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  #16  
Old 08-18-2018, 10:59 AM
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Erithon Erithon is offline
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I do. I love the look of beautiful wood. There's something mesmerizing about an unique piece of nature, something developed organically and not artificially. How that piece is then set within the overall aesthetic of a guitar is important to me. I see my guitars as both tools and works of art, and I admire them nearly every time I play. The specs of a guitar influence my purchases, but so do the figuring of the tonewood sets.
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  #17  
Old 08-18-2018, 11:09 AM
drawshot1975 drawshot1975 is offline
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I'm a sucker for a nice backside. Many a decision has been made, taking it into serious consideration.
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  #18  
Old 08-18-2018, 11:33 AM
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A friend asked me yesterday about Ziricote, both visually and tonally. I told him, "Hey, you're in luck. I just happen to have a very nice one here!" He was impressed with my McKnight.

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  #19  
Old 08-18-2018, 11:47 AM
The Bard Rocks The Bard Rocks is offline
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Default pretty wood

That's why I use "top and sides woods" and spruce for the back. The drawback is the soundhole on the back doesn't contribute as much as I'd like.

All seriousness aside, I derive great pleasure in looking at the back. But I don't when I play, just at other times. And knowing they are there kindles my memory. On stage, the audience gets a clear view of the back of any instrument I am not playing at the moment. I have received many comments that way.

Granted pretty wood does not sound better, but it adds a dimension to my love of the instrument that I would not otherwise have.
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Last edited by The Bard Rocks; 08-18-2018 at 06:36 PM.
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  #20  
Old 08-18-2018, 12:35 PM
DukeX DukeX is offline
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Quote:
Originally Posted by Goodallboy View Post
I look at the back of my guitar after every playing session, while wiping it down.
Yup, same here.
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  #21  
Old 08-18-2018, 12:54 PM
mr. beaumont mr. beaumont is offline
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All the time, it's where I tape the setlist.
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  #22  
Old 08-18-2018, 01:05 PM
N+1 N+1 is offline
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I look at the back of my 214ce-QM-DLX every time I take it out of the case to play it. It always makes me pause and think 'My goodness ... is it going to sound as bedazzling as it looks?' It does, pretty much.

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  #23  
Old 08-18-2018, 02:44 PM
Ed66 Ed66 is offline
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Quote:
Originally Posted by drawshot1975 View Post
I'm a sucker for a nice backside.
I'll second that. All kidding aside, while tone is the ultimate consideration for me, I'm a huge fan of beautiful wood in general. While I don't build guitars, I do quite a bit of woodwork and the beauty of an attractive and well finished piece of wood regardless of its use is something I appreciate. So yes I look at the back and sides of all my guitars and the look does matter.
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  #24  
Old 08-18-2018, 03:05 PM
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Depends on the guitar right?

My Bourgeois LDBO has an amazing looking figured cherry back- so yes - I can’t help but look

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  #25  
Old 08-18-2018, 04:03 PM
Wade Hampton Wade Hampton is offline
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Truthfully, I rarely gaze at or admire the wood in my musical instruments. But my koa instruments (two guitars, two mountain dulcimers) and one Madagascar rosewood guitar are so outlandishly gorgeous that sometimes their beauty quite literally catches me by surprise. When that happens I have to take a quick breath, and hold them up and shift them in the light for a few seconds just so I can look at them.

I get ambushed like that every so often. But most of the time I'm very matter of fact and focused on the music I'm going to play, rather than the instruments I'm going to play it on. So those "ambushed by beauty" moments are not as frequent as you might assume.


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  #26  
Old 08-18-2018, 04:06 PM
airborne1 airborne1 is offline
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Quote:
Originally Posted by drawshot1975 View Post
I'm a sucker for a nice backside. Many a decision has been made, taking it into serious consideration.
Most men are a sucker for a nice backside!
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  #27  
Old 08-18-2018, 06:31 PM
printer2 printer2 is offline
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Quote:
Originally Posted by The Bard Rocks View Post
That's shy I use "top and sides woods" and spruce for the back. The drawback is the soundhole on the back doesn't contribute as much as I'd like.
Tried that once, didn't work out all that well.

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  #28  
Old 08-18-2018, 07:42 PM
Tnfiddler Tnfiddler is offline
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I still look at my new to me 2008 Fall Ltd Koa/Cocobolo GS and can’t get over how amazing it is!!
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  #29  
Old 08-19-2018, 01:49 AM
GuitarFundi GuitarFundi is offline
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A guitar is functional art. Tone and playability are must haves, but if you can have beauty in the materials and workmanship why wouldn't you want that too? A J-45 with back and sides almost black looks like quite awful to me, but a J-45 with a light red stain and great grain is beautiful. The wood doesn't have to be tricolor Koa to be beautiful and appreciated. I like beautiful backsides too!
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  #30  
Old 08-19-2018, 05:01 AM
Dru Edwards Dru Edwards is offline
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Quote:
Originally Posted by paulzoom View Post
To be honest, not much. I think beauty of the back of the guitar is overrated. You don't see it when you play, and you don't see it when it's hanging or on a stand.

I would much prefer to obsess over the front of the guitar.
Same here. I'll have a quick glance when picking up one of my guitars but that's about it. I'm much more likely to look at the back of a guitar in a store than at home. Love looking at pics though.
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