#1
|
|||
|
|||
For what it's worth and FYI
I did a series of gigs over the last three weeks. For many reasons I needed to streamline my rig for these jobs. I brought my guitar, a cord and my SoloAmp forgoing my usual D-Tar Solstice. Because the eq points are very similar on the SoloAmp as opposed to the Solstice I was confident that I could duplicate my usual eq curve and get by.
I re-introduced the Solstice last night and I'm here to testify the difference is massive. The outcome is cleaner, stronger, the tone is much tighter and the eq controls themselves are both more sensitive and smoother. The biggest difference for me however is the touch is better, quicker. For anyone who doubts the merits of a great pre-amp....I'm tellin ya.....give one a try someday. |
#2
|
|||
|
|||
Joseph,
Thanks for that post. I've been flirting with the idea of buying a Solstice for about a year now. Time to get myself to my dealers' shop and try it out. |
#3
|
|||
|
|||
Just switched from the Baggs Venue DI to the Solstice and for good measure, the Equinox as well. OUTSTANDING units, both. The clarity and quality is superb. Not "new school" but I tell ya what, they WORK.... GREAT!
__________________
--------------------------------------------- Some Fingersytle stuff and lap steel http://soundcloud.com/mitchc-1 Current Hawaiian Lap Steel stuff: http://www.hsga.org/MitchCrane.htm The 'big hair' days: http://www.myspace.com/sydwas |
#4
|
|||
|
|||
what makes it better than the Baggs Venue. Would you be specific.
|
#5
|
|||
|
|||
Interesting observation about the touch responsiveness, Joseph. The conventional wisdom is that the fewer the number of gain stages, the better the touch responsiveness.
On the other hand, DTAR makes good gear. No doubt about that. Gary |
#6
|
|||
|
|||
Quote:
__________________
2005 Gibson J45 Rosewood 2017 Gibson J45 Hog 12 fret 2019 Gibson J45 Rosewood Modern Cut-Away |
#7
|
|||
|
|||
I agree on the Platinum, Pegleg. Its a terrific little preamp for the cost. If it has a fault, its that its a little too complex for some users. Some folks never get around to learning how to use the sweepable mid controls. (I use the plural "controls" because the mid level slider and the mid frequency slider must be used in tandem.)
Its also possible to mess up your high end by using too much of the Platinum's "smooth" control. Last week I noticed that the "smooth" control was set fully clockwise on a friend's Platinum preamp. That's the last thing he needs for his mini-Pure equipped Martin dread. Since he's a light-handed player who doesn't have any quack problem, he'd be best served by leaving the smooth control completely off. Its also best to leave the notch off (fully counterclockwise) unless one is having problems with feedback or excess boominess at some frequency. Gary |
#8
|
|||
|
|||
Quote:
__________________
2005 Gibson J45 Rosewood 2017 Gibson J45 Hog 12 fret 2019 Gibson J45 Rosewood Modern Cut-Away |