#151
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I love your bridge. Always smiling at me when I walk in the room.
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Life is like a box of chocolates .... |
#152
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Bridge looks great!! Steve is working on something special for the fretboard - can’t wait for that part to be revealed!
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Steve |
#153
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Quote:
Quote:
SK |
#154
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I think I may have seen it under a couple of layers of tape, no?
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PS. I love guitars! |
#155
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Quote:
It is since out of tape and that neck is ready to finally meet its body. (What a weird statement...) Steve's SJ neck got partially carved this week, but we're waiting for final art work for inlays. When done...and done...we'll fret his neck. And then the tape goes on. Forgive me for thinking out loud here, but sometimes that helps. SK |
#156
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Update: the neck, partially carved, has been fitted to the body.
That gives our reference point for locating the bridge, and then "pinning" it in place. Here is the guitar in that state: IMG_2232.jpg Shortly after this shot, the final sanding was completed. And then, the body was boxed up and sent off to our finish ace. An exciting step for sure! Steve |
#157
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Looking great Steve! How long does the finishing take? Is the neck done separately at another time?
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Steve |
#158
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Glad you like it Steve! SK |
#159
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These next few shots are past due, so let me remedy that.
As Steve alluded, we have been working on a fretboard inlay concept. More on that in a minute. But the neck has received attention as well. E.g., gluing the fretboard to neck shaft: IMG_2210.jpg And after that has dried and cured, neck carving commences. First the extraneous width is pared down to the fretboard. Several tools are used; coarse work was done on a band saw, while closer work was done with a spokeshave: IMG_2212.jpg Fine, delicate details can be achieved with a cabinet scraper: IMG_2218.jpg And then refining the heel's shape, while blending it into the neck: IMG_2219.jpg Many thanks for watching, Steve |
#160
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Now, about the inlay--unfortunately both Steve and I have lost friends recently to suicide. From the start we have been discussing some way to express the sense of grief and loss. What finally resonated was an inlay pattern of falling leaves, replete in their autumn colors.
Several designs were considered, and an amalgam of those several was worked out: IMG_2226.jpg Then some autumn colors were needed, and Steve voted for natural wood colors. There is a logic to that: IMG_2244.jpg Jeweler's saw freeing those leaves: IMG_2255.jpg And then when inlaid, the gentle free fall is depicted: IMG_2269.jpg Woods used: Lemonwood, Bloodwood, Amboyna burl and Koa. The veins are next, which will be incised tomorrow. Thanks for watching, Steve |
#161
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Spectacular, Steve. This means a lot to me. Just awesome!
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Steve |
#162
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That looks really nice. I really like the last leaf that is curled up. Has a really cool 3-D look to it. And you are adding more detail with the veining? Nice.
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PS. I love guitars! |
#163
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Wow, that is gorgeous, not just the work done, but the thought process behind it. Condolences for your losses.
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1995 Maton EM725C - Solid 'A' Spruce Top, QLD Walnut B&S, AP5 Pickup 2018 Custom Built OM - Silver Quandong Top, Aussie Blackwood B&S, Fishman Matrix Infinity Mic Blend Pickup 2021 Faith Neptune Baritone - Solid Englemann Spruce Top, Solid Indonesian Rosewood B&S, Fishman INK3 Pickup 2022 Yamaha SLG200S Silent Guitar |
#164
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So glad you like it, Steve!
Quote:
Quote:
Steve K |
#165
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Working a design with a luthier is special but I have to say Kinnaird Guitars is top of the heap. I cherish the memories and the end result. Congrats to both Steve’s on a fine design and the memories it will conjure for life. Really special.
__________________
Life is like a box of chocolates .... |