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CloseUp Mic system
Here is a new kid on the market
It seems to be an internal mic with a DSP processing and a training software ''similarl'' to Tonedexter. However it's not a FIR filter, since you don't record at the same time external and internal mic. It's smart EQuing. CloseUp Mic web link Note that they forgot to put Tonedexter on the map (lol) Quote:
A guy with a lyric/any internal mic could probably use an auto-EQ plug-in and achieve something similar with a good digital mixer (QSC touchmix, Behringer XR...) my 2 cents Cuki
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Martin 00-18V Goldplus + internal mic (2003) Martin OM-28V + HFN + internal mic (1999) Eastman E6OM (2019) Trance Audio Amulet Yamaha FGX-412 (1998) Gibson Les Paul Standard 1958 Reissue (2013) Fender Stratocaster American Vintage 1954 (2014) http://acousticir.free.fr/ Last edited by Cuki79; 06-29-2018 at 01:32 AM. |
#2
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Please forgive me Cuki, but just because it's IR is not derived by the same process as ToneDexter, does not mean it's not a FIR. Or is there some clue that it requires the poles of an IIR?
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jf45ir Free DIY Acoustic Guitar IR Generator .wav file, 30 seconds, pickup left, mic right, open position strumming best...send to direct email below I'll send you 100/0, 75/25, 50/50 & 0/100 IR/Bypass IRs IR Demo, read the description too: https://youtu.be/SELEE4yugjE My duo's website and my email... [email protected] Jon Fields |
#3
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Quote:
1) The software enables you to add an EQ curve similar to what you have in any EQ plug-in. So a set of parametric and shelving filter that are IIR filters. 2) The unit works on 9V batteries that must indicate a rather low power consumption and thus less comptutational power. IIR filters are less compyter power consumming 3) The unit must have a way to fight feedback. The most sensible thing to do is to notch out the resonances around 100 Hz of the guitar. A notch is typically an IIR filter. If you ant to achieve the same performance in the low end register you would need a FIR filter with a huge number of taps... So If I was designing such a box. I would use many IIR filters and just train them to fit the desired correction. Note that FIR is possible: *) Fishman Aura is able to work on a 9V battery (but not very long) but at the cost to run the blackfin DSP at 0.8V. They run a 2000 taps FIR filter and probably a IIR filter for the low end (maybe 2) Article about Aura Blackfin DSP page 1 Article about Aura Blackfin DSP page 2 link for the biquad filter But if I was using a FIR filter... I would train the internal & external mic with the same recording... as Tonedexter does. Doing two different recordings of 30s would not make sens. Again, those are my 2 cents PS: Another point for the IIRs. Let's say your run a DSP at very low voltage to save power. It means you need to scale down your signal. The signal you have from a mic within the guitar is full of low end. That's why the Lyric which benefits from resonance cancelling being a surface mic still needs a strong low end compression AND cut. It means that because of the internal mic your signal to noise ratio is really bad. You have to fit your signal within 0.8v but have a lots of dynamic only taken by the low end... Which is not the case for the Fishman matrix signal that is rather balanced compared to the signal from an internal mic.
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Martin 00-18V Goldplus + internal mic (2003) Martin OM-28V + HFN + internal mic (1999) Eastman E6OM (2019) Trance Audio Amulet Yamaha FGX-412 (1998) Gibson Les Paul Standard 1958 Reissue (2013) Fender Stratocaster American Vintage 1954 (2014) http://acousticir.free.fr/ |
#4
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Finally,
but that's based my own experience... * The advantage of an internal mic is the high end. I mean if you were going dual source, there is a high probability that you'd use the high end from the mic and the low end from the UST/SBT. * FIR filters like Tonedexters are not "that" good for the high end. I think people with pickups like the amulet must have noticed that Tonedexter tends to "eat" the upper high end (air) of the pickup. You don't have to ged rid of the quack for an internal mic. You mostly need to taylor the low end to avoid feedback and balance the overall response. IIR filters are better and more efficient in the low end. (see previous links about Aura & blackfin DSP)
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Martin 00-18V Goldplus + internal mic (2003) Martin OM-28V + HFN + internal mic (1999) Eastman E6OM (2019) Trance Audio Amulet Yamaha FGX-412 (1998) Gibson Les Paul Standard 1958 Reissue (2013) Fender Stratocaster American Vintage 1954 (2014) http://acousticir.free.fr/ |
#5
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Thank you Cuki79!
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jf45ir Free DIY Acoustic Guitar IR Generator .wav file, 30 seconds, pickup left, mic right, open position strumming best...send to direct email below I'll send you 100/0, 75/25, 50/50 & 0/100 IR/Bypass IRs IR Demo, read the description too: https://youtu.be/SELEE4yugjE My duo's website and my email... [email protected] Jon Fields |
#6
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the technology looks wonderful, but the implementation looks ridiculous. If I'm to have a cable running outside my guitar there are many less expensive options.
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#7
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It definitely looks interesting, but I’m pretty happy with the tonedexter right now.
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#8
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Well I'm glad technology continues to attempt to solve the problem, but it looks as if this is more trouble than the Tonedexter to set up, costs more and (to my ear) does not sound as good, though it is hard to tell with that guitar. But I am a shameless Tonedexter owner and fan.
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2003 Martin OM-42, K&K's 1932 National Style O, K&K's 1930 National Style 1 tricone Square-neck 1951 Rickenbacker Panda lap steel 2014 Gibson Roy Smeck Stage Deluxe Ltd, Custom Shop, K&K's 1957 Kay K-27 X-braced jumbo, K&K's 1967 Gretsch 6120 Chet Atkins Nashville 2014 Gold Tone WL-250, Whyte Lade banjo 2024 Mahogany Weissenborn, Jack Stepick Ear Trumpet Labs Edwina Tonedexter |