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Sound Vs. The Intangibles...
Another thread got me thinking about what makes us fall in love with a guitar. Is it purely sound? Is it playability? Or, could it simply be the way the guitar makes us feel when we play?
I think just about any Martin sounds better than my J-45 to my ears side by side, but nothing gives me the feeling that the J-45 does. The J-45 turns me into a guitar playing madman. My foot starts tapping and I just lose myself. Yes, it sounds great, but it doesn't sound better than a good HD-28, or even a D-18. Does anyone else have a guitar that they know isn't necessarily the best sounding guitar ever, but is their favorite nonetheless? |
#2
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For years for me I was really poor and had only 1 guitar, therefore I always felt good when I played it. When I became able to move up in quality and price, it was a progression, and the guitar I had at the time made me feel good when I played it. I now have 3 guitars and they all make me feel good when I play. I have never had a guitar that did not make me feel good when I played. I guess I just love the look, feel, and sound of guitars
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Reggie Taylor 2016 818E |
#3
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But yeah, the feeling can bring a sense of exhilaration too. Perhaps that's why I love my D35 with the Sunbeam strings. The sound just resonates through my entire body. But it sounds pretty darn amazing as well. And perhaps that's what I've been chasing in my Taylors. The feel that a tsunami of sound is coming from them (as well as great sound). That's what I loved about the Gibson SJ-200 that I played several months back. It made the Taylor 814ce sound like a toy (and sorry I let that one slip through my fingers).
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Assuming is not knowing. Knowing is NOT the same as understanding. There is a difference between compassion and wisdom, however compassion cannot supplant wisdom, and wisdom can not occur without understanding. facts don't care about your feelings and FEELINGS ALONE MAKE FOR TERRIBLE, often irreversible DECISIONS |
#4
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#5
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It's the whole package, Shades. A guitar that sounds great but is challenging to play is no more satisfying than a great playing guitar that is sterile sounding or missing something.
We all hear and feel things differently and it's totally subjective. I think I'm (finally) at the end of my guitar buying and selling journey, but had to go through the guitars I did to get where I am now, and regret nothing. It was fun, I learned a lot, and my evolution as a player helped shape my current stable of guitars. There will always be something better out there. The question is, at what point do we stop caring to find out ? That's an individual decision.
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Merrill | Martin | Collings | Gibson For Sale: 2023 Collings D2H 1 3/4 Nut, Adi Bracing, NTB -- $4100 shipped |
#6
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I see instruments as unique and not as better or worst. Its how I bond with the instrument and has nothing to do with the maker/model etc. I love my OM because of many factors including what I feel when I play.
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SCGC Custom OM Mars spruce/cocobolo |
#7
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I think that there comes a point in a player's development were they know pretty much how they want to sound and know how to achieve it through their hands.
Then guitar selection becomes more down to what gives up that sound most easily, and what really makes you have to work for it. This seems to hold true for both acoustic and electric instruments. I've come to think that it is mostly down to how the notes bloom and decay, not so much the "tone" per se. I've played guitars that created notes like hitting a hammer, very fatiguing to listen to for any length of time. Other guitars can be most expressive through just the opposite situation were you draw the notes out with texture and sweetness. Over time a player's opinion of what sounds good can change though, especially when playing in group situations. |
#8
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For me it’s the total package. First impression is the looks. Like a first date, you initially like what you see, or you don’t. Next it’s the handshake. How does it feel, smell. This can enhance your opinion of the looks or could make you forget about the looks for a while, while you get the sense of how it feels in your hands.
Next comes the conversation. How does she sound? Witty? Smooth? Complicated with a strong vocabulary? Or dense and hard to figure out? In the end if she can’t speak to you in the quiet, intimate moments, it really doesn’t matter what she looks like. You’ll tire of her and move on to another 000 or OM. It’s the total package. |
#9
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Not sure if Carol would think you like her best,
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#10
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No. Sound is everything in my guitar world.
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McCollum Grand Auditorum Euro Spruce/Brazilian PRS Hollowbody Spruce PRS SC58 Giffin Vikta Gibson Custom Shop ES 335 '59 Historic RI ‘91 Les Paul Standard ‘52 AVRI Tele - Richie Baxt build Fender American Deluxe Tele Fender Fat Strat |
#11
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Yes, I have one like that. Guitar that is ..... |
#12
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no, i don't have a favorite and no brand loyalty. i do have to say that my 0015m is my songwriting partner since it doesn't get in the way of my singing as it is quite balanced. still no favorites.
play music!
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2014 Martin 00015M 2009 Martin 0015M 2008 Martin HD28 2007 Martin 000-18GE 2006 Taylor 712 2006 Fender Parlor GDP100 1978 Fender F65 1968 Gibson B25-12N Various Electrics |
#13
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Sound Vs. The Intangibles...
For me with my Martin OODB was the size and neck shape and the amount of volume and tone that came out of such a small body just love it . But I have a real soft spot for my Yamaha’s . The LLTA is simply amazing , not just on price but the whole package . My SLG200S I couldn’t be without for leading worship in church the NTX is great for nylon string use . But for a plugged in folk gig it’s got to be the J45 , the look and sound and simple nature of the guitar just works . But the winner for me .The LLTA Yamaha , when I first played it my wife said straight away “what guitars that, it looks and sounds really expensive “ she didn’t believe me when I told her the price she wouldn’t let me leave the shop without it
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Martin OODB JT Gibson J45 Yamaha LLTA Yamaha SLG200S Yamaha NTX1200R Taylor GSMiniE Rosewood Joe Brown Uke AER Compact 60 Marshall AS50D Now 100% Acoustic and loving it ! No more GAS Last edited by 51 Relic; 06-19-2018 at 12:18 AM. |
#14
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Part of this for me has to do with a change in playing style. I used to almost exclusively play fingerstyle blues. In the past few months I've been strumming and singing more. And the Guild seems to inspire my singing more, for whatever reason. But I guess at the end of the day it comes down to this: qualifiers like "better" or "best" are ultimately meaningless. "There is nothing either good or bad, but thinking makes it so" (Willy Shakespeare). I remember reading a study they did with 18 year olds where they played the same song on a CD and then a compressed MP3 version. The youngters mostly said the the compressed MP3's sounded better. Which makes sense, cuz that's what they grew up hearing. I grew up with CD's, so those would always sound better to me. We know what folks who grew up listening to records would say. |
#15
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I will repeat what I said elsewhere. My D18 sounds wonderful but it doesn't "rock". The J45 rocks!
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Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |