#31
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It is an inevitable consequence of a successful company growing and maturing. Yes, it's sad to see the values and virtues get eroded by the slow transition to a marketing-driven giant corporation, but it was always going to happen, and Taylor seems to be trying hard to maintain as much of the good stuff as they can.
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Tacoma Thunderhawk baritone, spruce & maple. Maton SRS60C, cedar & Queensland Maple. Maton Messiah 808, spruce & rosewood. Cole Clark Angel 3, Huon Pine & silkwood. Cole Clark Fat Lady 2 12-string, Bunya & Blackwood. |
#32
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Perhaps not inevitable but certainly typical when the original genius reaches retirement age and wants to cash in on their life's work, i.e. Mesa. Sometimes the second generation owner has the same drive, passion and vision of the creator but often they do not thus leading them down the ill-fated corporatization path of more, more, more.
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If ya got time to breath, ya got time for music! Briscoe Darling |
#33
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ya their marketing is over the top. Like someone else said I do not like to be sold. But one thing I have never understood about Taylor since Andy got there. Andy has serious flatpick bluegrass chops. I mean he can hang with the best. But his designs stray far from what any bluegrass player would ever consider. And I cannot understand why.
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#34
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During the course of my not inconsiderable number of years on the planet I have discovered, to my delight, that everyone's product, irrespective of what it is, is the best in the world and will wash whiter, smell better, tell me what time it is more accurately and sound better than anything I could possibly imagine.
What a wonderful world.
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Faith Mars FRMG Faith Neptune FKN Epiphone Masterbilt Texan |
#35
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When I'm watching my TV And a man comes on and tells me How white my shirts can be Well he can't be a man 'cause he doesn't smoke The same cigarettes as me
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Fazool "The wand chooses the wizard, Mr. Potter" Taylor GC7, GA3-12, SB2-C, SB2-Cp...... Ibanez AVC-11MHx , AC-240 |
#36
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You'd think with all that market research someone could have told Taylor that their headstock design is pretty naff !!!! There must be so much windage from that paddle that it would tear your arm off at an outside gig here in Wales!
Perhaps their next super tech invention could be a more normal looking headstock.
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I'm learning to flatpick and fingerpick guitar to accompany songs. I've played and studied traditional noter/drone mountain dulcimer for many years. And I used to play dobro in a bluegrass band. |
#37
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What does it mean, this "naff !!!!" ?
Does it really require the exclamation marks as part of the term ? I take it it doesn't mean "Wicked Cool" ? Would I then have to have a multiple headstock transplant to stay 'wicked cool' ? A veritable headstocktomy ? Would it cost double for 12 string guitars ? "I can't get no . . . , I can't get no . . . " Don .
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*The Heard: 85 Gibson J-200 sitka/rosewood Jumbo 99 Taylor 355 sitka/sapele 12 string Jmbo 06 Alvarez AJ60S englmn/mpl lam med Jmbo 14 Taylor 818e sitka/rosewood Grand Orchestra 05 Taylor 512ce L10 all mahogany Grand Concert 09 Taylor all walnut Jmbo 16 Taylor 412e-R sitka/rw GC 16 Taylor 458e-R s/rw 12 string GO 21 Epiphone IBG J-200 sitka/maple Jmbo 22 Guild F-1512 s/rw 12 string Jmbo Last edited by donlyn; 02-09-2021 at 06:41 AM. |
#38
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Well, I have the privilege to live just 30 minutes away from one of Taylor's authorized dealers. Not that hard
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-2017 Gibson J-45 Standard -2019 Gibson J-15 -2019 Gibson Les Paul Junior -2020 Gibson Les Paul Special -2019 Gibson Les Paul Studio -2021 Fender Aerodyne Special Telecaster -2022 Fender Telecaster 50s (Vintera) -1994 Fender Telecaster Deluxe 70 (Vintera) -Sire V5 5-string |
#39
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That's pretty much what any and all magazines are, lots of advertising and paid gear reviews passed off as content. At least the Wood & Steel is free.
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Please don't take me too seriously, I don't. Taylor GS Mini Mahogany. Guild D-20 Gretsch Streamliner Morgan Monroe MNB-1w https://www.minnesotabluegrass.org/ |
#40
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But Taylor, of late, seems to be really dialing up the selling, although not in an overt way. In fact, it's the opposite of overt, which is where the real skill comes into play. And they have that skill in abundance. My sense is that they're selling Andy Powers even harder than ever. Which raises the question of whether there's been a customer backlash against V-Class, etc. Comments from Taylor fans on AGF would seem to indicate that not everyone is enthralled with Andy's World. And perhaps that's driving the harder sell.
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Martin Custom Shop Super D (Sitka/Koa) Martin OM-42 (Sitka/EIR) Gibson 1936 Advanced Jumbo (Red Spruce/EIR) Breedlove Ed Gerhard Exotic (Brazilian/Red Spruce) Brad Goodman J-200 (Engelmann/Quilted Maple) Taylor 326CE 8-string Baritone 1960s Guild M-20 (Nick Drake guitar) |
#41
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Taylor seems to be selling a lifestyle associated with their guitars these days. The models and marketing presentations are impressive to say the least.
What turned me off to Taylor was buying a new 2017 K-22 for close to $5K that was built with X-bracing and then having the marketing team 6-7 months later tell me via Wood and Steel articles and Andy Power podcasts how “chaotic” they found X-bracing to be and how V-bracing was going to be the new standard. Left a bit of a bitter taste in my mouth and I think to some degree they have been burned a bit by the pushback. I also don’t like their sales policies regarding small dealers. I’ve spoken to several dealers who were forced to drop the line because they could not live with (or afford) Taylor’s onerous stocking requirements. Seems out of spirit if you read Bob Taylor’s book as it was small mom & pop dealers that gave Bob and Kurt a chance and helped them get started. I emailed Taylor that I was not happy to have only Guitar Center stores as my only option for service and their response was that I could take my Taylors to other dealers that were 4-5 hours away from where I live (the New Orleans area). I was fully onboard with them (814, 522, 812, K-22, 562, 714, GS Mini, BBT, BT, T3, T5 are Taylor models I have had but no longer own) but have pretty much permanently drifted away. I will say I enjoyed the experience with every Taylor I owned but after I bought my first Collings, I knew tonally there was more out there.
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Doerr Trinity 12 Fret 00 (Lutz/Maple) Edwinson Zephyr 13 Fret 00 (Adi/Coco) Froggy Bottom H-12 (Adi/EIR) Kostal 12 Fret OMC (German Spruce/Koa) Rainsong APSE 12 Fret (Carbon Fiber) Taylor 812ce-N 12 fret (Sitka/EIR Nylon) Last edited by SprintBob; 02-09-2021 at 03:12 PM. |
#42
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Taylor: The Sound of Marketing
I thinks it’s safe to assume Taylor is doing very well. They make great guitars across a wide spectrum of price points and they do a great job making emotional connections between their customers and the brand. Regardless of your tone or brand preferences, the positioning and brand perception Taylor is striving for is clearly working for them.
When I started re-learning to play a few years ago I was determined to buy a Taylor. My brand perception was strong and I wanted to own a piece of it. But other than a short period where I bought a used GS Mini I have not owned a Taylor. The GS Mini was a fun and great guitar, just a bit small for me. My preference is to stay a little south of Taylor’s price points for all-solid guitars. I feel better about the value I get, but I know that if I played the Taylor high end stuff I’d be blown away.
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Justin ________________ Gibson J-15 Alvarez MD60BG Yamaha LL16RD Epiphone Les Paul Standard Fender Player Stratocaster |
#43
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Bob Taylor in his “Mr. Riogers” oh shucks style, is a marketing mastermind and while I would never own a Taylor, I appreciate his gift and brilliance as a marketer. Joining with Andy was his biggest marketing blunder in his career, IMO. He didn’t need him, and he’s alienated more people than he’s attracted, still IMO. It appears you’ve noticed that and brought it up for discussion. Well done.
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McCollum Grand Auditorum Euro Spruce/Brazilian PRS Hollowbody Spruce PRS SC58 Giffin Vikta Gibson Custom Shop ES 335 '59 Historic RI ‘91 Les Paul Standard ‘52 AVRI Tele - Richie Baxt build Fender American Deluxe Tele Fender Fat Strat |
#44
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However scientifically validated, the whole V-Class episode carries the unmistakable fragrance of snake oil.
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Martin Custom Shop Super D (Sitka/Koa) Martin OM-42 (Sitka/EIR) Gibson 1936 Advanced Jumbo (Red Spruce/EIR) Breedlove Ed Gerhard Exotic (Brazilian/Red Spruce) Brad Goodman J-200 (Engelmann/Quilted Maple) Taylor 326CE 8-string Baritone 1960s Guild M-20 (Nick Drake guitar) |
#45
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Just so we're using our denigrating terms correctly:
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One can like or dislike v-bracing, but one thing *no one* has claimed is that it made no difference. With regards to Bob and Andy, Bob's been very clear that he pursued Andy to join Taylor, and sees him as his heir apparent. In numerous interviews Bob acknowledges his own mortality, and that he wants to see Taylor in good hands moving forward and has great respect for Andy. I think seeing his friend Bill Collings pass drove home the point. Just like v-bracing, one is free to like/dislike Andy Powers. But to claim that Bob bringing Andy aboard was a "marketing blunder" mischaracterizes what happened, and Bob's goal in Andy with regards to the future of the company, completely.
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Santa Cruz | Huss & Dalton | Lakewood Fan (and customer) of: -Charmed Life Picks -Organic Sounds Select Guitars -Down Home Guitars |