#61
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What was the action, and what is your preferred action? Martin are known for setting a playable but high action so it can easily be adjusted down if required - remember Martin dreads are essentially bluegrass rhythm instruments not fingerpickers. "I'm stunned that Guitar Center wouldn't change the strings.... " Did you ask them? The age/condition of strings is irrelevant. If you are serious about buying an instrument - ask them to change the strings -offer to pay for them if necessary. After all if you bought it you would change the strings as soon as you get home anyway. " .... and more importantly, lower the action before trying to sell it". well firstly I believe that GC is a large box shifting chain yes? they may have Martins in stock but they are ,not a speciality dealer. Set it up? To what action? The whole point of Martin setting actions high is so they can be adjusted to the players choice - you do know exactly what action you prefer ...don't you?
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#62
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That's really great, and I'm serious about that. For me however, there's nothing I've heard that would cause me to take a depreciated price on my pre V-Class 814ce for a new one with a different bracing scheme. I actually didn't mean that the way it oprolly came across :\
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Yamaha FG365s (1978) Martin 000-28 Taylor 814ce Taylor 458e Taylor GS Mini-e Koa Washburn Timeless Series Celtic Mandolin Boss DR-01S Rhythm Partner Boss RC-30 Loop Station Fishman Loudbox Mini Shubb capos Bunch of boutique picks (cheap GAS cure) |
#63
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Not Impressed by Two Martin D28s
At one point, I was a huge Taylor fan. I had several. 312, 322, 324, 618, 814, 818. I was always buying, selling, trading this Taylor for that. Never stuck with one more than a few months. They looked fantastic, and played fantastic. I was a fanatic.
I would walk into a store and try a Martin. I, too, felt like they were dull and lifeless. But then one day it hit me. The Taylor sound suddenly became annoying. It sounded great at first, but after 30 minutes or so, it lacked character (for me). I realized that the Martin sound wasn’t dull or lifeless. I was just just used to this colored sound coming from my Taylor’s. Needless to say, all my Taylor’s are gone, replaced with a handful of different Martin guitars. I have found the tone I was always seeking. GAS has been cured for almost a year now. Edit: actually I still have the HOG GS MINI - great little beater guitar Last edited by jkilgour2000; 08-17-2020 at 02:03 PM. |
#64
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2020 Yamaha LL56 Custom 2021 Boucher SG-51-BMV 2020 RainSong CO-WS1000N2 2019 PRS Silver Sky |
#65
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I get it. My ears are tuned to Martin. I tried really hard, and when I say really hard I'm talking about substantial $$$, to like Taylor guitars.
The first was a 614-CE. Beautiful guitar that to my ears sounded no better than an Alvarez or similar. Thinking it was the Maple I wasn't liking I tried a 410-CE. While a bit warmer than the Maple, it had no punch, no power, and limited volume. Both guitars were good guitars, just not in my wheel house by a long ways. So like I said, I get it. We like what we like for our own reasons. The best part of that is there's nothing wrong with that.
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It won’t always be like this. |
#66
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Yep - and the same person is even allowed to like different sounds at different times in his/her life....taste can change too and it's great there is probably at least one guitar out there that will appease your ear at a given time in life (hopefully within one's $$$ range as well).
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#67
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From what I read about PLEK, it is confined to perfecting the fretboard, and does not extend to lowering the saddle to one's action-height preference.
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https://soundcloud.com/user-871798293/sets/sound-cloud-playlist/s-29kw5 Eastman E20-OM Yamaha CSF3M |
#68
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...that’s right...but it should allow for closer action to be set....I find that Martin factory spec leaves the action fairly high so that it can be adjusted to a players preference...plenty of guitar makers do that while Taylor seems to dial the action fairly low from the factory...
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#69
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I'd be curious to hear if the PLEK caused the action to be too low for blue grassers. MGF |
#70
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I have a lovely Taylor 810. Sounds beautiful, but sounds like a Taylor.
I bought a "reimagined" D28. It has a very thick, pungent tone. I love it for totally different reasons compared to the Taylor. It arrived with high action, but after some saddle sanding and not slot filing - plays like a dream. Different tools for different jobs. |
#71
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Not Impressed by Two Martin D28s
All you have to do is say, hey I like this guitar, I’m going to buy it - but do you have a tech here that can set it up for me? Simple as that. If you’re going to walk away because of high action you’re not a buyer, you’re a tire kicker. No offense
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#72
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I like the way Taylor’s sound...when somebody else plays them ...like my gigging partner Lee.
Personally, with my style of play ( more raw) Gibson’s and Martins work for me.
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Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#73
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I'm not gonna be bias but I will be
Playing Raw is the only way to play. Unpracticed, mistake prone and just all around ROUGH The best way to play guitar in my opinion MGF |
#74
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thanks Jamie. I'm bringing the 814 and the 12 string Saturday so you'll be happy with our sound I expect!
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"I go for a lotta things that's a little too strong" J.L. Hooker |
#75
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Never been a big fan of the modern standard D-28. A D-28 Authentic or even a D28 Marquis is a different story !
I've got A custom D18 with Adirondack top which is really good but eventually I'll get an Authentic !!
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1989-G&L Legacy Martin Custom D-18 Yamaha F830 Carvin nylon string acoustic Deering Maple Blossom banjo |
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Tags |
acoustic guitars, d28, martin guitars |
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