this machine to do it? No... Can it be done manually at factory quantities? Sure.... But I know the reality of doing a lot of manual operations... |
#20
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But keep in mind, the machine does not do these things without a highly trained operator running it. A factory might set it up for one or two very specific jobs that they need to do repeatedly, while a custom shop might use it for a much wider range of work, from very highly tuned setups on new guitars to detailed analysis and problem solving on much older instruments. But it still depends on the abilities of the luthier operating it -
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More than a few Santa Cruz’s, a few Sexauers, a Patterson, a Larrivee, a Cumpiano, and a Klepper!! |
#21
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For example, if you have a loose pivot point but apply tool pressure on fret 18, the arm will slop around until it hits bottom in the slop. When you move to fret 20 you aren't going to see a sudden change to the other extreme and have the joint move .0035" more or less. Another flaw is that this assumes all the tolerances stack up in-line. With the example of joints they do not, you only get a portion of the contribution of each tolerance and you have top trig it out. The idea that precision machines, like Pleks, etc. are only best suited for salvaging poor quality raw material is misguided. What a luthier can do, is adjust-feel-adjust-listen-adjust-touch-adjust-feel and on and on until the get things just the way their senses prefer. And a skilled luthier can do this better than anyone or any machine. What a precision machine can do is give you extremely consistent results that are very accurate. If you tell the machine what to do, it will give you exactly what you told it. We had the same old argument when NC machine controls were challenging old school "swiss watch" machinists, and that was pre-CNC. Then we had the CNC machine controls challenging the old NC controls. We had the same thing when 2D CAD systems challenged the old school pencil Draftsmen. We had the same thing when 3D solid modeling challenged old school 2D CAD. This is no different. A machine cannot replicate the artistry of a luthier's human touch. But a human can't touch the accuracy and repeatability of a machine, let alone do it one-thousand times as fast.
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Fazool "The wand chooses the wizard, Mr. Potter" Taylor GC7, GA3-12, SB2-C, SB2-Cp...... Ibanez AVC-11MHx , AC-240 |
#22
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To the best of my knowledge as limited as it is on this subject, it cannot carry out Fret levels on Banjos, Harp guitars, Mandolins, Lutes, Ukeles, Bouzakis, Charangos, Dulcimers, Cigar box instruments, Fan fretted guitars, True temperament fretted guitars, it also cannot board level Gibson guitars without removing the nubs on the Binding and so forth. Your reference to it being capable of doing inlays, do you have any links?, I know it can do round fret markers, but was unaware they had managed to incorporate software for actually doing any other form of inlay, let alone a complex design, I was aware it can engrave, but that is not Inlaying. For Standard Electric /Bass and Acoustic Guitars it does an excellent job, plek manufacturer during their sales pitch to me said, two days of one on one training is sufficient for any person of any skill level to operate and drive their machine, they feel they have made the machine incredibly user friendly. Steve
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Cole Clark Fat Lady Gretsch Electromatic Martin CEO7 Maton Messiah Taylor 814CE Last edited by mirwa; 08-01-2018 at 03:01 AM. |
#23
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I spent 15+ years as a machinist, and I can say without any doubt, that there is no fret leveling that a human can do, that a Plek machine couldn't do as well or better.
Even the elite fret levelers who are nearly perfect, still can't take into consideration all the things a full Plek scan can. One thing to understand is that the neck is scanned across frets as well as fretboard, for all 6 strings. When the scan is done, the Plek machine effectively "knows" everything relevant that there is to know about the frets and fretboard. At this point, it's a simple matter of inputting how close the guitar owner wants everything. And a really big bonus, is that the Plek is capable of finding the lowest point across all frets, and making everything accurate to that point. So the least possible amount of fretwire is removed. And that is something a human could never match, not even a pro who can get the playability for all intents and purposes perfect.
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Something something, beer is good, and people are crazy. |
#24
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Question: When you were a machinist, if someone asked you or the business you worked for to machine up say an acoustic guitar bridge, what would have a job like that been costed out as, I understand you may have been machining ferrous and non ferrous metals. But humour me with costs associated with hand making that one part. Steve
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Cole Clark Fat Lady Gretsch Electromatic Martin CEO7 Maton Messiah Taylor 814CE |
#25
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This was in the 90's, so it's safe to say that it's more today.
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Something something, beer is good, and people are crazy. |
#26
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Sorry transgressing, so assuming it’s around 240 an hr and a bridge is an hrs work. A cnc bridge can be purchased for as little as 5 dollars hand made 240, as per your example, highly skilled technician doin the job, not a preloaded program and let machine do job. My pet issue is not the machine but the costs the company encourages its “franchises” to charge, they charge more for a computer operated job than it costs to do it by hand. Which imo is unethical. Everything else in society is the reverse, something made or done by cnc or machine is cheaper than having it done by a skilled trades person by hand Steve
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Cole Clark Fat Lady Gretsch Electromatic Martin CEO7 Maton Messiah Taylor 814CE |
#27
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PLEKing should be the future of all decent factory guitars. I still don't understand how you can pay a fair amount of money on a guitar without the guarantee that the frets will be good.
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Christian Guitar: Camps Primera Negra A (a flamenco guitar) Strings: Aquila SugarAquila Rubino, Knobloch CX, Aquila Alchemia I play: Acoustic blues & folk Videos: https://www.youtube.com/user/sirwhale28/videos |
#28
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I know what you are saying and believe me I know that before long the machines will be telling us humans what to do (and maybe that's a good thing) but fact is it can still be done by hand to a point where it becomes humanly impossible to tell the difference. Like for example if the difference is below the rated accuracy of our measurement equipment (brains) then it is statistically insignificant. |
#29
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I'm not saying a human touch can't get it great. But far more luthiers will fail to make it great, than will a Plek. I've experienced it when I took 3 guitars to one of the oldest respected shops in the area. Not one of them was much better than when i'd taken them in. And their fret guy only did fretwork. That was his job. I would have preferred to pay the premium to get all 3 guitars done on a Plek.
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Something something, beer is good, and people are crazy. |